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Dos locos sueltos

Título original: A-Haunting We Will Go
  • 1942
  • Approved
  • 1h 7min
CALIFICACIÓN DE IMDb
6.2/10
1.5 k
TU CALIFICACIÓN
Dos locos sueltos (1942)
AventuraComedia

Agrega una trama en tu idiomaStan and Ollie get involved with con men, crooks, a genial magician, and two interchangeable coffins with disastrous but funny results.Stan and Ollie get involved with con men, crooks, a genial magician, and two interchangeable coffins with disastrous but funny results.Stan and Ollie get involved with con men, crooks, a genial magician, and two interchangeable coffins with disastrous but funny results.

  • Dirección
    • Alfred L. Werker
  • Guionistas
    • Lou Breslow
    • Stanley Rauh
  • Elenco
    • Stan Laurel
    • Oliver Hardy
    • Dante
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.2/10
    1.5 k
    TU CALIFICACIÓN
    • Dirección
      • Alfred L. Werker
    • Guionistas
      • Lou Breslow
      • Stanley Rauh
    • Elenco
      • Stan Laurel
      • Oliver Hardy
      • Dante
    • 20Opiniones de los usuarios
    • 10Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos24

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    Elenco principal39

    Editar
    Stan Laurel
    Stan Laurel
    • Stan
    • (as Laurel)
    Oliver Hardy
    Oliver Hardy
    • Ollie
    • (as Hardy)
    Dante
    Dante
    • Dante the Magician
    • (as Dante the Magician)
    Sheila Ryan
    Sheila Ryan
    • Margo
    John Shelton
    John Shelton
    • Tommy White
    Don Costello
    Don Costello
    • Doc Lake
    Elisha Cook Jr.
    Elisha Cook Jr.
    • Frank Lucas
    Edward Gargan
    Edward Gargan
    • Police Lt. Foster
    Addison Richards
    Addison Richards
    • Attorney Malcolm Kilgore
    George Lynn
    George Lynn
    • Darby Mason
    James Bush
    James Bush
    • Joe Morgan
    Lou Lubin
    Lou Lubin
    • Dixie Beeler
    Robert Emmett Keane
    Robert Emmett Keane
    • Parker
    Richard Lane
    Richard Lane
    • Phillips
    Willie Best
    Willie Best
    • Waiter
    Harry Blackstone
    • Magician
    • (sin créditos)
    Wade Boteler
    Wade Boteler
    • Police Announcer
    • (sin créditos)
    Buz Buckley
    • Dante's Young Admirer
    • (sin créditos)
    • Dirección
      • Alfred L. Werker
    • Guionistas
      • Lou Breslow
      • Stanley Rauh
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios20

    6.21.4K
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    Opiniones destacadas

    5planktonrules

    Funny or typical of earlier Laurel and Hardy films? No,...but still a pleasant little film

    Laurel and Hardy had been stars for years with Hal Roach Studios. However, by the 1940s, they were considerably older and their contract had expired. Their decision to try out other studios (RKO, MGM and FOX) resulted in a string of, at best, lackluster films. Sure, they made better money, but none of these films comes close to classic status.

    As for A-HAUNTING WE WILL GO, it was one of these 1940s films, but at least it wasn't bad--just, unfortunately, made by a studio that had no appreciation for the team at all. The biggest problem about this film is that Stan and Ollie play roles that could have been filled by practically anyone. The usual banter and style you'd expect in a Laurel and Hardy film is strangely absent--something that plagued all their post-Roach productions.

    The plot for A-HAUNTING WE WILL GO was quite unexpected. With a title like this, I would have expected a movie about a haunted house or ghosts but these were strangely absent from the film. Instead, it's about Stan and Ollie stumbling into a gang of criminals as well as bumbling into becoming assistants to a magician.

    Fortunately, despite being a very odd and unfamiliar style, the script wasn't bad at all--but unfortunately it wasn't all that funny either. While there were a few mildly funny moments, they were all centered around camera tricks and had nothing to do with the boys themselves. It was if funny things were thrown at them instead of allowing them to just be themselves and express their own gentle form of humor. Still, not a bad film--but far from classic Laurel and Hardy. Worth a look for fans of the team and not particularly offensive or daring.
    hausrathman

    Twilight of the Comic Gods

    Laurel and Hardy are bamboozled into smuggling a gangster, disguised as a corpse in a coffin, from one city to another but complications arise when the coffin is switched with a coffin used in a magician's act. This film, produced by Twentieth Century Fox, doesn't approach the charm of even their weakest feature produced by the Hal Roach Studios, but I don't think this is necessarily Laurel and Hardy's worst film. There are a few laughs, sporadic as they may be. The main problem is that the comedy is too generic, it doesn't grow out of the personas they painstaking developed over the years. One could just as easily imagine Abbott and Costello or Bob Hope and Bing Crosby doing the Indian Rope trick gag. The production values are better than the Roach films, but production value is a poor substitute for comedy. The predicament can be summed up in the casting. In this film the boys are menaced by Elisha Cook, Jr.. Don't get me wrong. I think Elisha Cook, Jr., is an terrific supporting actor, but against Humphrey Bogart, not Laurel and Hardy. The boys are better menaced by a comic heavy like Walter Long.

    Still, although many Laurel and Hardy fans castigate Fox and MGM for their treatment of the duo during the 1940s, I don't honestly see how it could have been much different anywhere in Hollywood. Laurel and Hardy were products of the 1920s and 1930s, the golden age of screen comedy. The 1940s were the nadir of comedy. By the time "A Haunting We Will Go" hit the screens in 1942, all of the greats were all essentially gone. Chaplin was inactive, and never returned to the comedy which made him great. Harold Lloyd had retired. Buster Keaton's career was in ruins. W.C. Fields' career was over. The Marx Brothers' film career was essentially over. Even the Ritz Brothers only had two more films in them. When you look at Laurel and Hardy in the context of their peers, it is a great testimony to their popularity that their film career continued as long as it did. The 1940s would forever belong to Abbott and Costello and Bob Hope, the likes of whom would make some funny films, but decade never had the comic vitality of the 1930s.
    10tcchelsey

    LAUREL & HARDY, THE COPS AND A CORPSE.

    10 Stars.

    I have to tell you something. Laurel and Hardy's later films WERE good comedies. Lots of critics have given them a thumbs down. These films made millions of dollars for Fox (notice how critics don't mention that!) and had a following. They have survived the test of time and, in fact, were the first to be released to television.

    A HAUNTING WE WILL GO was the team's second film for Fox, designed to keep up with the antics of Abbott and Costello (who had released HOLD THAT GHOST!). They had a bigger budget and a solid cast of character actors, including world famous Dante, the Magician in this episode. There's some debate this may have been a re-worked script, originally planned for CHARLIE CHAN. The series was cancelled by Fox earlier in the year, and producers put all their attention to Laurel and Hardy. It makes sense.

    Here you have a coffin, a missing corpse and a bunch of sly crooks. Sounds like something Charlie Chan would have gotten himself into. Additionally, some genuinely classic scenes have the boys assisting Dante, the magician with his act. Alfred Werker directed these bits beautifully, and with a few special effects. The setting is also very elaborate, boasting a large cast of extras in the audience.

    After watching this comedy for decades, and for some reason, always on a Sunday afternoon, it's still a treat, particularly the whodunit to WHO ending. Lois Laurel, Stan's daughter, claimed these films were fun, and, in fact, Oliver Hardy was said to have enjoyed making them. His favorite was JITTERBUGS, released soon after this production.

    Goofy dialogue and one-liners tossed in, written by Lou Breslow, who also wrote the original story. The phony money machine bit with bug-eyed waiter Mantan Moreland is a gem.

    Look for the (censured) backward statue. Ollie's double-take is hilarious. Note the cartoon characters at the start of the film credits, which showed the art department really loved their work. Yes, there are many publicity photos of the boys in costume, still in circulation to this day. Some of the photos have been restored in color and they look great.

    In box sets of three films each, released by Cinema Classics, 2006.
    7elo-equipamentos

    Get in trouble with the Fat and the Thin !!!

    One's the first picture that I'd ever seen at theatre was from this outstanding couple, which I didn't remember the name, well-known here in Brazil fondly as "the Fat and the Thin" in this picture our friends are hired to takes a coffin to another city by train, the coffin was swapped on railway station, actually inside has a living crook who is at large from the police.

    Forgetting a bit the plot, there are some many gags around, they were misled by a couple of crooks who sold to them a machine that make oversized money, so they made a spensive dinner, but the machine didn't work out, more trouble ahead, arriving in the town they got a job with a great magician, but they are pursued by the coffin's gang.

    These remarkable duo comics had a successful box-office here and TV as well, their DVD are available with an original dubbed version, all in my collection !!!

    Resume:

    First watch: 1991 / How many: 4 / Source: TV-DVD / Rating: 7.
    puss-2

    Hugely underrated

    This is one of laurel and hardy's most underappreciated films. The scene where Stan climbs a rope in a magic trick is one of the funniest things i have ever seen. There are some great lines too - "Let's go to Florida. I'm dying for an orange". Priceless.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      The town of Milledgeville is mentioned. There is no Milledgeville in California, but there is in Oliver Hardy's home state of Georgia. Hardy sometimes referred to place names near his home in his films as an "in-joke,"
    • Citas

      Oliver Hardy: [to Stan] It's better to spend one night with a corpse than 60 days with the cops.

    • Conexiones
      Featured in Hollywood: The Gift of Laughter (1982)

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    Preguntas Frecuentes

    • How long is A-Haunting We Will Go?
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 28 de octubre de 1942 (México)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Official Site
    • Idioma
      • Inglés
    • También se conoce como
      • A-Haunting We Will Go
    • Locaciones de filmación
      • 20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Ángeles, California, Estados Unidos(Studio)
    • Productoras
      • Laurel and Hardy Feature Productions
      • Twentieth Century Fox
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 7 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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