La prueba de fuego

Playing the title role of The Forest Rangers is Fred MacMurray who has both romance and an arsonist on his hands. He's got logging camp owner Susan Hayward kind of pining after him, but he gets good and swept off his feet when eastern tenderfoot Paulette Goddard comes out west with her rich dad Eugene Palette on vacation.

Palette who plays a milder version of his Seth Bullock from My Man Godfrey seems grateful to MacMurray for taking her off his hands. But Hayward gets quite a jolt as does everyone around as all assumed sooner or later MacMurray would be hitched with Sue. Hayward's not giving up either.

The scenes out in the woods are handled expertly by George Marshall. One of the funniest sequences I've ever seen in a Marshall film is when the stars are out on a river trying to cross it with the logs. Tenderfoot Goddard gets in trouble and MacMurray and Hayward are just as funny, but not so much help in the end trying to get her across.

As for the arsonist we get quite the red herring here. But when the arsonist is finally revealed you won't believe the motive.

I saw The Forest Rangers years ago and just saw it again for purposes of this review. The color cinematography looked kind of washed out and the sound wasn't the best. Hopefully this is a film that is a priority for restoration.

The song Jingle Jangle Jingle came from this film and it made a mint of money for its composers Joe Lilley and Frank Loesser. The Merry Macs had a big hit record for Decca back in the day.

Hopefully in the future we'll get treated to a restored version of The Forest Rangers.

Fred MacMurray is the chief of a forest ranger crew who get plenty of action fighting forest fires. Susan Hayward runs a logging operation down the road a ways. She has her eye on Fred but he thinks of her as one of the boys.

When Fred meets extremely cute Paulette Goddard riding in a parade over in town, he falls for her quickly and they are married in a snap. Poor Susan isn't too thrilled and sets about figuring a way to send Paulette packing for the city she came from.

Okay, so it's kind of a lame plot....Luckily, it really isn't developed too seriously. A typical scene is the one in which our main characters get stuck overnight in the woods with only one blanket for the three of them: lying on the forest floor, they jockey for position for about five minutes, both of the women wanting to cuddle up to Fred. It's kind of amusing in a silly way.

A subplot involves the rangers' investigation into a rash of forest fires—is logger Albert Dekker the local arsonist? The supporting cast also includes Lynne Overman as MacMurray's old-timer right hand man and Regis Toomey as a pilot who flies over fires and radios in intelligence.

Despite the mediocre story line, MacMurray, Goddard and Hayward all look great and give lively performances. The Technicolor is gorgeous and there are some intense forest fire scenes—so why bother about plot?

Also entertaining: As far as I can tell, that really is Fred MacMurray singing a ballad called "Tall Grow the Timbers."

Fred MacMurray is a forest ranger, obviously, and Susan Hayward is the woman he loves. Correction: she loves him, and he treats her like one of the boys. He later meets Paulette Goddard, and they get hitched, supplying the plot of rivalry between Susan and Paulette. Costarring Regis Toomey and Brian Donlevy, this movie contains a mixture of light comedy and soap opera-ish drama, making it a cross between the TV show "Dallas" and Carol Burnett's soap opera send-off, "Fresno" in the eighties (which I wish they would put on DVD.) And, the fires will knock you out and look like something out of "Backdraft." You literally can feel the heat, they're so real. I was very impressed with the fact they didn't cut corners in showing the real thing in an old movie like this. In fact, I was very impressed with everything for such a little unknown movie, which I think you will too.

Seeing Fred MacMurray, Paulette Goddard and Susan Hayward in this rousing gorgeous technicolor movie was great fun. Story of a Forest Ranger (MacMurray), being chased by the beautiful but butch lumber mill owner (Hayward), and then meeting and falling in love at first sight with a rich girl (Goddard) makes the triangle perfect. Guy marries girl and the fun begins as the vixen tries to woo him back. Funny scene when the three of them are stranded in the woods and have to spend the night with one blanket to share between them.

Excellent forest fire scenes filmed by director Marshall. Climatic final scenes when the fire starter is surprisingly revealed and Goddard and Hayward, caught in the midst of the blazing woods, have to survive. Excellent dramatic footage of the fire and comedy of situation make this great movie fare. With today's films this one done in the early 40s still holds it's own.

Sit back and enjoy a movie that makes good use of the particular talents of Fred MacMurray, Paulette Goddard and Susan Hayward. Each has a role totally fitted to their screen persona and they make the most of their opportunities. What helps considerably are the lush production values--but don't expect too much credibility in the script that has the female stars fighting rather predictably over the hero while the subplot (about an arsonist methodically setting forest fires) gives the story some additional sparks. A particularly amusing sequence has the trio spending the night in the woods sharing the same blanket--rather risque stuff for '42!!

There's grandeur in the technicolor photography and stunning close-ups of Susan and Paulette to keep their fans happy. A catchy song number called "I Got Spurs That Jingle, Jangle, Jingle" became a top hit on the hit parade at time of the film's release.

Only real weakness is the ending which has Susan's character doing a real switcheroo--but it's not a film to take seriously in the first place and only meant to be entertainment--which it is.

Susan shows the kind of grit and spirit that enabled her to take on more complex roles later in her career and Paulette Goddard has a role tailor-made to show off her own brand of sophisticated charm. MacMurray is himself, nothing more, and it works every time.