Camino de Marruecos

This is a typical ROAD movie with the boys chasing Lamour as the audience waits to see who Dotty will wind up with. The script is pure escapist, light-hearted stuff and everyone seems to enjoy the tongue in cheek style of all the gags.

Bing is his usual affable self, tossing off a few songs in the Crosby manner--the best of which is "Moonlight Becomes You". Dorothy Lamour is at her peak of lush beauty as the princess and manages to keep a straight face while the boys cut capers. Bob Hope shines in a part totally suited to his comic skills with one-liners and double takes that keep the high spirits flowing.

If you're a fan of ROAD movies, you'll definitely enjoy this one--although my own personal favorite is still ROAD TO UTOPIA.

You can't go into a viewing of any Hope and Crosby picture expecting a strong story or plot,nor should you expect the acting to be great.Bob Hope's true strength was stand up comedy,not acting,and I think he knew that.That's why we only saw him in roles where he could be pretty much rely on his stand up skills.Bing Crosby,on the other hand,had a knack for acting even though he was primarily a singer.In fact,his knack won him an Oscar two years after he did this film,so you know he took it seriously.Since Hope's acting skills were not strong,I thing that Bing saw these films they did together as a chance to relax and have a little fun,and to take a break from the seriousness of the acting profession.Despite their contrasting talents,there is no denying the great chemistry that existed between the pair,which makes Road to Morocco fun to watch.Also,if I may add,Dorothy Lamour and Dona Drake are also fun to watch,but for a different reason.I suppose that's just the typical male in me talking. ;-)

Extremely funny third "Road" movie starring Hope, Crosby and Lamour, possibly the best in the series. In what is almost literally a laugh-a-minute, the two stars riff off each other to the manner born, their timing impeccable and seeming ad-libs spontaneous and hilarious.

The classic scenes are more and near between. My favourites include the nodding-heads scene when the boys are hiding from Anthony Quinn's gaze, Hope's hilarious exposition scene, (for the folk who only came in halfway through the movie) and his Oscar grabbing scene at end. There are loads of snappy one-liners too, the stars not too proud to send themselves up - Crosby makes a crack about Hope's nose while Hope spoofs Crosby's crooning. Dorothy Lamour looks suitably exotic and has no problem yet again convincing the viewer of her ability to bewitch her usual three men, Hope Crosby and Anthony Quinn, all as usual. While Bob, unsurprisingly loses Dorothy once again to Bing he surprisingly this time gets a girl of his own by the finish.

The songs are fine too ("Ho-Hum", "Constantly", "Moonlight Becomes You" and the jokey title song) and are much better woven into the flow of the film than on previous journeys.

All in all, one of the funniest comedies from Hollywood's Golden Age, it quite rightly cemented the reputation of the "Road" franchise and kept the threesome on their travels for a road or two yet.

Talking camels that manifest falsehood in moments of battle. Best friend rivalry over a beautiful princess in another distant time, in another exotic setting. Unconvincing sets of desert and sea make viewing a bit of an eyesore for those wary of its artificial conception. However, the interiors are done with just the right touch incapable for MGM to create with over doing the sets entirely without a hint of Ziegfeld. Nor is anyone overdressed inappropriately.

Even better, "Morocco" has a hilarious and brilliant script directed by a Paramount director that obviously has an important asset essential for the trademark mix of these films, a sense of humour. Some of the most memorable scenes from any of the "Road" films occur in "Road to Morocco". And they certainly couldn't belong anywhere else.

Perhaps today the third film of the series is unjustly best remembered for some of the hit songs it spawned, "Moonlight Becomes You" and the title song. However, other songs featured in the score should not be forgotten, despite the loveliness and catchiness of the other two.

However, this film has something brilliant going for it that is sometimes missing in other screwball or highly comic films of the era. There is no Cary Grant, and no Carole Lombard. Yet all the actors manage successfully with zany screwball antics typically capable of the above at the highest of standards. The best thing the film has is Bing, Bob and Dottie and the teaming of the trio should not be forgotten as possibly one of the best in comedies.

What this film must have done to wartime morale is amazing in a solemn era difficult to forget post Depression era. Yet today it remains as fresh as ever and anything else featuring Crosby, Hope and Lamour should not be passed over. It was certainly an unexpected gem of a surprise, and probably one of the few movies where the same jokes can get away with working twice.

Whatever its flaws, "Morocco" is one of my twenty favourite films of the 1930s, 1940s and 1950s, and the fact it's got a short time is even a greater bonus.

Yet once the all too rare movie magic of the film sets in, you never want the road to end.

Rating: 10/10

It's amazing to me that Dorothy Lamour could keep a straight face during the shenanigans of Bing Crosby and Bob Hope while filming. Apparently she had a great time with them, which is no surprise.

The boys wind up in Morocco in this film, and as usual, Bing's character can't wait to throw poor Bob under the bus - or, in this case, caravan. This time, Bing gets money to pay a restaurant bill by selling Bob into slavery. It turns out Bob is to be the groom of the glamorous Lamour. He's having a blast, though he writes to Bing that he's being tortured daily. As usual, Dorothy falls for Bing.

People might think I'm crazy, but I just love the '40s Bob Hope. He was adorable and very funny. Crosby gets to sing the beautiful "Moonlight Becomes You," an added bonus.

The stories are always the same, set in different locales, and they're always funny. Just two guys ad-libbing and goofing around. Hope plays his own aunt, an apparition. Enjoy.