CALIFICACIÓN DE IMDb
6.4/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaLucille Ball accepts a cadet's invitation to a military academy's senior prom in order to boost her career.Lucille Ball accepts a cadet's invitation to a military academy's senior prom in order to boost her career.Lucille Ball accepts a cadet's invitation to a military academy's senior prom in order to boost her career.
- Dirección
- Guionistas
- Elenco
Bob Stebbins
- Greenie
- (as Bobby Stebbins)
Opiniones destacadas
Not one of MGM's more memorable musicals. Except for the show-stopping Winsocki number, the music is undistinguished at best. Walker steals the show as the wisecracking plain-Jane, while Ball looks gorgeous but in a routine role. Nice boy Tommy Dix has a good voice, but little charisma. Thus, it's the rare Hollywood movie without a leading man.
Too bad the sparkling June Allyson and Gloria DeHaven weren't given more to do. They could have added much needed bounce, since Weidler has an unenviable killjoy role. And, please, couldn't someone put a leash on Kenny Bowers (Dutch) who mugs it up unmercifully like a pet chimp. Contrast his excess with the expertly expressive Donald McBride (Capt. Bradd), one of the fine, unsung comedic players of the 1940's.
No surprise that no choreographer is listed since the dance numbers are also forgettable. Even Harry James looks a bit discomfited by the brief shuffle he's required to do. At the same time, director Buzzell fails to bring off the madcap bedroom scene with the farcical coordination needed. As a result, the hectic mix up comes across as more frantic than funny.
All in all, it's a movie of bits and pieces with some good color photography and spot performances. My sense, however, is that this was a second-tier effort, without the peacetime cast (it is, after all, 1943) and top-notch director that could have made the many parts gel in typical MGM fashion.
Too bad the sparkling June Allyson and Gloria DeHaven weren't given more to do. They could have added much needed bounce, since Weidler has an unenviable killjoy role. And, please, couldn't someone put a leash on Kenny Bowers (Dutch) who mugs it up unmercifully like a pet chimp. Contrast his excess with the expertly expressive Donald McBride (Capt. Bradd), one of the fine, unsung comedic players of the 1940's.
No surprise that no choreographer is listed since the dance numbers are also forgettable. Even Harry James looks a bit discomfited by the brief shuffle he's required to do. At the same time, director Buzzell fails to bring off the madcap bedroom scene with the farcical coordination needed. As a result, the hectic mix up comes across as more frantic than funny.
All in all, it's a movie of bits and pieces with some good color photography and spot performances. My sense, however, is that this was a second-tier effort, without the peacetime cast (it is, after all, 1943) and top-notch director that could have made the many parts gel in typical MGM fashion.
For all those like me who have wondered and searched for information on what became of Tommy Dix.I came across a site with information on him from 2009. According to the site Dix was drafted after "Best Foot Forward" and severely injured in a stateside training accident. I don't know what the injury was. Because of the injury he was unable to go overseas with his regiment which was decimated at the Battle of the Bulge. He apparently lives in Savannah Georgia. I wish he had been able to continue his career.I really enjoyed his singing. "Wynsocki" tends to stick in your mind.The music makes this otherwise mundane movie worth watching. I hope Tommy Dix's life has been rich and satisfying
I really did enjoy seeing 1943's Best Foot Forward (BFF) again , after more than 50 years. I note that a couple of other reviewers have commented that they most enjoyed the film, as did I, for the song Buckle Down, Winsocki, as sung by Tommy Dix, and wondered what ever became of "military cadet" Tommy Dix, real life and career-wise. Young Tom would be about 82 years old now. As I recall, Tommy Dix was also in the original Broadway stage production of BFF in 1941. As far as I can find, there is absolutely not one shred or hint of bio or other life/career information re Tommy Dix on the internet, except that he was born in 1924 and appeared in very minor roles in two other movies in the early 1940's. Finito!
INDEED, what ever DID happen to our cadet, Tommy Dix? Does anybody out there know? Anyway, I hope he graduated with full honors from life's academy and had a grand and rewarding career, whatever and wherever it may have been, in or out of the movies.
INDEED, what ever DID happen to our cadet, Tommy Dix? Does anybody out there know? Anyway, I hope he graduated with full honors from life's academy and had a grand and rewarding career, whatever and wherever it may have been, in or out of the movies.
'Best Foot Forward' is a long way from perfect, having its fair share of flaws. This said it is an enjoyable diversion even if falling well short of being great. It does decently with what it set out to do, knows what it wants to be and tries not to do any more than it needs to.
The weak link is the story, which is as paper thin and nonsensical as they come. The songs are pleasant enough, but with the exception of one they are overlong, easily forgettable after a few hours and are mostly sloppily choreographed. The script is uneven, some of it is amusing and sparkles but other parts are leaden, corny and hopelessly out of date now.
Not all the cast work, with the ladies faring far better than the men. Kenny Bowers is very feeble with very little charisma, while Jack Jordan has the opposite problem of overacting and being insufferably irritating.
Lucille Ball however looks as though she is thoroughly enjoying herself and she is terrifically supported by glamorous and scene-stealing Gloria De Haven, peppy June Allyson and especially zesty and often hilarious Nancy Walker (who actually steals the show). Harry James is also great, as is William Gaxton. While Tommy Dix has his bland moments, he is more often than not appealing.
'Best Foot Forward' looks great, love the colours and handsome production design. Of the musical numbers, coming off best by far is the rousing in every sense of the word "Buckle Down Winsocki". Edward Buzell directs reasonably competently if slightly undistinguished.
Overall, enjoyable if unexceptional. 6/10 Bethany Cox
The weak link is the story, which is as paper thin and nonsensical as they come. The songs are pleasant enough, but with the exception of one they are overlong, easily forgettable after a few hours and are mostly sloppily choreographed. The script is uneven, some of it is amusing and sparkles but other parts are leaden, corny and hopelessly out of date now.
Not all the cast work, with the ladies faring far better than the men. Kenny Bowers is very feeble with very little charisma, while Jack Jordan has the opposite problem of overacting and being insufferably irritating.
Lucille Ball however looks as though she is thoroughly enjoying herself and she is terrifically supported by glamorous and scene-stealing Gloria De Haven, peppy June Allyson and especially zesty and often hilarious Nancy Walker (who actually steals the show). Harry James is also great, as is William Gaxton. While Tommy Dix has his bland moments, he is more often than not appealing.
'Best Foot Forward' looks great, love the colours and handsome production design. Of the musical numbers, coming off best by far is the rousing in every sense of the word "Buckle Down Winsocki". Edward Buzell directs reasonably competently if slightly undistinguished.
Overall, enjoyable if unexceptional. 6/10 Bethany Cox
Based upon the 1941 Broadway musical, I found this to be a fun,charming, and well written screenplay that entertains from beginning to end. Although not her best film, Lucille Ball is more than adequate playing herself in this early teen romp. June Allyson, Gloria DeHaven, Virginia Weidler, Beverly Tyler, and Sara Haden are great as the quirky,loud-mouthed, obnoxious teenagers hell-bent on ruining Lucy's night at the prom. But, this film is completely and utterly stolen by Nancy Walker as the way-over-the-top "Blind Date" girl. She is hilarious, and talented in this, her 1943 film debut. Her comedic genius is in full view in this film for which she should have received an Oscar nomination as Best Supporting Actress, but did not. Tommy Dix does a fine job as the star cadet the screenplay revolves around, and Harry James' music is more-than-worth watching the movie. When combined together, the above make this film a worthwhile watch; your belly will hurt from the hearty laughs you will emit!
¿Sabías que…?
- TriviaFilm debut of Nancy Walker and first full-length feature of June Allyson who reprise their roles from the Broadway play upon which this film is based.
- ErroresJune Allyson is credited onscreen as Minerva and Gloria DeHaven as Ethel. However, Allyson is called Ethel and DeHaven is called Minerva and 'Min' in the film.
- Citas
Lucille Ball: [as she steps off the train at Winsocki, encounteirng nobody but a barking dog] My public!
- Versiones alternativasThe DVD release of the movie includes a 4 minute Overture and a 2 minute Exit Music.
- ConexionesFeatured in MGM/UA Home Video Laserdisc Sampler (1990)
- Bandas sonorasBuckle Down, Winsocki
(1941)
Music and Lyrics by Hugh Martin and Ralph Blane
Performed by the MGM Studio Orchestra and chorus during the opening credits
Reprised at the prom
Reprised at the graduation in the finale, and performed by Tommy Dix and chorus
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- How long is Best Foot Forward?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 1,162,000 (estimado)
- Tiempo de ejecución
- 1h 34min(94 min)
- Relación de aspecto
- 1.37 : 1
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