Pistoleros sin pistola

Having just watched Laurel & Hardy in the Swiss Alps in Swiss Miss, I decided to then rewatch Abbott & Costello in Sun Valley in Hit the Ice. They play photographers who unwittingly get involved in taking pics of villain Sheldon Leonard and his henchmen after they rob a bank. I'll stop there and just say Bud & Lou once again are funny with their routines, like "Pack/Unpack" and "All Right!", and especially Lou's reactions and pratfalls. This was one of their early ones in which there are several musical interludes of which many are performed by Ginny Simms. I didn't mind them the first time I watched this 40 years ago and I still don't mind now. While looking at the cast list on this site, I noticed a couple of them-Edward Gargan and Mantan Moreland-had the year before appeared in Laural & Hardy's A-Haunting We Will Go. While regular A & C court jester Bobby Barber was also listed as being in this movie, I didn't recognize him anywhere here. Oh, and since I always like to cite when a player from my favorite movie It's a Wonderful Life is in another film, here it's Mr. Leonard who was, of course, Nick the Bartender in IAWL. So on that note, I truly re-enjoyed Hit the Ice. My next review will be Laurel & Hardy's short Towed in a Hole.

A strong entry from Abbott & Costello which sees them unwittingly aiding a trio of gangsters to rob a bank and having to then track them down before they are arrested for the crime themselves. Costello's encounter with a little girl on an ice rink is a scream.

I've always liked this Abbott & Costello outing, probably ranking it just in their top ten - but I really don't know why! The story is so contrived and abounding with plot leaps and non-sequiteurs I wonder what everyone was thinking about in the making and release of this. I think it must be the fun and inconsequential atmosphere created so effortlessly by Universal studios during the War that brings me back to re-watch Hit The Ice every few years, along with my love of A&C of course.

Basically: 2 photographers are mixed up in bank robbery, the main perp of which is laid up as ill in hospital as an alibi. His doctor is going to Sun Valley to take up a new post, so the gangsters tag along with him taking the suspicious nurse in tow - plus A&C trying to clear their names. Ignoring all the plot inanities along the way, this would be a pleasant but ordinary comedy with ditto songs - which were beautifully produced and evocative of the time, but not very catchy. But A&C's packing and re-packing the grip routine still holds up well even with the overly childish conclusion to it. It's also a film that can be watched credulously at 10 years old, in middle age the link to the Keystone Kops is sadly more apparent - who finds them a Laugh Riot nowadays? On the other hand compared to Blazing Saddles (the personal yardstick that I regularly use to gauge the worth of various films) this is a beautiful work of Art - seriously!

So the bottom line is if like me you can overlook plot and you like A&C then you'll do alright, if not, well, it's definitely not their best anyway!

Underrated A&C slapstick. The boys are photographers who get mixed up with bank robbers, ending up in a whirlwind ski run at Sun Valley. It's a darn near perfect mix of Costello prat-falls, big band tunes, and mock theatrics. Note how Lou often plays to the camera, acknowledging our presence in humorous fashion.

Plus, it's a great supporting cast of baddies, including a menacing Sheldon Leonard, a sinister Marc Lawrence, and a thuggish Joe Sawyer. And get a load of songstress Ginny Simms-. I'd stamp her name on my fuselage any day. Then there's the sweetly pretty Elyse Knox who, unfortunately, passed away just a short time ago.

Happily, the gags fly thick and fast in a script loaded with clever gimmicks, such as the handkerchief trick that's no sure thing as Lou finds out. Plus, there's the ice rink that made me appreciate what an expert athlete Costello is despite his ungainly appearance.

Anyway, the material is fresh, the boys are energetic, and the pacing is snappy, making this a top-notch entry in the A&C sweepstakes.

Hit The Ice was Universal Studio's attempt to cash in on the popularity of 20th Century Fox's Sun Valley Serenade which mixed swing music with Sonja Henie's ice skating. Universal didn't have an ice skater of the caliber of Sonja Henie, but they did have Abbott&Costello and Costello on the ice was a sight to see.

As for the swing music, Glenn Miller and his Orchestra were in Sun Valley Serenade and Universal didn't have them either. By this time Glenn Miller had gone to war. So they hired one of the good second line swing orchestras of the period led by violinist Johnny Long. And they also acquired Ginny Simms one of the best female singers from the Forties to appear with Long.

However first and foremost the film is an Abbott&Costello effort and the boys do come through. They're first free lance photographers who take a picture of gangsters Sheldon Leonard, Marc Lawrence, and Joe Sawyer robbing a bank while Leonard is supposed to be in a hospital. Leonard's set up careful alibi about that even with doctor Patric Knowles and nurse Elyse Knox suspicious. Costello's camera work threatens to blow up some best laid plans.

The whole cast winds up at Sun Valley during the ski season, setting up a most excellent chase sequence with the boys and the crooks going down slope. We're not quite sure who's chasing who, but the loot from the robbery is involved.

Bud and Lou do some very good work. Sad to say that the film was badly edited and there are some plot problems because of it. Towards the end you see the boys in tuxedos waiting for Ginny Simms at a train station with no real explanation as to why they're in the formal wear. Simms also gets to play straight girl for the boys, part of her role is to vamp Costello and she does a good job. All that beauty and an incredible set of pipes.

Hit The Ice is not one of their best efforts, but still better than some of what they did in the Fifties and should please Bud and Lou's strong legion of fans the world over.