La bestia del crimen

I wouldn't have believed that this film could run barely over an hour in length; in the course of its 67 minutes, it crams in more plot twists, emotional punch and sheer tension than recent blockbusters can manage in 200 or more, with never a wasted moment... but no lack, either, of aching silences and endless hours at night. As the innocent, idealistic young wife adrift in a city and world utterly alien to her, Kim Hunter carries the whole film with a performance of breathtaking conviction. She is scarcely off-screen from start to finish, as the character grows and matures both in confidence and desperation, and our assumptions about the outcome shift off-balance from one moment to the next. 'When Strangers Marry' is without a doubt her film. It's also an emotional roller-coaster, a gripping piece of noir -- and, unbelievably, a no-budget miracle shot in just seven days.

Robert Mitchum, in an early role, is a little wooden but crucially effective in the part of the former suitor who provides a steady shoulder for his one-time fiancée to lean on, and Dean Jagger is suitably elusive as the longed-for husband who is all but a stranger, but it is Hunter who really stands out here. I wasn't expecting much from this film but was absolutely swept away by it: an example above all of how to do a Hitchcock on Poverty Row.

This is a Hitchcockian film that reflects well the Film Noir period of Hollywood. Suspense is high, and the audience is kept guessing right to the end about who might be the killer of the drunk good-time Charlie, who innocently invited a stranger in a bar in New York to stay in his apartment for the evening. Don't be fooled by the original name, though.

It is being aired on the premium classics channels under the a.k.a. name "Betrayed".

Some important names were getting good exposure for their talents in When Strangers Marry. In front of the camera were Kim Hunter and Robert Mitchum. And behind are director William Castle later famous for horror pictures and Dimitri Tiomkin whose music scores were usually in films with far bigger budgets and vistas than When Strangers Marry.

Young Kim Hunter arrives in New York where she's on impulse married salesman Dean Jagger on short acquaintance. He's been delayed in Philadelphia and tells her to go to his flat and set up housekeeping. A helpful friend in Robert Mitchum proves even more helpful when Jagger is delayed for quite some time.

Good reason he has been delayed. The opening shows the homicide of a drunk and flannel mouth Dick Elliott who was bragging about the $10,000.00 he had even dropping large bills on the barroom floor. The next thing we see is the hotel maid finding the body and the cops Philly have a lead the suspect has gone to New York.

Where Neil Hamilton of the NYPD takes over and Jagger looks good for it to a disbelieving Hunter.

Not the greatest of noir films. But When Strangers Marry gave Robert Mitchum his first taste of a genre where at RKO he would get some really great roles and become a mega-star. Hunter and Jagger do well in their parts.

For a look at some movie legends developing I would give When Strangers Marry a viewing.

When Strangers Marry (AKA: Betrayed) is directed by William Castle and written by Philip Yordan and Dennis J. Cooper. It stars Dean Jagger, Kim Hunter, Robert Mitchum and Neil Hamilton. Music is by Dimitri Tiomkin and cinematography by Ira H. Morgan.

A compact William Castle noir that finds Hunter marrying a man she barely knows (Jagger), only to find he may be a murderer. Robert Mitchum is on hand for help and advice…

Well put together by Castle who keeps things brisk and simple whilst keeping the mystery element high, that in turn does justice to the decent script. There's plenty of noir touches, from expressionistic photography and up-tilts, to cool montages and feverish scenes. Some odd characters add to the psychological discord, while Tiomkin blends jazzy dance strains with "he's behind you" type rumbles.

Cast performances are more solid than anything spectacular, but Mitchum serves very early notice of what a presence and icon he was to become. Some sequences look cheap, which for a Monogram cheapie is to be expected, and this type of pic has been done far better by others, notably Hitchcock and Lewton, both of whom Castle doffs his cap towards. But this never outstays its welcome and there's plenty here for the noir lover to get hooked on. 7/10

Like My Name is Julia Ross, another quick-and-dirty damsel-in-distress movie, When Strangers Marry helped lay down the blueprints for what would come to be called film noir. Kim Hunter has just wed a patron (Dean Jagger) of the restaurant where she waited tables without knowing much about him; off on a vague business trip, he asks her to meet him at a New York hotel. His evasive actions are enough to raise suspicions even in a naive Ohio gal like her -- he makes her wander the streets of wartime Greenwich Village at night (as she did a year earlier in Val Lewton's The Seventh Victim). An old man-pal (the very young Robert Mitchum) happens to turn up to keep an eye on her strange marriage in the big bad city. But there are recurring links to the silk-stocking murder of a businessman in Philadelpia a few days before.... William Castle, best known as a 1950s schlockmeister (13 Ghosts, et al.) shows himself to be a keen apprentice here: There's a scene involving a glass-paned hotel mail chute that is almost Hitchcockian.