Cartas a mi amada

This is one of the 4 (successful) pairings of Joseph Cotten and Jennifer Jones. The latter receiving 3 Oscar nominations for her (their?) efforts (including this one). The debonair Cotten and the delightful Jones are perfectly cast. The title of the film provides the "connecting thread" for our seemingly doomed lovers. This mystery/love story is a "grabber" beginning to end. The film is a cornucopia of actions and emotions. The English countryside is very effective for this tale. The inevitability of their fates is obvious, but it's a very long and twisted road to get there....... and a very enjoyable road too...

Joseph Cotten at his best, Jennifer Jones at her best, and a fine supporting cast... A MUST SEE...

I have seen this video many times mainly because I absolutely adore Jennifer Jones.She is an awesome beauty and I must be honest, a sexual fantasy of mine.The fact she is playing a Canadian orphan in the film at least explains her accent.The story of an amnesiac who gradually becomes her true self is OK but why oh why does Hollywood insist on producing "twee" versions of "little 'ole England" in California complete with "gargoyles"? Surely English actors playing English characters in England would have been more authentic.Just to throw in a few English actors (Gladys Cooper and a boy in the London Journal reading room plus stock film company footage of London England, is not convincing enough to the film connoisseur).Also how could a private home have a view overlooking Trafalgar Square!This is unsubtle image - fixing on innocent susceptible eyes.I am sure Americans cringe just as much when they hear unconvincing American accents from non-U.S. nationals.Jo Cotten had the great good fortune to appear to my knowledge with Ms Jones also in Duel in the Sun (1946)/Portrait of Jennie (1948) and Since you went away (1944).Therefore they had already done a film together and their scenes worked well and I almost found myself forgetting his "English" accent! JJ never looked more lovely than in this 1945 picture and there is a very memorable scene when Alan (Jo Cotton) comes back to his house in Essex and receives a call from Dilly Carson (Ann Richards) that "Singleton" appears to have gone missing.Suddenly there is a giggle and the lovely "Singleton" a.k.a.Victoria Moreland, (JJ), pops up from the sofa to surprise Alan- JJ looks absolutely stunning!

This film is more than just the best of the "other fellow writes love notes" genre. The Ayn Rand screenplay, though a potboiler, conveys the absolutist nature of true romantic love, which certainly dovetailed nicely with her objectivist philosophy. Jennifer Jones is lovely as ever, and extremely convincing in her amnesiac role. A fine film.

I am very fond of the stars and many members of the supporting cast. I adore Portrait of Jennie. I think Ayn Rand was a prophet and wise beyond the ability of most people to even comprehend. Putting all of that aside. Even putting aside all of the music, the clothes, the atmosphere and the dialog. This is still wonderful. This is a story of fate, of love and how the two sometimes come together in an undeniable vision that, once seen is never forgotten. This is a wonderful movie and I enjoy it more with each viewing. Now that Ms. Jones is gone. she can always be as she was here and that is, she was loved by not just one man but by almost everyone who saw her back then when she and the world were so very much younger. Fate, not always so kind but somehow this movie makes one feel that there are worse things than to be fated to an inescapable love.

Love Letters has always been one of my favorite films. Fine performances by a superb cast, a good script by Ayn Rand and a perfect score by Victor Young. Jennifer Jones and Joseph Cotten were always compatible in their four films together. The chemistry between them is obvious. I confess a bias for this film because the title song has always been special for my wife and I for over 50 years. It was nominated for an Oscar but did not win. Such was the fate of composer Victor Young who not only failed to win an Oscar for "Love Letters" but also such memorable film songs as "My Foolish Heart," "Stellar By Starlight" and his most popular song "When I Fall In Love" (which surprisingly was never nominated even though it was in two films?) He finally received an Oscar after his death for "Around The World In 80 Days." Speaking of Oscar, Joseph Cotten was one of Hollywood's best actors for many years but he was never nominated for the big prize. Evidently, he made it look so easy he was never noticed. Jennifer Jones was radiant in this film and well deserving of her Oscar nomination. If you are a true romantic, I think you will love this film.