¡Qué noche de bodas!

Sweet, silly little trifle is merely an excuse to see Ida Lupino get a chance to put the heavy dramatics aside briefly as a career girl who becomes more pixelated as the complications pile up.

The story addresses the wartime housing shortage and some of the subterfuge that had to be resorted to just to have a decent place to rest your head at times. Of course misunderstandings abound.

Ida is charming and adept at comedy, William Prince is fine but it's a shame that since she rarely did comedy she didn't have a chance to costar with one of the master of the form like Cary Grant or Clark Gable. Sydney Greenstreet is funny as Prince's commanding officer as always relishing a chance to also break from the villain role and play comedy.

All together a cute little ride with nothing important to say but a nice little picture nonetheless.

I'll be the first to admit that this movie will probably never be regarded as one of the Top 10 Classics. However, this movie continues to captivate me.

The plot while predictable, is engaging and the characters are interesting (especially, Ida Lupino). Ida Lupino is a cutie pie in this movie!

I would highly recommend this movie!

I enjoyed Ida Lupino in a comedy as much as I ever did in her many dramatic roles;I think her timing is excellent. William Prince is not as skilled, but he makes a good foil for her character in this story.

For its time, the plot was probably considered slightly racy, but was handled so well, you'd never notice. I felt it had just the right touch on an old game, mainly romance, with the added benefit of light comedy that makes it appeal to women and men. The supporting parts were well cast, especially Sydney Greenstreet, who could also do great work in comedy and drama.

I only wish this were available on VHS, or even better, DVD.

This film hasn't been put on VHS or DVD. I saw it on the Turner Classic Movie channel in early July, 2007. What starts out to be a rather predictable wartime "B" light comedy, emerges shortly as a full-blown screwball comedy of the most delightful sort. Ida Lupino, of all people,shows that she can do comedy as well as Carol Lombard. After her years at Columbia, Warner Brothers finally discovered her broad acting talent. (Would that Columbia and MGM had discovered the comedic abilities of Lucille Ball decades earlier.) This low-budget gem, based on a play, reveals quite a bit about wartime America's economy and socio-economic structure. But mostly it's about a romantic entanglement and mistaken identity, two much-used devices that need first rate acting to pull off. Here, it happens. Even Sidney Greenstreet manages his atypical role in an impressive way. I don't know why the producers decided to insert a meaningless nightclub scene featuring two minutes of Louis Armstrong "and his orchestra," but perhaps this was just a way to attract more viewers. By the way, this is one of Willy Best's best films. He was finally given something to do in a movie that didn't involve Charlie Chan. Paul Harvey and William Prince also handled their roles admirably. In short, this is a long- forgotten winner.

Mildly amusing wartime programmer about housing shortage for service couples. Jean (Lupino) finagles an army officer (Prince) to pose as her husband so she can get restricted housing in a motel court. Naturally, "who sleeps where" type complications ensue as they work to keep up appearances. The pace picks up as the difficulties mount, ending finally in madcap farce.

The cast tries hard to make familiar material for the time work. Still, seams do show, especially with Lupino's sometimes over-eager performance. Clearly, she's anxious to show she's as good at comedy as she is at dramatics. Then too, when movie buffs think Greenstreet, comedy doesn't come to mind. But here he plays an unlikely over-weight colonel to pretty good effect. (Note how the script deals with this fudging of army fitness standards.)

The colorful mix of supporting characters includes a mischievous little Robert Blake, a busybody Ruth Donnelly, a bug-eyed Willy Best, and an addled Stuart Erwin. Together, they manage to keep the chuckles coming. The movie, however, doesn't rise to the first rank, perhaps because the elements don't blend into a seamless whole—you can almost see the characters and situations being assembled. Nonetheless, it's a generally entertaining glimpse into what titillated audiences coming out of the big war.