El club de la cigüeña

After the days of Prohibition where Sherman Billingsley made his money, he founded The Stork Club which was in New York what the Cocoanut Grove was in Los Angeles, where the elite meet to eat as Duffy's Tavern used to advertise. It was only natural that sooner or later one of the studios would make a film centered on the famous night spot and Paramount was the one that finally did it.

The nightclub serves as a backdrop for the story of one of the hatcheck girls in this case Betty Hutton. When she sees Barry Fitzgerald falling in a lake and starting to drown, Betty remembers her Girl Scout training and jumps in and saves him. Barry doesn't tell her, but he's a multimillionaire who then becomes her secret benefactor, much like Magwitch was to Pip in Great Expectations. Of course it all turns out a lot happier in the end for this cast.

Barry's presence leads returning serviceman boyfriend Don DeFore to suspect the worst that Betty's found herself a rich sugar daddy. It doesn't sit too well with Mrs. Fitzgerald played by Mary Young.

Fitzgerald was in the publicity gathered by his Best Supporting Actor Oscar for Going My Way. For the next few years Barry received more screen time and in this case, co-star billing with Betty Hutton.

As for Betty she and the cast get songs from a variety of sources. The best known number is the famous Hoagy Carmichael-Paul Francis Webster song, Doctor, Lawyer, Indian Chief which Hutton sings with her usual gusto. Betty's fine, but the really primo version of this song was done by it's composer who was a pretty fair entertainer as well.

Owner Sherman Billingsley was played by actor/radio announcer Bill Goodwin. In real life Billingsley was hardly as genial a person as Goodwin plays him.

Still the film is a must for Betty Hutton fans and for those who want to celebrate the past era of gaudy, yet tasteful nightspots.

Betty Hutton works overtime at being indefatigable playing a hat-check girl/band singer who saves a bum's life, not knowing he's really a multimillionaire; he becomes her secret benefactor, much to the dismay of her jealous orchestra-leader boyfriend. Overwritten comedy from B.G. DeSylva and John McGowan is mercilessly talky and comically complicated, with bosses, lovers, husbands and wives all trying to fool one another into happiness. Hutton is remarkable, however; she's terribly aware of the camera and keeps playing to the collective funny bone, yet she radiates chummy charm and her musical numbers are memorably spirited. The excellent supporting cast includes Barry Fitzgerald, Robert Benchley, Don DeFore, and the wisecracking Iris Adrian, a stitch as Hutton's gal-pal. **1/2 from ****

The first forty minutes of the movie is delightful with Barry Fitzgerald playing a millionaire in disguise who turns hatcheck girl Betty Hutton's life upside down. The last ten minutes are also fine with a cute and satisfying ending. Its the forty-five minutes in-between that gets bogged down. The biggest problem is the subplot with Don Defore. Defore plays an ex-marine returned from the war and the leader of an orchestra looking for a job. He is passionless and dull in both roles. He rejects long time girl friend Judy (Hutton) because he finds her in a wealthy apartment wearing rich clothes and assumes (incorrectly) that she got the goodies by whoring around. This might have made him noble in 1945, but now he seems like a "holier than thou" male chauvinist. One feels like telling the distraught Judy that she was lucky to get rid of the creep. Unfortunately, she has to feel guilty for having had good fortune without the help of her "man". She spends the rest of the movie trying to win him back.

The other problem is that Betty sings just four musical numbers and only two ("Doctor, Lawyer, Indian Chief" and "Square in a Social Circle") are in her inimitable jitterbug-swing style. These two numbers are the highlights in the film. Andy Russell, a rather lifeless Bing Crosby/Frank Sinatra type crooner is given three numbers, including a duet with Hutton, which just slows the film down.

In sum, the delightful performance of Barry Fitzgerald and the comical energy and singing talent of Betty Hutton start the movie in a glowing fashion and eventually get us over the finish line, but the middle part is dated and a bit wearisome.

I think the movie is worth seeing for two scenes - Hutton's dynamic delivery of "Doctor, Lawyer, Indian Chief" and her jarring scene where she welcomes her soldier boyfriend back from the war, saying "Move, Danny, Move, Do Something," I think at that moment she captured some of the extraordinary happiness that people felt about the war ending at that time.

About 20 years after first watching this on a VHS tape, I rewatched The Stork Club just now on YouTube. In this one, Betty Hutton saves Barry Fitzgerald from drowning. She thinks he's poor but he's actually rich and decides to give her an account initially without her knowledge. This eventually creates complications, most of which are pretty funny...except when her former soldier/current bandleader boyfriend Don Defore confronts her about them. The dialogue between him and Betty are deadly most of the time. Her with Fitzgerald, however, are often highlights. Ms. Hutton is much more subdued this time-compared to many of her other films I've seen-even during her performance of "In the Shade of the Old Apple Tree"-at least after Barry initially criticizes her jive version-to good effect. There's much more to the plot but I'll now say I highly recommend The Stork Club if you're a die-hard Betty Hutton fan like I am!

Mistakenly thinking the old man is committing suicide, two-piece bathing-suited Betty Hutton (as Judy Peabody) jumps in and saves eccentrically wealthy Barry Fitzgerald (as Jerry "Pop" Bates) from drowning. He decides to reward Ms. Hutton, who is barely making ends meet as a hat-check girl at "The Stork Club" in New York City. Mr. Fitzgerald becomes Hutton's mysterious benefactor, giving her an all-expenses paid apartment and a luxurious line of credit.

Suddenly rich, Hutton decides to help poor Fitzgerald, unaware he is behind her wealth. Complicating matters, Hutton's boyfriend Don DeFore (as Danny Wilton) thinks she's become Fitzgerald's high-paid mistress.

This is light, sentimental comedy infused by the personalities of its stars. The film really jumps to life when Hutton sings "Doctor, Lawyer, Indian Chief" which entered the record charts just before the film's release, and stuck around through the spring of 1946, going to #1 for two weeks. The song, which features a great Hutton vocal and infectious chorus, was her biggest chart hit, beating down competing versions from Les Brown and Hoagy Carmichael (who wrote the music).

***** The Stork Club (12/19/45) Hal Walker ~ Betty Hutton, Barry Fitzgerald, Don DeFore, Robert Benchley