Eso lo decido yo

For all its professionalism and excellent music, this is not a very significant film. I actually fell asleep several times during the long gaps of any intrigue leading forward. It becomes interesting not until towards the end, but there is one very interesting character, who actually sustains the whole film: Roman Bohnen as the professor. He raises your interest the moment he first appears, and you look forward to his return throughout the film, which fortunately frequently is repeated. He is the only clever one, while the others are not very convincing. George Raft is always himself as a gangster, and it's impossible to ever like him - his name is enough to deter you from any film he is in. But Sylvia Sidney is even worse - she is probably the least possible convincing actress for a politician.

The twists towards the end save the intrigue and the script, which isn't bad, but the one thing lacking is credibility. They say that all is fair in politicis, but the end proves this wasn't politics at all but merely the old worn-out story of bitter opponents ending up as lovers.

Interesting political film from 1946 with the always excellent Sylvia Sidney. Particulary liked the scene where she discusses politics ( interupted by a phone call from her ex husband ) while having a massage. Worth a look.

Sylvia Sidney is a wealthy woman who wants to be governor in "Mr. Ace" from 1946, also starring George Raft, with Stanley Ridges, and Jerome Cowan.

In order to have a chance at winning, Margaret (Sidney) has to get the backing of Eddie Ace, a political boss. Eddie doesn't want to endorse her. For one thing, he seems to have fallen for her; for another, she's an independent thinker, and he senses she won't follow instructions.

It's always fun to see a younger Sylvia Sidney. Here, with her hairdo and suit, she reminds me a little of Bette Davis. She gives a very good performance. Raft is his usual tough guy self.

The attitude toward women in politics in this film is interesting. It was a little more unusual back then that it is now, though there were some formidable women in the game, including Melvyn Douglas' wife Helen Gahagan Douglas, Nellie Taylor Ross, governor of Wyoming, and Miriam Ferguson in Texas. It's mentioned in the film that 29 members of the House of Representatives up to that time were women.

It's an okay watch.

This film's makers probably were aiming at a kind of political satire that Capra and Sturges sometimes brought off, but a lack of focus and fear of breaching the production code resulted in a script that lurches one way and then another.

Sylvia Sidney is excellent as a female politician, back when such things were rare, doing her best to conceal her ambition and ruthlessness behind an attractive demeanor with a fixed smile. The script doesn't quite know what to make of her. At first she seems not only wholly self-centered but frigid, having driven her husband, whom she married for his wealth and position, into the arms of other women without her much caring about it. Later she becomes more sympathetic for not being corrupt like most of the other pols around her, and for having to walk a fine line between being ladylike and being "one of the boys."

George Raft is his usual stoic self as a hard-bitten political with hinted-at mob connections whose only ideology is winning and graft (or G. Raft).

Sidney's idea is to lure him away from the machine candidate to back her. In one scene she inveigles him into spending the night at her place with apparent intentions of seducing him, but then the movie gets cold feet and the scene fizzles out, as do many others.

Still the film addresses, albeit timidly, political corruption and the ease with which the masses can be manipulated, and also reminds us of the pervasive sexism of that era. Sidney is repeatedly told "you're too attractive to run for office." Was ugliness considered a necessary attribute of female politicians in those days?

As you'd expect, some romantic sparks eventually fly between the two co-stars en route to its wildly implausible ending.

Good cinematography and some lavish interior decoration. If you're the type who enjoys watching old films for a window into the political atmosphere of their times, this is for you.

Margaret Wyndom Chase (Sylvia Sidney) is a hard-driven Congresswoman who is bent on becoming her state's next governor. She is a tough dame and seems willing to jump into the pig sty that is politics to get elected. However, one of the movers and shakers in the state, Eddie Ace (George Raft) has decided not only not to help her but work against her because of his brilliant and modern thinking that 'a pretty woman has no place in politics'!! But after he does what he can to sink her candidacy, Eddie inexplicably helps her with a second chance...presumably because he's suddenly developed a conscience! Considering that he's supposed to be a hard-bitten and rather amoral man, this is utterly preposterous...severely undermining the film.

George Raft is relatively wooden (as usual) and Sidney and the rest are reasonably good. But the huge plot problem I mentioned above does a lot to hurt the film. I honestly think the film could have worked very well if they'd removed the leading character (Eddie Ace) from the film!! The notion of a woman fighting for respect and acceptance in politics in the 1940s would have been really interesting.