El eterno conflicto

Spencer Tracy is a hard-nosed small town judge who meets feisty, attractive young Lana Turner in his courtroom one day and finds himself smitten; they date and he soon proposes, but there's an immediate problem: Lana's from the poor side of town and doesn't have the judge's class (she bowls and plays baseball) while all the judge's high society friends mingle at cocktail parties and gossip on the phone. From the way the film is written and directed, we are to assume Lana is really benefiting from this marriage, but she's never as happy as she was in those early scenes of "poverty" and, worse, she never returns to her roots, just goes around in circles finding the judge's money, power and friends a chore. The script is actually rather condescending in its approach to Turner's character; it has been written by people with money who have no idea what the "poor side of town" even looks like, and the filmmakers can't even grasp the fact that Turner (and maybe even judge Tracy) would be much happier away from all the champagne and telephone gossips and get involved in some low-income fun (like bowling!). Instead of focusing on the class-issue, they throw another man in Lana's path, which is the oldest issue in the book. This movie doesn't have any courage, and only the early courting scenes have spark. Tracy and Turner do all they can, but it's a lost cause.

Cass Timberlane is one of the only movies in which I don't detest Spencer Tracy. In fact, I actually like him in this film. He's a respectable judge who falls in love with the beautiful yet low-class Lana Turner. In a particularly touching scene, Lana miscarries their child, and Spence is tasked with telling her. He holds her hand and speaks tenderly, an emotion he rarely showed in his performances.

As you might expect, since Spence is older, cultured, and moral, and his bride is not, they have marital problems. Spence is frequently embarrassed by Lana's ignorance and free-spiritedness, and Lana is often bored by his stodginess. Before long, a younger man, Zachary Scott, catches her eye. But, in order to find out how this well-done drama turns out, you'll have to rent it. And since it's one of the only Spencer Tracy movies I like, I recommend that you do.

"Cass Timberlane" is a film about unexpected love and the choices you have to make when you're in love. Directed by George Sidney and starring Spencer Tracy as Cass, a judge in small-town Minnesota who is part of the middle-aged country club set. He's generally living a comfortable and content existence when he meets Virginia (Lana Turner), a woman who is at first a witness for a small claims case and later runs into. They strike up a friendship and then a romance, culminating in their marriage. When their child dies while being born, Virginia finds herself more and more restless and spending more time with Cass' best friend, the younger and handsome attorney Bradd (Zachary Scott). The country club set sees them getting closer, and collectively send Bradd to New York under the guise that he is being transferred for his job, just as Cass is starting to wonder if something is up between Bradd and Virginia. Virginia convinces him that there is nothing going on, and eventually Cass offers to move them to New York so she isn't so bored. Cass is then forced to choose between the love he has for his town and his job, and his love for his wife and her needs.

Spencer Tracy is excellent in this film, as he is in all of his films, and Lana Turner is also quite good. The scenes between she and Zachary Scott have enough heat in them to make us wonder if they are guilty of adultery as well. The story is a pretty straightforward drama, nothing special, but it is a good script and offers up enough conflict to satisfy without resorting to overload and ridiculous emotion. This is an average film that was well worth looking up. 6/10 --Shelly

As much as I love Spencer Tracy, there wasn't much he could do with this boring, predictable, overly preachy script. Not to mention how ironic it is to hear him expound the virtues of fidelity when he had numerous affairs, the most famous being Katharine Hepburn, while still married.

Lana Turner is lovely, but I just couldn't get into the story line. I think it started out as a good idea: Cass Timberlane (Tracy) marries a younger woman (Turner) from the supposed "wrong side of the tracks", much to the chagrin of his snobby friends. Can they make the relationship work or not? If they would have developed the story more, and preached less, I think it may have worked. Instead it is just a two-hour sermon, more or less.

Well, at least there is a cute kitty included in the picture.

The combination of Lana Turner and Spencer Tracy is an interesting one in "Cass Timberlane," a 1947 film based on a novel by Sinclair Lewis. I have a sneaking suspicion the emphasis in the book was a bit different, but maybe I'm wrong.

This story concerns a judge (Tracy) who falls for the beautiful witness (Turner) in an accident case and ends up marrying her. She's from the wrong part of town. The two are in love, but she doesn't like the town they're living in and wants something more exciting.

The judge seems wedded to his good old boys network; what he doesn't know is that his friendship is being used to help his friends cover up illegalities in wartime contracts their company received.

The story is fairly predictable. One of the reviewers here didn't understand the attraction Tracy had for Turner. Well, she says right up front that he reminds her of her father. I think he represented security and real love to her.

Turner and Tracy are likable, and the acting is uniformly good. Zachary Scott is on hand as a crooked lawyer who falls for Turner. Albert Dekker and Mary Astor have supporting roles.

This might have been a stronger film with the emphasis elsewhere, possibly on the subplot of the Wargate company. As it is, it's a little too formula.