Mr. Moto de incógnito

Moto #7/8 finds us in "Porto Rico" with a great print, some nice sets and atmospheric photography and a sterling cast giving the flimsy plot all they had.

Moto played as ever by Peter Lorre is called in by the Government in cahoots with the Governor to root out an international gang of diamond smugglers, discovers straight away that one the Governor's confidantes must be one of the baddies, if not the top dirty dog. Just picture the high profile suspects: Leon Ames, Douglas Dumbrille, Richard Lane, Jean Hersholt, Charles Brown or even Robert Lowery, all shifty and at each others throats from the word go but which one is guilty? At least Moto's sidekick wrestler Warren Hymer has no doubts, even if he is paradoxically also continually bewildered. Mention ghosts and Willie Best makes an appearance! The dialogue was surprisingly witty, the production values high - from the delightful evening party to the beads of sweat on various foreheads. The running gag was supplied by McGurk's unstinting admiration for Moto always besting him at judo - he sure took some beating and shooting at in here!

Great non-heavy entertainment as usual, an excellent entry in the series.

Peter Lorre stars as Japanese investigator Mr. Moto in "Mr. Moto in Danger Island," a 1939 release also starring Jean Hersholt, Amanda Duff, Walter Hymer, Douglas Dumbrille, and Leon Ames. Originally written as a Charlie Chan script, Moto is asked to investigate the smuggling of inexpensive contraband diamonds from South America via Puerto Rico and into the U.S. that are driving down diamond prices. One investigator has already been murdered, so it's time to send in the big guns - Moto.

A professional wrestler named Twister McGurk (Hymer), whom Moto meets en route to Puerto Rico, attaches himself to the diminutive detective, which brings some comic relief.

Entertaining with a nice tropical atmosphere despite being made on a back lot, and it's always a joy to see Peter Lorre. Unfortunately for Mr. Moto, World War II ended his run.

I know Mr. Moto movies are formulaic, but with this one they got the formula wrong. That's not to say it isn't fairly well put together and somewhat entertaining, but it's not worth its current rating.

The major flaw is that there are too many suspects who, in their white flannel suits, look and act too much alike to the point that at the end it seems like they just spun the bottle to select the bad one. Also, the comic relief, Twister McGurk, is used again and again with the same schtick and it gets to be annoying not entertaining. Finally, you can practically hear the director yell "Cut" as the stuntmen switch off with the actors for the action portions and back again.

Watch it along with all the other Mr. Motos, just don't expect too much.

Studio bound, filled with the Dumbrille's of the era, yer basic walk through. Not nearly as good as the one with all the Brits; it was a series on its way out by then. Worth a watch if you haven't caught it yet, the Willie Best type stuff is hard to put up with though. Poor guy, aka 'Sleep and Eat'...

** outta ****

This is a murder mystery, with Mr. Moto, for those of you who don't know, as the crafty man investigating the case. Like Charlie Chan, he's a private investigator.

Peter Lorre had a "cool" charisma about him, much like Basil Rathbone, Humphrey Bogart, and others who played such roles.

Films like this either take one or a combination of two of the following: 1. Mystery with clues that the audience can use. 2. Mystery with atmosphere and humor 3. Mystery with a twist.

Just about none have all three. One may cite "Chinatown" as a possibility, but the atmosphere isn't what I would call strong in that one. Atmosphere and humor come either without twists or without clues.

This film uses the first two elements. It would be far fetched to say there is a twist. There is an abundance of atmosphere and humor, and many clues.

We know very soon who the killer is. At first it isn't easy, because all of the suspects look alike, middle aged white men with mustaches, but once we tell them apart, and once the atmosphere is established, we do know which one it is.

That doesn't take away from the adventure, though. Lots of good elements make this an enjoyable film.