Al regresar al castillo ancestral mucho después de la muerte del monstruo, el hijo del Dr. Frankenstein se encuentra con un pastor loco que esconde a una criatura. Para limpiar el apellido, ... Leer todoAl regresar al castillo ancestral mucho después de la muerte del monstruo, el hijo del Dr. Frankenstein se encuentra con un pastor loco que esconde a una criatura. Para limpiar el apellido, revive a la criatura e intenta rehabilitarlo.Al regresar al castillo ancestral mucho después de la muerte del monstruo, el hijo del Dr. Frankenstein se encuentra con un pastor loco que esconde a una criatura. Para limpiar el apellido, revive a la criatura e intenta rehabilitarlo.
- Premios
- 1 premio ganado y 1 nominación en total
- Frau Neumüller
- (as Caroline Cooke)
- Burgher
- (as Lorimer Johnson)
- Villager
- (sin confirmar)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaBoris Karloff used a harness when he carried Donnie Dunagan so that the little boy would not fall. Dunagan has related how much he enjoyed working with Karloff.
- ErroresWhen Wolf (and the audience) see the sulfur pit for the first time, you can see the body of The Monster sinking to the bottom. (Obviously an unused shot recycled from the end of the film.)
- Citas
Ewald Neumüller: Hey! You, you spit on me!
Ygor: [pointing to his broken neck] I am sorry. I cough. You see, bone get stuck in my throat!
- Créditos curiososWriter Wyllis Cooper's name is spelled "Willis" in the opening credits.
- Versiones alternativasThe British release print runs approximately two minutes longer.
- ConexionesEdited into Lost City of the Jungle (1946)
- Bandas sonorasSailing, Sailing, Over the Bounding Main
(uncredited)
Written by Godfrey Marks
Sung a cappella by Donnie Dunagan
Over the years, there have been volumes written on the Universal classic horror movies. Realizing that it would be foolish of me to attempt to improve or add much to the writings of these scholars, I'll instead focus on a couple of areas that make Son of Frankenstein so special to me.
1. The Acting. Son of Frankenstein features a Who's Who of the best of the classic horror actors. Joining Rathbone and Lugosi in the cast are Boris Karloff and Lionel Atwill. While each gives a noteworthy performance in their own right, Lugosi's performance is generally held up as the best of his career. And while I agree, Rathbone makes Son of Frankenstein a joy for me to watch. There are very few actors that I can think of who could have played Wolf with the same type of intelligent energy that Rathbone exhibits. He's wonderful. As for Karloff, I'm glad he decided to make Son of Frankenstein his last as the monster. By the time of the second sequel, Karloff's monster became little more that a prop for Lugosi, Rathbone, and Atwill to fight over.
2. The Sets. I'm not exaggerating when I say that the sets in Son of Frankenstein are among the best I've ever seen. The sets are amazing with their bizarre angles and shadows. Two that immediately come to mind are the dining table set and the staircase set at the beginning of the movie. They are in a class of their own.
Every fan of horror, or just good classic movies in general, owes it to themselves to see Son of Frankenstein. It may not be as well known among the casual fan as either Frankenstein or Bride of Frankenstein, but it many ways it's the equal of those two films (if not better).
- bensonmum2
- 3 oct 2005
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Son of Frankenstein
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 127
- Tiempo de ejecución1 hora 39 minutos
- Color
- Relación de aspecto
- 1.37 : 1