Camino a la eternidad

George Brent and Merle Oberon star as doomed lovers in "'Til We Meet Again," also starring Geraldine Fitzgerald, Binnie Barnes, Pat O'Brien and Frank McHugh. This film is a remake of the beautiful "One Way Passage" starring William Powell and Kay Francis. Some of the scenes and dialogue have been kept exactly, new scenes and characters have been added, and one relationship has changed in this version. Frank McHugh reprises his role as a petty crook, now named Rockingham.

But it's the same story, told in a much more dramatic fashion than "One Way Passage" which somehow kept its whimsy though it is the tale of two people who are going to die - one by the hangman's noose and the other from heart disease - who fall in love as they're traveling from Hong Kong to San Francisco by ship. Neither knows the fate awaiting the other. Hardesty (Brent) is being brought back to the states by a tough detective (O'Brien) who also has a heart. He's attracted to a Countess (Barnes), who is a phony and after the money of a wealthy Brit (Eric Blore). In this film, it is not Rockingham who knows the Countess (Binnie Barnes) but rather Dan Hardesty (Brent), and this script has given them a past romance as well. The Countess tries her best to keep the sergeant occupied while Hardesty plans his escape, with Rockingham playing middle man.

This poignant tale is given more profound treatment both in the writing and by director Edmund Goulding. Part of the reason for this is that it was intended to be another "Dark Victory," but Bette Davis refused it. In fact, the part that Geraldine Fitzgerald plays, someone Joan (Oberon) meets and befriends aboard ship, is very similar to the role she played in "Dark Victory." George Reeves (who went on to play Superman on TV and is now the subject of a film himself) plays Fitzgerald's husband.

Brent is no William Powell, of course - his character is rougher around the edges and doesn't have the sense of humor or irony that Powell gave Hardesty. Brent, however, gives a solid, tender performance. McHugh this time around shares the comic honors with Eric Blore and therefore has less to do, and there's a lot less comedy. Binnie Barnes' Countess is less exotic than Aline McMahon's and sadder. O'Brien's Sgt. Burke is older and tougher this time around, though he's still a soft touch.

Though Kay Francis was lovely as Joan in "One Way Passage," Merle Oberon is breathtaking in beauty and frailty. For this viewer, she's the best thing about this remake. Desperate to live after she meets Dan, she savors each moment, refusing to consider the consequences of too much activity. It's a heroic, heartbreaking performance.

It was fascinating to be able to see and compare both films. Both are successful in their own way. The ending is the same in both, so expect to smile and cry at the same time. It's as uplifting as it is poignant, and no matter the treatment of the story, the message of "'Til We Meet Again" and "One Way Passage" is the same: Love is the only thing that lasts.

I watched this movie tonight. It is a well done remake. Bette Davis & Marlene Dietrich passed on the lead, so it went to Merle. She made the part of Joan her own. But...there is little to no chemistry between her and George Brent. I saw no passion between these doomed lovers. George Brent was a popular star, but his acting is so wooden; I really had a difficult time finding why she loved him so desperately. I would recommend the movie to Merle Oberon fans.

George Brent and Merle Oberon meet in a bar in Hong Kong, share a cocktail of his own concoction, break the glasses and part. He's promptly apprehended by Pat O'Brien, and taken back to be hanged for murder. She's on the same cruise ship, dying of heart disease.

It's a remake of 1932's ONE-WAY PASSAGE, the most romantic movie not directed by Frank Borzage. The musical theme is the same; Frank McHugh is the same; Binnie Barnes takes Aline MacMahon's role, and Geraldine Fitzgerald is present for Miss Oberon to make her illness apparent to. Everyone performs their roles well, but at 99 minutes, this lacks the tightness and sense of racing time that makes the original movie's 67 minutes such a sensation. Those high-speed Pre-Code movies from Warner Brothers made their points and moved ahead. This one works, but not as well.

my ex was a truck driver. The night that I was watching this movie, he called just as they were arriving in Hawaii. I missed the rest of the movie and was extremely disappointed. I tried to find it again on TV and only once that I know, was it shown. I imagined scenarios for many years trying to figure out what the ending would be. I finally found a company that had access to many film archives and obtained a copy. I've only had it a week and I have already watched it 3 times. The rest of the movie was better than anything that I dreamed up. I liked the twists and turns of the plot and the ending was classic. Of course, you could always imagine that the ending was different, but I think that the way it ended enhanced the love story. True love overcomes all difficulties in the end.

Classy, richly appointed remake of One Way Passage is close to a scene for scene remake but the talented cast manage to make it fresh. Brent is less stolid than usual and he and Merle make a handsome couple surrounded by a terrific group of character actors. Eric Blore is amusing as usual in a small role, Pat O'Brien full of quiet integrity as George's minder and Geraldine Fitzgerald is lovely and solid in a small role as a newlywed. But the real standouts are under-appreciated Binnie Barnes as a con-woman who has a past with Brent and most of all Frank McHugh as his loyal tippling friend, he manages to make a stock character very human.