El regreso del Dr. Kildear

"Dr. Kildare Goes Home," made in 1940, is a particularly interesting entry into the series.

Kildare, made a staff doctor, realizes that his dad (Samuel S. Hinds) is exhausted from keeping up with his practice and wants to help him. He takes some doctors who can't find jobs and they start a clinic in one of Kildare Sr.'s practice area.

The idea behind it is that everyone pays ten cents a week for medical care. This will keep the salaries paid and support the work needed on the ill people. Also, the emphasis of the clinic is on prevention and staying healthy.

This is health insurance today, which wants everyone to stay healthy and not need medical facilities. Instead of a dime, though, it's thousands per year. I did find that whole subject matter in 1940 fascinating.

The next fascinating thing is that Dr. Gillespie goes to watch a rare operation done by a brilliant black doctor (Jack Carr). Carr, a very well spoken actor, is uncredited in the film.

This is a different kind of depiction of blacks than one is used to seeing in these old movies, and it's similar to "Crash Dive," where a black member of the submarine unit is the same as everyone else.

These things make "Dr. Kildare Goes Home" a cut above, and the story moves along with Kildare and Mary setting the date.

I love the scenes between Mary Boyd (Alma Kruger) and Dr. Gillespie (Lionel Barrymore) the best. When he compliments her appearance, he says, "You must have lost 15 pounds." She says, "I've gained eight. What do you want me to do that's illegal?" Highly entertaining.

I was casually watching this movie today when the action shifted to an emergency surgery performed in a private home. Dr Gillespie was in attendance as was Dr. Kildare. The surgeon has his back to the camera. When he turns around he is black. Gillespie then proceeds to praise the surgeon and the surgeon responds with some thoughtful words. To see a black American treated so thoughtfully and well was simply amazing at this time in Hollywood. I couldn't find the doctor in the list of cast members. And there was no mention of the scene in the trivia section of th IMDB. The scene must have added to the script perhaps by an event that caused the writers to add it , but I'm speculating.

While the characters in the Dr. Kildare films are quite likable as is the dialog, a major problem in some of the early films in the series is that Kildare just doesn't behave very logically and yet the films work out in the end (sort of like Curious George, now that I think about it). In one, the doctor treats a gunshot victim and doesn't disclose this to the police--even though this violated the law and should have resulted in either criminal prosecution or loss of license or both. In two others, Kildare behaves like a psychiatrist, even though he has no training in the field and once again, he's right and everyone else is wrong. It seems that there is nothing that this young doc can't do! In DR. KILDARE GOES HOME, fortunately, there is a greater sense of logic to the film and as a result, this film didn't make me want to throw something at my TV.

The film begins with Kildare calling home to talk with his father. However, once again, the older doctor isn't home. Due to his mother's tone of voice, he assumes something is amiss despite her assertions that everything is fine, so he hops a train home. There, he finds that his dad is working himself to exhaustion because a nearby town has lost their doctors and so he now has a ton of new patients. Young Kildare comes up with an idea to create a clinic in this town to relieve his father's burden. Unfortunately, there seems to be a lot of resistance and the town seems quite happy working Kildare, Sr. to death! What will they do?! Overall, a very good addition to the series as logic (for once) prevails.

The fifth in MGM's excellent series of medical dramas centered around Doctors Kildare and Gillespie (Lew Ayres, Lionel Barrymore). This time around Jimmy Kildare is faced with the decision of giving up his dream job working with Dr. Gillespie in order to help out his elderly father, who's being overworked as the only doctor covering two small towns.

One of the weaker entries in the series but still very enjoyable. Most of the film is spent in Kildare's hometown away from the busy goings-on of Blair General. There are lots of quaint little parts, like Gillespie prescribing having kids to save a marriage. But these sorts of things are part of what I love about this series and really classic films in general -- they're windows into the past. Great supporting cast, as was always the case with MGM. In addition to Nat Pendleton and the rest of the exceptional regulars backing up Ayres and Barrymore, there's Gene Lockhart, Donald Briggs, and fun bit parts for Arthur O'Connell and Milton Parsons. Not my favorite or even in my top five of the combined Kildare/Gillespie series, but solid and never dull.

I too enjoyed this entry into the world of neophyte doctor, Dr. Kildare.

It's nice to see his parents once again, as in several of the earlier films, playing such important roles in his life. Both his parents are fine, but his mother is simply adorable.

I was also surprised at Dr. Marsh's depiction. A "colored" man (the terminology of the time) who happens to be an amazing doctor and one who speaks standard English. I would imagine this scene was often cut in the South since it doesn't directly impact the main plot, but it was fascinating to see.

A nice addition to the Dr. Kildare series.