Pinocho

When I - and I assume, most people - think of Pinocchio, we think of his nose growing longer when he tells a lie. Yet, that is only one scene in this movie - the first one ever done on this famous fictional character, I believe.

This is strictly a fantasy-adventure story, not a parable or a full story about lying, although that obviously is one of the messages. There are several moral messages in here, so it's a worthwhile story for kids to see.

Sometimes I think these totally-innocent first few Disney efforts (Bambi, Fantasia) are still better than all the stuff they have put out since.

The colorful scenes are another attraction. particularly in the beginning in the old man's house with all the fancy clocks and toys. That part is better than much of the adventure story, as it turns out. The story lags a bit in the middle and then picks up with a rousing finish with a big whale.

Overall, I enjoyed "Jiminy Cricket" the best and also appreciated that they didn't overdo the songs in here: short and sweet, and not that many. They don't make 'em (normally) like they used to!!

Last night I watched Pinocchio, Disney's second feature-length film and in my opinion one of the studio's best features. Based on the 19th century book by Carlo Collodi, but not half as unpleasant, Pinocchio combines winning animation with great humor and excitement. There are songs, but they're never like the huge production numbers that last four minutes and feature the voice of some up-and-coming princess of pop (who'll be gone in a year) that the studio later adopted with the applicable exception of When you Wish Upon a Star. My favorite song is "Little Wooden Head" which is featured in the beginning and is a truly wonderful scene as Gepetto and Figaro play happily with the new puppet.

The movie takes a sadistic, cruel, heartless little wooden boy (Collodi's character) and turns him into an interesting, 3-dimensional kid with a good heart but who is weak-willed and doesn't always listen to reason. The animation makes brilliant use of the multiplane camera, featuring a sprawling opening sequence in which the viewer practically sees the entire village at night. The characters are colorful and fun (I especially love Honest John Foulfellow and his sidekick Gideon) and the story has never a dull moment. This film is a reminder of the sort of efforts Disney put int o their films; the man himself had a great storytelling passion that was lost in later works (Alice in Wonderland, 101 Dalmatians). Pinocchio was never as famous as some of the others, and this is unfortunate because it is his masterpiece.

My Rating : 9/10

This is a very complete movie. The artwork is perfect and colorful, everything is carefully drawn and painted. The film is a clever combination of some of the funniest moments in cinema history and some of the darkest and most sinister ever. Animation is terrific. The soundtrack is excellent, with lots of musical pieces to enjoy.

This is an Italian tale, so it takes place in Italy, which is great, for it benefits from a certain Italian touch of film-making and Italian charm.

Darker in tone than most Disney animated features (except for 'Hunchback of Notre Dame'), 'Pinocchio' came shortly after 'Snow White' and showed marked improvement in the art of animation technology to produce startling special effects.

The first twenty-five minutes alone raise the film to the level of true animation art. Gepetto's inventive clocks come to life as realistically as any real-life photography could do. The warmth and cosiness of his dwelling and the charming shenanigans of Figaro the kitten and Cleo the goldfish, are all perfectly realized. The imaginative use of music and animation art is never finer than in these opening scenes.

Afterwards, as the plot thickens, the special effects are just as impressive. The scene of Gepetto searching for Pinocchio with a lantern on a rainy night after he has been captured by Stromboli is unforgettable imagery. The wagon lurching along roads with Pinocchio in a cage is a frightening thing. Even darker are the adventures that await Pinocchio when he reaches Pleasure Island. The scene of the boys turning into donkeys is probably one of the most awesome and frightening moments in the film.

Altogether charming are the underwater sequences before the meeting of Monstro the Whale. The climactic chase after the escape from the belly of the whale is handled brilliantly. The music perfectly accents the dramatic chase for this sequence and the songs throughout are in keeping with the mood and characters of the story. It is the sharp contrast between the lighter moments and the darker ones that gives the film a correct blend of fantasy and horror.

Parents should be cautioned that very young children may be frightened. Has to be considered one of the most beautifully animated Disney features of all time. A treasure to see again and again.

It certainly is interesting reading other viewers comments. I can't imagine anyone being "bored" with this film. But then, I don't even go to movies anymore, because I find those made today to be either horrific and traumatizing, or brain-numbingly stoopid and poorly made. Pinocchio, on the other hand, is the ultimate in everything that is "movie" : camera-work, special effects, background music, musical numbers, characterization, story development with narrative sweep, high-drama and low-comedy (but never Lockerroom-low), color, motion, editing, use of sound, artwork, audience manipulation... and in the end, life-affirming! I cannot possibly recommend this movie too highly. In my opinion, considering cinematic effectiveness, Pinocchio rates way up with Citizen Kane, Sherlock Jr., and Battleship Potemkin.