Luces de Broadway

Old-fashioned without being embarrassing, "Broadway" features Janet Leigh as a sparkling small town lass who moves to the Big Apple to work in theater, falling in league with other young hopefuls and staging their own revue. Not too far-fetched(Carol Burnett did the same thing in real-life)and Janet bounces happily throughout. Not really remarkable, but a nice time-filler. Bob Crosby pokes fun at older brother Bing in the film's most self-conscious moment. **1/2 from ****

A run-of-the-mill musical with Tony Martin and Janet Leigh in the lead roles. Eddie Bracken provides semi-comic relief. You can see the hand of producer Howard Hughes in this one, with its profusion of showgirls and, for 1951, a heaping helping of skin(albeit, G-rated by today's standards).

The initial commenter wondered if Janet Leigh was dubbed in this film since he couldn't remember her singing in any of her other pictures. Well, she did sing in other films, most notably in "Bye Bye Birdie", and "My Sister Eileen", and while she was not known as an accomplished singer or dancer, she managed to give fairly good performances in both films and to demonstrate a competent ability in numerous guest appearances on variety television programs of the '50's and the '60's. I hope this will help to answer your questions. You might also look at her work in "Rogue Cop", where she plays a singer, and "Walking my Baby Back Home", a musical she made with Donald O'Connor, as well as "Fearless Fagan" where again, she is a singer/entertainer. She speaks at length about her musical experiences in her autobiography, "There really was a Hollywood", and gives a great accounting of her early career.

I hated this film when I first saw it, perhaps thanks to a truly embarrassing performance from Tony Martin (a good singer but not the world's greatest actor).

Janet Leigh, Gloria de Haven, and Ann Miller want to make it big in show-business, and come through their vaudeville roots to stage a revue that they hope will be taken up by the Bob Crosby Show. There's some pretty good musical numbers along the way but the film creaks and drags badly in some sections (although the girls are consistently good). Crosby has a number all about 'brother Bing' which is fun. And there's a good support role from Eddie Bracken.

On subsequent viewings I have warmed a bit more to 'Two Tickets to Broadway'. It isn't all bad and there are certainly musicals out there which are worse. But I still can't watch Tony Martin in a number in Indian dress without cringing ...

First of all, to those upset about the Indian number - get a life. This was '51. Don't take it so seriously - and keep away from pictures with Mantan Moreland, etc.

Then there are the criticisms about Tony Martin. He has the dark look, so some people automatically assume he should portray gangsters. Prejudice, prejudice against dark-haired people. Tsk.

Martin sang grand opera in this movie, pop songs, novelties and did beautifully with all of them. Not all of the music was memorable, but even the songs that might be described as mediocre were beautifully presented. The girls were attractive and personable. Miss Leigh was a doll and, yes, she did her own singing and dancing.

No one can knock Ann Miller. What a great talent. Speaking of talent, The Charlivels were outstanding as a high wire act, and as dancers.

Interesting casting was Max Baer's bro, Buddy, also a boxer, as a tough swabbie.

The Bob Crosby number, where he compares himself with brother Bing was very well done - real life situation. The one thing I missed - I wish his band had played some of its trademark Dixieland. OOoops - is that word offensive to northern ears? The plot was ancient but, who cares. Howard Hughes put this together and came up with a fun, pleasant movies.