Hangman's Knot

A unit of Confederate soldiers out on a special mission attack a Union troop that is carrying a cargo of gold. The idea being that the gold will be used to better the Confederate cause, but upon finding a barely living Union survivor, they learn that General Lee has surrendered and the war finished a month prior. The men, now guilty of murder outside of war regulations, are hunted by suspect deputies, taking a stagecoach hostage and holing up at a stage line way station, inner conflicts and murderous thieves are the order of the night.

Incredible to think that this fine Western was the only effort to have been directed by Roy Huggins; because it's exactly that, damn fine. He would go on to direct notable work in TV such as The Virginian, The Rockford Files, Maverick and The Fugitive, but it seems that he wanted to put down a marker that he could in fact direct a feature length film, and although it only runs at a respectable 80 minutes, he must have been real satisfied with the finished product. Huggins is backed up by genre legend Randolph Scott in the lead role of Major Matt Stewart, with Scott providing the sort of performance that reminds us of his excellent work for Budd Boetticher in Ride Lonesome, The Tall T and Comanche Station etc. Donna Reed (lovely as ever), Lee Marvin (another fine loose cannon job), Richard Denning and Frank Faylen all beef up the cast, and although some of the other supporting players do not quite shine so bright, they do, however, earn their corn and don't harm the movie.

The film itself is structured real well, we open with a fantastic sequence as the "Rebs" attack the Union troop, with Charles Lawton Jr's photography expertly capturing the Lone Pine vista in Technicolor glory. From here we are centred inside the way station in what at first appears to be your standard Rio Bravo set up, this set up could easily have failed if the characters inside the building were dull and very uninteresting. Thankfully Huggins, who wrote the story as well as directing it, gives us characters of interest with little offshoots of conflicts to further enhance the plot. This makes for a tense build up until we lurch towards the inevitable showdown where the rouges gallery of thugs outside - who want the gold at any cost to life - plot with hungry menace.

It's not perfect by any stretch of the imagination, as some B movie traits and budgetary tone downs are evident, but the quality is still impressively high. From the direction and photography to the performances of the leads; Hangman's Knot is an essential viewing for the discerning Western fan. 8/10

I'm just getting into Randolph Scott movies, my usual Western diet consists mostly of John Wayne, Tom Selleck and Sam Elliot movies with a few Jimmy Stewart and Clint Eastwood tossed in for good measure, but so far I have about 8 movies he's in, all of them westerns except for My Favorite Wife which I got because I'm a Cary Grant fan.

If you like western movies, you'll enjoy this one. Scott and Marvin are good with Marvin standing out in almost every scene he's in, especially with Donna Reed and I really liked Claude Jarman Jr.'s performance playing the young man who's reluctant to pull the trigger and all of his scenes interacting with Jeanette Nolan (Mrs. Margaret Harris) and Clem Bevans (The Station manager and Nolan's father) are great. Plot is one that I've never seen in a western genre film before, Confederate soldiers don't know that the war is over and are on a mission to steal gold from Union troops, the lone solder from the Union detachment tells the confederate soldiers that the war had been over for a month just before he dies placing the men in a bad predicament.

This isn't a bad western, but its not one that I would recommend to individuals unless they are fans of the genre because it follows the tried and true western plot from beginning to end. Action starting off the movie with lots of drama and a little action to drive the plot along until you come to the inevitable shootout and fight to bring the story to its conclusion. Saying that may make it sound like I don't like the movie which isn't true, I do like it, the acting is great and the plot and dialogue stands out, it just doesn't contain anything that would make it stand out in such a way where individuals who are not fans of the genre would find it appealing. If you want a movie that will entice you to start watching the genre, start with something like The Cowboys with with John Wayne or Quigley Down Under with Tom Selleck, both of which I think will keep anyone's attention, but if you have seen everything that Selleck and Elliot has offered in the 90s and you want to see how the OG boys from the 40s and 50s did it, then you can't go wrong watching this.

Some of Randolph Scott's Westerns are shown regularly on British TV, but I hadn't seen this one before, and it lived up to my expectations. The colour was good, the cast strong and the plot better than for most Westerns of this period. Lee Marvin was strong in an early role, and Claud Jarman jnr was also good (I wonder why his film career seemed to peter out?) I suppose a pedant might nitpick at the Union cavalrymen's uniforms appearing to be standard wardrobe issue, rather than the sort one might expect to see Civil War men wear. As a heavy, Guinn Williams was cast contrary to his usually semi-comic type, but over the years he hadn't lost his curious way of firing a revolver - almost as if he were tossing bullets out of its muzzle with a flick of his wrist.

The jarring note was the obligatory romance for Westerns of this period, this time between 54-year-old Scott (in the beginning of the film at least almost looking his age) and 32-year-old Donna Reed (as delightful as ever).

Randolph Scott leads a group of Confederate raiders who rob a gold shipment and kill the Union Cavalry escort. Before one of them dies though, he informs the group that the Civil War's been over for a few weeks. They're outlaws now.

That fact is brought home when a group of "deputies" lead by Ray Teal and Guinn Williams go out hunting the Confederates. They're not law officers in fact, but raiders looking to steal the gold and kill Scott and his crew. Scott and his crew take shelter in a stagecoach station and the fun begins.

Everybody's in conflict here. Randolph Scott has eyes for stage passenger Donna Reed and her fiancée Richard Denning doesn't like it. Lee Marvin, who's one of Scott's men, also has eyes for Reed and willing to take a direct approach. The folks who run the station, Clem Bevans and Jeanette Nolan, don't like being caught up in the shooting at their station, but don't like the Confederates in particular as their Union sympathizers and Nolan's husband and son have both been killed in the war. Even the bad guys are arguing over just what approach to take in dealing with the Confederates and none of them trust the others. All this with the two groups shooting at each other.

For 81 minutes a lot of plot is packed in and it's nicely done. Very tight editing, not a word or action wasted. Randolph Scott stands rigidly as the moral centerpiece of the film. Donna Reed, a year away from her Academy Award in From Here To Eternity, does well as a former Union Army nurse going west with her fiancée Richard Denning whom she learns is not all he seems. Lee Marvin gives a harbinger of things to come with his portrayal of a man quite ready and eager to become an outlaw.

One of Randolph Scott's best westerns.

1952 saw the Columbia release of one of Scott's best - Hangman's Knot.

They don't come much more taut than this, and its success only brings into question as to why director Roy Huggins never made another film as director. This one really begins to approach the later Boetticher films, being set in an isolated way station, as several of Budd's films happened to be, with Randy as a Confederate officer, who has stolen Union gold, not knowing the war is over.

Outlaws, learning of the loot, besiege the soldiers at the way station, but just as much danger comes from within - the menacing soldier played by Lee Marvin. The cast is better than those in the then most recent Scott vehicles, including Donna Reed, Claude Jarman, Jr., Richard Denning and Guinn "Big Boy Williams. Randy's son C.H. Scott, in the book "Whatever Happened to Randolph Scott" speaks fondly of Donna Reed, as if she was a second mother, and says that she and his father never lost touch over the years, and were devoted to each other.

Omitting the Boetticher films, this one is clearly the strongest Scott offering of the 1950s. That Huggins never directed a feature film again (he did direct a 1970 TV movie) is more our loss than his. Huggins did quite well in the long run, with items like Maverick, Rockford Files and The Fugitive in his future.

With much of the film set within the way station, Huggins manages to keep the tension high as Scott has to deal with the group of bounty hunters outside (led by Ray Teal in a rousing performance) and the wayward loose cannon Ralph, the Lee Marvin character. Lee must have impressed producer Scott as he got a much showier role in the first Scott-Boetticher classic SEVEN MEN FROM NOW. Meanwhile, Scott must serve as surrogate big brother of Claude Jarman Jr, no longer the little boy of THE YEARLING and in fact nearly as tall as the film's lead star.

Richard Denning also impresses in his part as Donna Reed's fiancée, a character as weak-willed as the fiancée in the later Boetticher film THE TALL T. At first willing to call attention to an attempted escape by Scott and company (despite giving his word otherwise), he later bargains to give them an alternate plan of escape - in exchange for two bars of the captured gold.

My favorite of Scott's 50's westerns prior to his Boetticher films and dollar for dollar, the equal of many much bigger budgeted items from the likes of Wayne and Cooper.