CALIFICACIÓN DE IMDb
7.2/10
4.3 k
TU CALIFICACIÓN
Una joven huérfana se convierte en parte de un acto de títeres.Una joven huérfana se convierte en parte de un acto de títeres.Una joven huérfana se convierte en parte de un acto de títeres.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 7 premios ganados y 9 nominaciones en total
Jean-Pierre Aumont
- Marc
- (as Jean Pierre Aumont)
Jane Adrian
- Nautch Dancer
- (sin créditos)
Nick Borgani
- Carnival Patron
- (sin créditos)
Gene Conklin
- Whistler in Ballet Sequence
- (sin créditos)
Paul Cristo
- Carnival Patron
- (sin créditos)
George Davis
- Workman
- (sin créditos)
Jeannine Ducasse
- French Girl
- (sin créditos)
Bess Flowers
- Carnival Patron
- (sin créditos)
Richard Grayson
- Flirting Vendor
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Last night, driving with a friend, she popped a CD into the player in her car and Jimmy Durante's voice sang a song I had not heard in about 35 years - "Hi-Lili Hi-Lo." The emotion of this movie that I saw as a young child, perhaps six years old, came rushing back to me.
I don't remember a lot of things from when I was six but I do remember being entranced and a bit haunted by the movie Lili. I was easily able to relate to Lili's encounter with the puppets that became her confidants and friends when the adult world became too hard to handle. The initial charm of the magician character that, as all too often became the case for people in my young life, turned to emotional unavailability. The course by which Lili's fear of the puppeteer gets dissolved through understanding. And most of all the hauntingly beautiful song and dance sequence.
I don't remember much of the plot but I am very much looking forward to seeing this movie again. If it was available on DVD I would immediately buy it for my own children.
I don't remember a lot of things from when I was six but I do remember being entranced and a bit haunted by the movie Lili. I was easily able to relate to Lili's encounter with the puppets that became her confidants and friends when the adult world became too hard to handle. The initial charm of the magician character that, as all too often became the case for people in my young life, turned to emotional unavailability. The course by which Lili's fear of the puppeteer gets dissolved through understanding. And most of all the hauntingly beautiful song and dance sequence.
I don't remember much of the plot but I am very much looking forward to seeing this movie again. If it was available on DVD I would immediately buy it for my own children.
10billy-7
First of all, to correct a comment made by at least one person here, the movie came before the stage musical "Carnival." Second, the movie is far superior to the stage musical. True, it's short. So? True, there's just one song. But the one song, "Hi-Lili Hi-Lo," is better than anything in "Carnival." So much for comparisons. The movie absolutely defines movie magic. It creates an unforgettable world with an unforgettable heroine played with genius by the great Leslie Caron in a performance nominated for an Oscar and deserving of a win (she was beaten by the charming but less-inspired Audrey Hepburn). Anyone who passes up the chance to see "Lili" is denying themselves one of the prime treats in all of cinema. I've seen it countless times and never fail to laugh and cry. But where is the DVD??? Give, already!
All too rarely has a film about lost innocence and earnest love been so sensitively brought to the screen. Respected screenwriter Helen Deutsch (The Seventh Cross '44) adapted Paul Gallico's (The Snow Goose) darkly observant novella "The Seven Souls of Clement O'Reilly" into an inspiring story of a naive young orphaned girl coming of age. Deutsch also maintains the opportunistic exploitation of the vulnerable girl without sensationalizing this angle.
The Academy award-winning score by brilliant composer Bronislau Kaper is nothing short of unforgettable. This beautifully produced MGM film cannot be called a musical as there's only one song but what a song! It's been universally popular for over 60years, and screenplay writer Helen Deutsch also wrote the world-renowned lyrics.
The haunting dream-ballet sequence that closes this unique movie brings both tears of joy and wonder at its stirring and visually fascinating realisation. Apart from a couple of clunky trick edits, direction, cinematography (Robert Plank - 'Strange Cargo '40) and performances - combine to create movie making at its most magical - and should be seen by all lovers of classic film art. While it might not be to everyone's taste (what ever is?) in 2004 the New York Times added Lilli to their listing of the best 1,000 movies ever made.
The WB Archive DVD delivers an excellent visual and sound transfer.
The Academy award-winning score by brilliant composer Bronislau Kaper is nothing short of unforgettable. This beautifully produced MGM film cannot be called a musical as there's only one song but what a song! It's been universally popular for over 60years, and screenplay writer Helen Deutsch also wrote the world-renowned lyrics.
The haunting dream-ballet sequence that closes this unique movie brings both tears of joy and wonder at its stirring and visually fascinating realisation. Apart from a couple of clunky trick edits, direction, cinematography (Robert Plank - 'Strange Cargo '40) and performances - combine to create movie making at its most magical - and should be seen by all lovers of classic film art. While it might not be to everyone's taste (what ever is?) in 2004 the New York Times added Lilli to their listing of the best 1,000 movies ever made.
The WB Archive DVD delivers an excellent visual and sound transfer.
10WWalrus
"Lili", based on Paul Gallico's "Love For Seven Dolls", is one of the most delightful films ever. Leslie Caron deserved her Academy Award nomination as "Lili". The ballet sequence at the end of the film in which each puppet turn into Paul, the puppeteer, making Lili realize she loves him is magical. "Lili" was the basis for a big, lavish Broadway musical "Carnival" that lost the basic beautiful simplicity of the original. This film is a classic and deserves to be. The puppets are magnificent.
"Lili" is one of the sweetest, most enchanting musicals Hollywood has ever produced. Not that most of the Hollywood musicals are ever realistic, but this particular story is more of a fable than an imitation of life. The character of Mel Ferrer is reminiscent of the Beast in "the Beauty and the Beast", a tortured soul aching for love, and as any girl worth her salt would know, tortured souls make the best kind of heroes!
The two dance/fantasy sequences are charming, especially the latter one, where Lili grows from an awkward, love-sick child into a woman of character and determination, all in a few steps of waltz. Oh, and the puppets are totally adorable!!
The two dance/fantasy sequences are charming, especially the latter one, where Lili grows from an awkward, love-sick child into a woman of character and determination, all in a few steps of waltz. Oh, and the puppets are totally adorable!!
¿Sabías que…?
- TriviaThis film was based on The Saturday Evening Post's Paul Gallico's short story "The Man Who Hated People", published in the 28 October 1950 edition, which was inspired by the children's puppet show Kukla, Fran and Ollie (1947). Due to the success of the film, Gallico expanded the story into a novella.
- ErroresWhen Marc plays a magic trick with his cigarette at the notions store, he actually burns Lili's hand, right before playing the trick. Lili jerks her hand apart, but she keeps on watching Marc as if nothing has happened.
- Citas
Lili Daurier: We don't learn. We just get older, and we know.
- ConexionesEdited into Off to See the Wizard: Lili: Part 1 (1967)
- Bandas sonorasHi-Lili, Hi-Lo
Music by Bronislau Kaper
Lyrics by Helen Deutsch
Performed by Leslie Caron and Mel Ferrer
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- How long is Lili?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 1,353,000 (estimado)
- Tiempo de ejecución
- 1h 21min(81 min)
- Color
- Relación de aspecto
- 1.37 : 1
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