CALIFICACIÓN DE IMDb
7.0/10
45 k
TU CALIFICACIÓN
Cuando su familia se marcha de vacaciones, el marido, que hasta ese momento había sido fiel, se ve tentado por una hermosa vecina.Cuando su familia se marcha de vacaciones, el marido, que hasta ese momento había sido fiel, se ve tentado por una hermosa vecina.Cuando su familia se marcha de vacaciones, el marido, que hasta ese momento había sido fiel, se ve tentado por una hermosa vecina.
- Nominada a1 premio BAFTA
- 2 premios ganados y 3 nominaciones en total
Tom Ewell
- Richard Sherman
- (as Tommy Ewell)
Dolores Rosedale
- Elaine
- (as Roxanne)
Brandon Beach
- Commuter at Station
- (sin créditos)
Steven Benson
- Kid at Train Station
- (sin créditos)
George Bruggeman
- Commuter at Station
- (sin créditos)
George Chester
- Porter
- (sin créditos)
Noble 'Kid' Chissell
- Train Station Gateman
- (sin créditos)
Richard Elmore
- Commuter at Station
- (sin créditos)
Duke Fishman
- Commuter at Station
- (sin créditos)
Opiniones destacadas
Peak Marilyn. She's funny, sexy, and absolutely charming, and it's also of course got that iconic moment over the subway grate. I've also always liked Tom Ewell in this. As silly as his character is and as stagey as his monologues are, I think he's funny and satirizes married men with wandering eyes pretty well. He has ridiculous fantasies, clumsily tries to put the moves on a younger woman, and is wracked by guilt. I absolutely love the scene where he plays Rachmaninoff's Piano Concerto #2 to set the mood (both in fantasy and reality), and how it was incorporated into the soundtrack. Another nice little moment is when he's fixing a couple of Tom Collins for the two of them, going on about how it couldn't have been chance for them to have met, while she's talking to herself about needing to return a fan to a store. I like how spare the story is, and the various one-liners in the script. Director Billy Wilder lamented making the film under the Production Code, and it is a shame that some things were censored, but Monroe's appeal can't be denied. I like it for what it is, a product of its time for sure, and a harmless sex comedy.
Favorite line: "Miss Morris, I'm perfectly capable of fixing my own breakfast. As a matter of fact, I had a peanut butter sandwich and two whiskey sours."
Favorite line: "Miss Morris, I'm perfectly capable of fixing my own breakfast. As a matter of fact, I had a peanut butter sandwich and two whiskey sours."
The film succeeds mainly because of Marilyn Monroe's obvious charisma and appeal - she really shines in this as the dizzy, curvy blonde upstairs. Tom Ewell has been married seven years and has seen his wife and son away for the summer - he determines not to smoke, not to drink, and not to chase women. The moment Monroe wiggles up those stairs all that goes out of the window and he starts fantasising about the new arrival.
There are a lot of funny situations and you're never quite sure what it in Ewell's head and what is real (well, I wasn't anyway). I love the scene where they are playing Chopsticks and of course, that old chestnut the 2nd Rach concerto rears its head! Victor Moore plays a doddery plumber and Oscar Homolka a shrink who advises Ewell not to consider anything as drastic as murder until he can get simple problems sorted out, while Evelyn Keyes makes the most of her few appearances as Ewell's wife (or is she his conscience?!).
The film is fun, the famous skirt and grid scene is now legendary (but quite unlike the often-seen poster shot), and there is much in this bouncy production after nearly fifty years to entertain pretty much anyone.
There are a lot of funny situations and you're never quite sure what it in Ewell's head and what is real (well, I wasn't anyway). I love the scene where they are playing Chopsticks and of course, that old chestnut the 2nd Rach concerto rears its head! Victor Moore plays a doddery plumber and Oscar Homolka a shrink who advises Ewell not to consider anything as drastic as murder until he can get simple problems sorted out, while Evelyn Keyes makes the most of her few appearances as Ewell's wife (or is she his conscience?!).
The film is fun, the famous skirt and grid scene is now legendary (but quite unlike the often-seen poster shot), and there is much in this bouncy production after nearly fifty years to entertain pretty much anyone.
In the 'fifties Hollywood created its biggest, best-loved and most powerful sex symbol of allMarilyn Monroe
Marilyn's appeal was, perhaps, in her weakness, in that revealing look of innocence and confidence, in her intense desire to be loved
The 'seven year itch' points out the instinctive desire to be disloyal after seven years of matrimony, with a longing to satisfy one's sexual needs
This amusing film was adapted from a Broadway play of the same name by George Axelrod, with Tom Ewell reprising his Broadway role, walking, worrying, and sweating
Tom and Evelyn Kayes have been married for seven years While he remains in Manhattan on business, Evelyn and their son Ricky (Butch Bernard) go off to Maine to escape the sweltering summer
The apartment upstairs has been rented to a television blonde model (Marilyn Monroe). When she forgot her front door key, she had to ring Ewell's bell to let her into the building
When Marilyn accidentally knocks a tomato plant onto Tom's terrace, the happily man invites the luscious young beauty downstairs for a drink, indulging in fantasies about taking her in his arms and kissing her 'very quickly and very hard'
Marilyn comes in, explaining that she feels safe with married men... He makes a clumsy pass while they are at the piano but both fall off the seat He stammers an apology, but she pretends it is nothing
When Marilyn returns to her apartment, Tom envisions his wife having an affair in Maine with their big neighbor, Tom McKenzie (Sonny Tufts) Then he sees himself lost between foolish fantasies of seduction, and terrible ideas of his wife capturing him in action Finally he decides to put an end to his visions and asks Marilyn out to a movie...
On their way home, they stop on a subway
As the trains go by underneath, Marilyn's skirts billow up
It is so hot in the city she presumably loves the rush of air on her thighs
Marilyn plays the scene in innocent delight And Billy Wilder's shot shows a strapping blonde with a white skirt blown out like a spinnaker above her waist
For this famous shot alone, the movie is a must see
Marilyn's appeal was, perhaps, in her weakness, in that revealing look of innocence and confidence, in her intense desire to be loved
The 'seven year itch' points out the instinctive desire to be disloyal after seven years of matrimony, with a longing to satisfy one's sexual needs
This amusing film was adapted from a Broadway play of the same name by George Axelrod, with Tom Ewell reprising his Broadway role, walking, worrying, and sweating
Tom and Evelyn Kayes have been married for seven years While he remains in Manhattan on business, Evelyn and their son Ricky (Butch Bernard) go off to Maine to escape the sweltering summer
The apartment upstairs has been rented to a television blonde model (Marilyn Monroe). When she forgot her front door key, she had to ring Ewell's bell to let her into the building
When Marilyn accidentally knocks a tomato plant onto Tom's terrace, the happily man invites the luscious young beauty downstairs for a drink, indulging in fantasies about taking her in his arms and kissing her 'very quickly and very hard'
Marilyn comes in, explaining that she feels safe with married men... He makes a clumsy pass while they are at the piano but both fall off the seat He stammers an apology, but she pretends it is nothing
When Marilyn returns to her apartment, Tom envisions his wife having an affair in Maine with their big neighbor, Tom McKenzie (Sonny Tufts) Then he sees himself lost between foolish fantasies of seduction, and terrible ideas of his wife capturing him in action Finally he decides to put an end to his visions and asks Marilyn out to a movie...
On their way home, they stop on a subway
As the trains go by underneath, Marilyn's skirts billow up
It is so hot in the city she presumably loves the rush of air on her thighs
Marilyn plays the scene in innocent delight And Billy Wilder's shot shows a strapping blonde with a white skirt blown out like a spinnaker above her waist
For this famous shot alone, the movie is a must see
A conclusion I came to some time ago (and that doesn't seem to be reflected in any of the other reviews here) is that the whole story is a dream, a waking fantasy, on the part of Richard Sherman (Tom Ewell). There were no scenes where there is any objective confirmation of the existence of the Marilyn Monroe character, where anyone else could confirm any of the events between them; even the scene where Kruhulik (Robert Strauss) walks in is just the three of them, and Kruhulik is drunk, thus unreliable as a witness. Add to that the fact that Marilyn's character has no actual name, and is only referred to in the credits as "the girl", leads me to believe that the whole thing is Sherman's fantasy, that "the girl" never actually existed, that it's all a guilt-driven fantasy on the part of a 39-year-old middle-class white guy confronted with a "summer bachelorhood" in the City without his family. 🤔😉😊
Marilyn Monroe was a force of nature so great that Betty Grable her predecessor as Queen of the 20th Century Fox Lot claimed that MM saved the movie industry in the 50's when fans were switching to TV. I am not sure all about that but I do know that MM was incomparable as a comedienne. This is Ms. Monroe's first of two films with Billy Wilder and the great Director in an interview with Cameron Crowe noted that Wilder wanted Walter Matthau then a new Broadway star to co star with Double M but 20th insisted on Tom Ewell. One can only imagine Marilyn Monroe and Walter Matthau together! This is a great movie made greater by two greats Marilyn Mornoe and Billy Wilder.
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¿Sabías que…?
- TriviaBilly Wilder preferred shooting in black and white, but Marilyn Monroe's contract with Fox called for all of her movies to be shot in color. Monroe always thought that she looked far more attractive and glamorous in color than in black and white.
- ErroresBoth Richard and his boss, who are in the book publishing industry, refer to "The Portrait of Dorian Gray". The actual title of the Oscar Wilde novel is "The Picture of Dorian Gray".
- Créditos curiososWhen the title appears, one arm of the T in ITCH reaches down and scratches the stem of the letter.
- Versiones alternativasVersion released in then West Germany contains some profanity.
- ConexionesFeatured in Marilyn (1963)
- Bandas sonorasPiano Concerto #2
Composed by Sergei Rachmaninoff (as S. Rachmaninoff)
Played on a record and often in the score
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Seven Year Itch
- Locaciones de filmación
- 164 East 61st Street, Manhattan, Nueva York, Nueva York, Estados Unidos(exterior of Richard's apartment)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,800,000 (estimado)
- Total a nivel mundial
- USD 22,277
- Tiempo de ejecución
- 1h 45min(105 min)
- Color
- Relación de aspecto
- 2.55 : 1
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