Foreign Intrigue

This is my idea, as a writer, of a great ethical mystery. The intelligent narrative tells the story of an American working for a mysterious and very wealthy man named Victor Danemore. One day at his estate on the French Riviera, the great man, played by Jean Galland, dies. Robert Mitchum as Dave, the assistant, goes to the man's wife, lovely Genevive Page, for information; she knows nothing either. His odyssey to try to find out what he needs to know about his mysterious employer leads him to Vienna and to Stockholm--and finally to the fact that Danemore had been blackmailing Nazi collaborators who were afraid their wartime crimes would be discovered. At the end, having been saved narrowly from the bad guys, who are actually good guys testing his ethics, he goes off to seek out the real ex-Nazi collaborator bad guys in as many countries as he must; by then the lovely young woman he has fallen in love with, Ingrid Thulin (brilliant as always) is going to be waiting for him. This is a project conceived by Sheldon Reynolds, who wrote the script along with Gene Levitt and Harold Jack Bloom and also directed this fascinating movie. He was also the mind behind another Euro-American on-location project, "Dateline:Europe", one of the best half-hour TV series of all time,one which utilized (as this feature movie) does European technicians, actors, locations and artists. (When people talk about " the sorts of movies 'they' used to make and don't or can't any more", this is the sort of international, intelligent, adult and well-scripted film to which the disappointed are referring). The music here by Paul Durand is good, the cinematography by Bertil Palmgren frequently stunning. The piece also has many actors in small but telling parts, including Inga Tingblad as Thulin's mother, George Hubert, Frederick Schreidler, etc. They are all professional and exactly right for their parts; and all the parts contribute to a whole that moves with the inexorability of a tide toward a satisfying climax and an unforgettable ending. A personal favorite.

The musical score almost makes it unwatchable. The same transition music throughout the film consists of a tom-tom and Gilligan knocking on a coconut with two wooden dowels. It's enough to cause a coma. That being said, the rest of the film's attributes out-weigh the migraine-inducing music.

Mitchum is classic, using his debonair best to woo admirers of his old-school, Hitchcockian style. (Wonder why Hitchcock never really used him?)

The cinematography uses the 1956 color like an oil painting, still incorporating the contrast and shadows of a black and white noir classic.

It's worth a watch.

When a reclusive , sinister millionaire called Victor Danemore dies suddenly of a heart attack on the Riviera, his press agent , Dave Bishop (Robert Mitchum) discovers his deceased body , but not even his enigmatic young wife (Genevieve Page) knows anything about her husband's background or how he earned his richness . As Bishop starts investigating and races from Stockholm to Vienna to the Riviera. As in Stockholm, a blonde (Ingrid Thulin) offered him an invitation: "Is it secrets you want to buy... Or Me!" . In Vienna, a master spy offers him an ultimatum: "I've been paid to kill you, can you better the price?" On the Riviera, a back-ally ambush drenched the cobblestones in blood! . Only one bullet ahead of half the secret agents of Europe . Robert Mitchum is the hunted . . . Europe is the hunting ground !. The most startling spy-hunt ever filmed! .Yesterday he held the world in the palm of his hand... Now it was about to explode in his face!.. And still he wouldn't let go of the deadliest secret a man ever carried!. A world in which a bullet fired in a Vienna slum is heard in London's Foreign Office... where a blonde's warm promise in Stockholm turns to cold on the Riviera... where you can hold the world right in the palm of your hard one minute - and have it explode right in your face the next!

Intriguing and surprising flick with decent performances , atmospheric cinematography and exciting score . A nice thriller with a show-world of traitors-for-hire , several surprises , suspense shattering the screen , twists and turns . A simple and plain premise becomes more and more confuse and twisted when starring carries out deep investigations and becomes romantically involved with two suspect women resulting in treachery . Being well-paced by writer/producer/filmmaker Sheldon Reynolds who in the 60s decade he produced and directed several films . Fine interpretation from trio of protagonists , as Robert Mitchum as the stubborn secretary who begins to investigate his employer's shady past and finds a large number of tracks leading an unexpected revelation . And introducing the attractive Genevieve Page and Igorgeous ngrid Thulin , along with the ordinarily effective secondaries, though they're really unknown.

It packs an adequate cinematography in Panavision by cameraman Bertil Palmgrenas shot on location in Riviera , Vienna , Stockholm , as well as atmospheric and thrilling musical score by Paul Durand. The motion picture was professionally written/produced/directed by Sheldon Reynolds, though it has some flaws , gaps and unfinished conclusion . He produced and directed some episodes about ¨Foreign Intrigue¨ series (1951-1955) that seems to be a precedent to this 1956 film . And about ¨Sherlock Holmes¨series , as he acquired a license to produce and direct adaptations of the Arthur Conan Doyle stories, and successfully formed a consortium which acquired the rights at auction. Reynolds also filmed a Western titled ¨A place called Glory¨ and some thrillers as ¨Assignment kill¨ , ¨Carnival's killer¨ and ¨Foreign intrigue¨.

Robert Mitchum does not seem to be concerned about the situation .Ingrid Thulin (spelled Tulean (sic))does ,but it is a far cry from Bergman and Visconti.Genevieve Page is French and her best part in an English language movie is still to come : "the private life of Sherlock Holmes" by Billy Wilder.Another French thespian ,Jean Galland,has nothing to say and dies in the first sequence before collecting his money.The plot is complicated and undecipherable .Most of the time,we do not know why those people are bustling about and what they are looking for.When we understand the story deals with blackmail and former Nazis ,it's too late.Take "L'Affaire Nina B" by Robert Siodmak (1961) instead.That director knew what he was talking about.

"Foreign Intrigue," a 1956 film starring Robert Mitchum, starts out promisingly enough and peters out. Despite filming in color in France, Sweden, and Monaco, even the film's beauty can't overcome its slow pace and dull script.

Mitchum plays Dave Bishop, who works for an international man of mystery, Victor Danemore. Danemore dies of a heart attack suddenly, and Bishop wonders why every single person he encounters wants to know if Danemore said anything before he died.

Even after working for him, Bishop doesn't know much about him, but he endeavors to find out. He learns that Danemore went to Vienna once a year and goes there.

Danemore's home there is in a slum, his housekeeper is blind, and can only supply him with one name, Olaf Lindquist from Sweden. Bishop finds Lindquist's home, but the man himself is dead.

Bishop and Lindquist's beautiful daughter Brita (Ingrid Thulin) fall for one another; meanwhile, it's obvious her mother is keeping a secret.

Soon Bishop finds himself being followed by one man, Spring (Frederic O'Brady) who won't tell him who he works for, bad-mouthed by Danemore's widow (Genevieve Page) to Brita and her mother, and approached by a group of men who want the names of the men Danemore met yearly in Vienna.

First of all, despite compliments on the music, it was totally overbearing, not to mention loud and intrusive. If you liked it, fine, it was just too over the top for me.

Secondly, this film took way too long to make its point. In the beginning, it was intriguing, but then it began to drag.

Thirdly, we think we're going to find something out and guess what, after all this, we don't.

Robert Mitchum is laid-back and sexy as usual - in this instance, I can't tell if his persona helped the movie or hurt it. He was always a very deliberate actor and perfect for noir - I realize some people call this a noir, and perhaps it was, but the payoff just wasn't there.

It's hard for me to imagine Mitchum hurting a film - I think in this case, I'll have to blame the script and the fact that some time could have been edited out.

Promising start - disappointing finish - pretty to look at.