Hot Shots

Just watching goofy Huntz Hall go even goofier with beautiful Joi Lansing is a MUST. This was a terrific PR stunt, and it worked well. Joi at the time was very popular on tv, a regular on the BOB CUMMINGS SHOW. She had just appeared on I LOVE LUCY prior to this episode.

True, Leo Gorcey was gone, but there were still a lot of laughs in this one. I always thought it was a kind of cool episode because it dealt with tv, and a spoiled brat child star who gets mixed up with the Bowery Boys. Phil Phillips plays Joey Munroe, who actually tries to steal the gang's car! Phillips was also popular on tv, having appeared on Shirley Temple's and Loretta Young's tv shows. He acted into the early 1960s, and is still alive as of this writing.

In short, it's kind of a goofy take off on Hollywood with the guys becoming chaperones for Joey, and turning him from spoiled rich kid to good kid. Would that make this a low, low budget re-working of CAPTAINS COURAGEOUS????

Look for SUPERMAN regular Robert Shayne, who appeared in the INDESTRUCTIBLE MAN opposite Lon Chaney, which was also shot at Allied Artists at about the same time. Directed by reliable Jean Yarbrough, the master behind Abbott and Costellos kooky tv show.

Huntz Hall has never been more CRAZY CRACKERS! And Stanley Clements as Duke ain't bad either. Remastered and on dvd thanks to Warner Brothers, generally 6 to 8 episodes per box set.

A boy tries to steal The Bowery Boys' rundown car. The kid gives a fake name. He turns out to be TV child star Joey Munroe and the studio has reported him missing. He tells the gang a story straight out of his TV show. When the cops show up after a tip, he claims that he's been kidnapped by the gang.

I don't know why the gang would want to see Joey ever again. Instead of Sach and Duke going to the studio, the kid should be the one going to the guys to plead for forgiveness. The kid never actually wins me back. I guess the gang is a lot better than me. I wouldn't want anything to do with the boy.

Precocious preteen Phil Phillips (as Joey Munroe) tries to steal the jalopy owned by skinny-legged Huntz Hall (as Horace Debussy "Sach" Jones) and his tough-talking chum Stanley Clements (as Stanislaus "Duke" Coveleskie). The two men catch the kid, and bring him back to the boarding house run by motherly Queenie Smith (as Kate Kelly). Mr. Hall and Mr. Clements decide to help the juvenile delinquent, who turns out to be a missing TV star. Then, one kidnapping leads to another...

For this one, "The Bowery Boys" are Hall, Clements, ever-present David "Condon" Gorcey (as Chuck), and semi-regular Jimmy Murphy (as Myron). The routine hi-jinks are livened up by two comic staples - a bratty kid and a busty blonde, with comely Joi Lansing offering a pointed performance as the latter. At least, the limping film series could be depended on for an attractive woman. Better than the film is the lobby card showing Ms. Joi bent over "doggie style" for Hall's erect cigar.

*** Hot Shots (12/23/56) Jean Yarbrough ~ Huntz Hall, Stanley Clements, Phil Phillips, Joi Lansing

Stanley Clements and Huntz Hall and the rest of that Bowery Boys crew find themselves nurse maids to young Phil Phillips a precocious young kid who is a noted child star of a weekly television series. The kid tried to steal that famous Bowery Boys jalopy vehicle and he winds up their guest.

Once the studio in the form of Robert Shayne is convinced they did not kidnap the lad he brings them into the television studio as by now Phillips has grown kind of attached to Sach. The reason is very simple, the boys treat him like a kid instead of a commodity.

In fact that's just what he is, a commodity to his uncle and guardian Mark Dana. He's misinvested the kid's money in a lot of things including high maintenance blond Joi Lansing.

Sadly although a funny film with Huntz Hall doing low ball hijinks it's also too uncomfortably real. A whole lot of real life stories of kid stars don't end as well as this one does.

Stanley Clements tries his best, but the series just lost something without Leo and Bernard Gorcey.

Hot Shots (1956)

* 1/2 (out of 4)

The forty-third film in the Bowery Boys series or the second in the Gorcey-less series depending on how you want to look at it. Sach (Huntz Hall) and Duke (Stanley Clements) become involved with an 8-year-old TV star (Philip Phillips) after he tries stealing their car. Soon the boys realize that the kid is being used and taken advantage of by his uncle so they try to put a stop to it but the mean uncle has planned the kids kidnapping. HOT SHOTS is the second film in a row to fall flat on its face and it's easy to see that the series has ran out of gas and the new cast and director simply can't put any spark into it. Once again we're dealing with a very bad screenplay that is clearly written for kids in mind but I'd say the slapstick is a lot less than in some of the later Gorcey pictures and it's clear that the writers didn't know how to put a story around the new leads. Hall was a very capable actor when he was supporting Gorcey and at times the earlier films would allow him to be the lead but the screenplay here simply doesn't know how to use him. Quite often his brand of comedy just comes across so forced and out-of-place that you can't help but wonder what he's doing. Hall is giving the same old Sach performance but it simply doesn't mix with the other comics. Clements once again doesn't mix with Hall as the two have no chemistry and it's impossible for the two to act together as a comic team. It also doesn't help that Phillips is without question very annoying here. The kid comes off as such a little brat that you can't help but not care about anything that is going on with him. Even worse is how unfunny the guy is. Robert Shayne is decent in his role and blonde bombshell Joi Lansing is actually pretty good in her bit. HOT SHOTS lasts just 61-minutes but it feels much longer and that's never a good thing when you're watching a "B" picture. There are four more films in the series so lets hope it redeems itself somewhat because this and the previous picture were clear signs that they should have pulled the plug.