Montecarlo

Act One: Marlene Dietrich and Vittorio De Sica have lost their sizable fortunes and more in the Casino. Now they are adventurers, putting up a front and looking for a rich spouse. They find each other, fall in love, and discover they are both broke.

Act Two: Retired American rich man Arthur O'Connell and daughter Natalie Trundy sail into the harbor on their new-bought three-masted ship. They set their caps at Miss Dietrich and De Sica.

Writer-director Samuel Taylor has written himself a problem play: how to make these four unlikable types appealing to the audience. The Europeans are selfish and lazy. The Americans are brash and boorish. What saves all of them in the audience's eye is their ultimate honesty and Giusepppi Rotunno's dazzling views of the harbor.. But it's a close thing. With Jane Rose, Mischa Auer, and Carlo Rizzo.

Why on earth Marlene Dietrich got involved in this nonsense is beyond me. She must have been short of cash to have even considered appearing in this load of tosh.

The plot, such as it is, is thin involving a group of 'society gamblers' in Monte Carlo. Marlene wears some great clothes and generally glitters in contrast to de Sica who appears as dim as a Toc H lamp!

The one bright spot in this whole sorry saga is Marlene's rendition of "Back Home Again In Indiana" Not that she had any connection with the state, I bet Marlene wished she was back in Indiana!

This, along with her appearance in the 1944 version of "Kismit" just has to be Dietrich's darkest hour (or two) !

The idea sounded really interesting and sounded like my kind of film, so there was the hope that even with some silliness that it would be an amusing and charming piece of escapism. The title also appetised but what had me sold straight away and made me want to see 'The Montecarlo Story' was Marlene Dietrich. An always watchable actress and performer who made even her not particularly good efforts a little above mediocre, and at her best a sheer delight and reason enough to see any film.

For me, 'The Montecarlo Story' disappointed and ranks among Dietrich's lesser films. Not terrible and Dietrich comes off well compared to most of everything else, but 'The Montecarlo Story' felt very lacklustre and lacked spark and anything at stake. A watchable film, and to namely to be seen for anything who likes Dietrich and wants to see everything she's in (the case with me), but a very bland one that really should have been much better than it turned out to be.

Dietrich sparkles and glitters in a way that the rest of the film does not. She epitomises class and has such a charming and sparkling presence not seen with the other cast members. 'The Montecarlo Story' also looks quite gorgeous, Dietrich's costumes are knockouts and the set design is sumptuous and stylishly captured by the photography.

Agree too that "Back Home Again in Indiana" is very memorable and classic Dietrich, all the music fits beautifully but that song was one of the film's clear highlights in a film with not enough of them. There are sporadic moments of wit here and there, but sadly too far and between.

It is a shame that 'The Montecarlo Story' is a big letdown in major components even more important than the ones already mentioned as good things. The story in particular wrecks the film significantly. It is paper thin and completely lacking in energy, but even worse is how utterly nonsensical it with credibility stretched to the limit and beyond. The script is very half-baked and pedestrian, with very little wit or sophistication.

Similarly the direction is graceless and has too much of a heavy hand. All the characters are flat ciphers, while Vittorio DeSica has no presence with practically nothing to work and also no real chemistry with Dietrich (any that sparkles anyhow). The rest of the cast are completely forgettable.

Overall, one time watch-worthy but a near-misfire for Dietrich. 5/10

It's hard to imagine Dino Risi, a distinguished Italian director and writer being involved in this silly little comedy. "Montecarlo" was a product of the late 1950s era where it was inexpensive to shoot a film in Europe for little money. All that was required was a fabulous backdrop in which to set the action. Sam Taylor, its director, didn't bring anything new to the genre.

An icy Marlene Dietrich plays a woman with a lot of class, but no money to satisfy her taste for the best things in life. She is dazzled by Count Della Fiabe, who is also trying to recuperate his debts at the gambling tables of the famous casino. In order for him to attract the woman, who he thinks is his meal ticket, the poor Italian noble man enlist the help of the same people he owes money to.

The best thing comes toward the end when Marlene Dietrich sings "Back Home in Indiana" in a seedy bistro for the enjoyment of Homer Hinckley, who she feels will be the man to make her rich. All this takes place in the glorious French Riviera in all its splendor.

Vittorio DeSica, a marvelous actor/director, does what he can with a role that didn't have much for him. Marlene Dietrich is dressed to the nines by Jean Louis that showed her elegant figure well. Arthur O'Connell, a good character actor is the millionaire from Indiana. Jane Rose also appears in a small role.

A continental dream team of Marlene Dietrich and Vittorio DeSica team up for Montecarlo a place that was big news in 1957 because of a wedding that took place there. It was a natural that someone would have done some kind of Monaco based story because of the wedding of their reigning Prince Rainer to American film star Grace Kelly.

There was however little chemistry between Dietrich and DeSica. I think both of them did the film because of the opportunity to spend time on the Riviera. That's as good a reason as any I've ever heard.

The two stars are a pair of fortune hunters. Both have lost heavily at the gaming tables and each spies the other as a possible mark. When the horrible truth sinks in that they've only combined their debts they decide to team up and get richer respective partners. They decide on a father and daughter duo of millionaires.

Highlight of the film is Marlene Dietrich trying to seduce her mark Arthur O'Connell with a vamp version of Back Home In Indiana. Bet you never thought of that as a torch song. But when Marlene does it in her inimitable style it has possibilities.

But what I can't figure out is why DeSica was given 18 year old Natalie Trundy to go after. I mean the writers couldn't have had him trying to work O'Connell's sister instead of a daughter? He really comes across as a dirty old man. It's the main weakness of the film.

Among the supporting players is Italian comedian Renato Rascel who would co-star with Mario Lanza in The Seven Hills Of Rome the following year. He plays a pawnbroker who wants his tickets redeemed or Marlene's jewelry. Seems as though she had an agreement with Rascel's brother to allow her to wear the jewels for the casinos. Rascel wants an end to that practice and he and Dietrich have some great scenes together.

The wide screen color cinematography of Monaco and the Riviera are absolutely breathtaking. I'm glad color was used for this beautiful spot on the planet.

According to a recent biography of Marlene Dietrich, Vittorio DeSica had two great passions, pursuit of young girls in real life like Natalie Trundy and the gaming tables. He was a candidate for Gamblers Anonymous, DeSica when he won financed his films that way. Many a day's shoot was held up because of DeSica's late night hobbies.

Still Dietrich's legion of fans world wide will like the film and enjoy a glimpse of Montecarlo at the beginning of the Princess Grace story.