Le mystère Picasso

Henri-Georges Clouzot's The Mystery of Picasso starts by announcing that we will have the pleasure of entering the mind of Pablo Picasso, seeing how he gets his creative inspiration; the film promises us that the only way to do this is to watch Picasso's hand. Picasso paints on paper that the ink bleeds through, putting the camera on the other side of Picasso's canvas and watching the a reversed version painting appear in a seemingly magical way. It becomes clear early on that Clouzot is not wholeheartedly trying to show us how Picasso gets his inspiration; that is a mystery. Clouzot wants to capture the joy of painting. That's what makes this film so entertaining: watching bizarre, beautiful images appear out of nowhere. Sometimes Clouzot uses jump-cuts to show us the different phases of a work in progress at a rapid-fire velocity and then reverses the painting in the same jump-cut technique, deconstructing Picasso's. This is all scored to fiery jazz music. We also see Picasso while painting, as his painting is timed. (Picasso has a great screen presence). Clouzot is equally concerned with deconstructing Picasso's work to understand what makes this fast-working artist tick, showing how impossible that task is, and wowing us all the way through. As far as wowing goes, Clouzot did a pretty good job, with scenes that ranged from unforgettable to pleasantly surprising.

A fascinating look at the creative process, filmed in a unique fashion, using a clever technique to capture Picasso's work as he is painting without his hand or his brush getting in the way. This method is actually shown and explained during a live action sequence in the middle. Although the film is mostly just a set of different Picasso paintings in action, interactions between the film's director and Picasso are added in, which not only decreases tedium from the at times monotonous paintwork, but it also makes it a whole lot more interesting, as it feels as if we are there with Clouzot and Picasso in a film studio. The material still becomes a tad repetitive and it tires before the film is over, but set to some great music and actually showing Picasso working through his creative process, this is remarkable, one-of-a-kind film-making and definitely worth checking out.

A-one-of-a-kind look at the artistic process, the unique art documentary captures the creativity itself. Two friends, the great painter and the great director, Pablo Picasso and Henri-George Clouzot decided to do what Goethe's Faust had dreamed about - to capture and to store forever the moment of beauty and inspiration. Picasso conceives, sketches, and paints twenty canvases before our eyes as the camera rolls. The film did not solve the mystery of Picasso who had said about himself, "When I was 9 years old, I could paint like Rafael; as an adult, all my life I tried to learn how to paint like a child" but it lets us to be the eye-witnesses of the amazing process - the birth of twenty works of art into existence. Twenty exiting moments the only Artist could live through are captured forever for us to enjoy again and again. Clouzot uses a specially designed transparent 'canvas' to provide an unobstructed view and different techniques including slow motion animation to let the main character, the invisible Picasso's brush speak for itself. The film is accompanied by exquisite music and gorgeous photography by Claude Renoir, grandson of impressionist painter Pierre-Auguste Renoir and nephew of Jean Renoir. The paintings created by Picasso in the film cannot be seen anywhere else. They were destroyed upon completion of the film. The French government has taken over the preservation of the original negative and has declared this truly unique and priceless documentary a national (and I would call it an international) treasure.

Criterion DVD also includes "Guernica", a short documentary directed in 1950 by Alain Resnais before any of his feature films. Picasso's "Guernica" is one of the most famous paintings of the 20th Century which was created by the artist in response to bombing and destroying the ancient Basque town of Guernica by German aviation on April 27 1937 during Spanish Civil War. The painting is a passionate protest against war as well as the fascinating work of art. Resnais' 13 minutes short film is based on paintings, drawings, and sculptures by Pablo Picasso from 1902 until 949 including "Guernica" and is set against the ode written by French lyrical poet Paul Éluard and recited by Jacques Pruvost and María Casarès. In his early short film, Resnais already uses his famous jump cuts and cross-fades. "Guernica" is a valuable feature which goes well together with the marvelous "The Mystery of Picasso" and adds to understanding one of the most prolific and mysterious Artists of the last century.

Henri-Georges Clouzot, the French director of the masterpieces "Les Diaboliques" and "Le Salaire de la Peur" convinced his friend Pablo Picasso to make this documentary, painting twenty paints in front of the cameras. Using some special technique, Clouzot filmed from the other side of the canvas or stop-motion, and the result is this movie, where two geniuses are gathered: one behind and the other in front of the camera. In accordance with the information on the DVD, the canvases have been destroyed in the end of the shootings. Further, in 1984, the French government declared this documentary a national treasure. Clouzot and Picasso deserved this beautiful homage. My vote is eight.

Title (Brazil): "O Mistério de Picasso" ("The Mystery of Picasso")

This film reminds us that film is visual - very few words are spoken in Le Mystère Picasso. Instead, the camera just trains in canvas and white paper and watches Picasso create. It could have been boring, but instead it's hypnotic. One learns about the creative process without lecture!