El estigma del arroyo

Up until now I've only seen Paul Newman in 1990's and later movies - but he's never been the actor that called me into a movie theater or made me change the channel. He always seemed to play the same type of part: easy going, calm, aware, well contained. Or maybe that's the way he made each part seem.

After seeing this movie, now I know why he's considered such a great actor. I only watched boxing when it was part of the Olympics - just don't enjoy the sport itself that much - and only know about Rocky Graziano from the newspapers. But Paul Newman was riveting. He made this character of a complete underdog, who apparently had no hope, no charm, and nothing to live for, into someone I cared about enough to stick with the movie for two hours.

I don't know how true-to-life the story was; Hollywood generally creates composite characters, cleans up reality and changes or outright ignores major events. Certainly the many fights Graziano had were a bit of a blur in the film and I'm sure several critical steps in his advancement towards middleweight championship were neglected. The reason for the violent relationship between Rocky and his father was unexplained. And his mother's mental state (the film alludes to her time in the hospital) is not fully developed.

These gaps do not overshadow in any way Paul Newman's performance. I always thought it was longevity, charitable works, and a long-lasting marriage to another actor (not to mention darn good spaghetti sauce) that gave him the aura he has - now I understand.

How many chances do we get to watch Paul Newman overact? His over-the-top performance as an Italian-American boxing champ from New York City is lots of fun to watch. He turn Graziano into a poor man's Terry Malloy. Nice, albeit brief, performance by Sal Mineo as well, as Rocky's running buddy. Worth a look!

It's interesting to note the career relationship of James Dean and Paul Newman.

Both were leading contenders for the starring role in "East of Eden." Dean's moving screen test landed him the part over Newman.

Then, upon Dean's sudden demise, Newman was awarded the role Dean was to play in "Somebody Up There Likes Me." Fortunately, Newman was up to the task.

His Rocky was most effectively limned, with Newman in top physical form as well as in the acting department. He assumed a "New York hood" accent, which enhanced his portrayal, and executed the challenging fight scenes with conviction.

Perhaps young Newman's burning ambition at the time to greatly succeed in his craft provided extra stamina to smash through this meaty part for a "knockout punch." Fresh from Actors Studio training, Mr. Newman was fortunate to be surrounded by a quartet of fine "method" artists.

Eileen Heckart was particularly fine as Mrs. Barbella, Everett Sloane as a concerned Manager, Sal Mineo as dependable pal Romolo, and Pier Angeli as sensitive Norma Graziano.

Rocky's hard-hitting life was given a realistic black and white production, doing justice to the middle weight champ's biography. Robert Wise directed with his usual skill and confidence.

Rocky Graziano was a very, very flawed guy to say the least. To be more blunt, until he settled into a career in boxing, he was an antisocial jerk--a blight on society. However, as was the case with most older bio-pics (such as "The Birdman of Alcatraz" and "The Sound of Music"), in order to make a more marketable flick, the truth was often very, very malleable--as the writers took such huge liberties with the facts that the original of the film was hardly recognizable. And, since Rocky was not a very likable guy, I expected a whitewash with this film. Fortunately, the writers stuck reasonably close to the truth and Paul Newman puts in his first excellent performance (after his disaster in "The Silver Chalice").

The film begins with a lovely man (Harold Stone) forcing his young boy to fight. He slaps the little kid around horribly--and it was obvious the father was a complete jerk. From this sort of upbringing, it's understandable why the kid grew up angry (in reality, the father would bit his two sons against each other in boxing matches for his friends to watch--and Rocky's older brother usually beat the snot out of him). This portion of the film shows the many stupid and self-defeating things Rocky did before switching to a life in boxing. Stealing, violence, prison and a stint in military prison--all make up this sordid portion of the movie. To see just how Rocky manages to pull it all together, watch the film.

Overall, well-written and with a very likable performance from Newman. This isn't exactly "Raging Bull" but it is well worth seeing.

This was excellent! I think it is one of the most underrated and under-discussed movies of the 1950s. It was interesting from start-to-finish and had drama, humor, suspense, action, romance.....and it's all true. The story was approved by the man it was about: boxer Rocky Graziano. Thus, you know it's not "based on a true story" in which 90 percent of it turns out to be fiction, just for dramatic purposes. No, this was Graziano's story and Paul Newman - despite not looking Italian - did a superb job playing him. This movie put Newman "on the map" as an actor. He was fascinating in here and dominated most of the scenes.

The film's direction by Robert Wise and the cinematography also took center stage. Apparently, the "powers that be" agreed as this film won an Oscar for its photography.

Newfane's portrayal of the juvenile delinquent-turned-championship boxer may have dominated the story but all the characters left strong impressions, beginning with this parents played by the great character actors Harold Stone and Eileen Heckart . Pier Angeli is well- cast as Graziano's sweetheart-turned wife. Her Italian accent fits in perfectly as does her character as the soft and frail--but tough female complement to Rocky. Too bad we didn't see much of this actress in the USA.

The rest of the supporting cast is top-notch, from Everett Sloane as the fight manager to '50s star/teen idol Sal Mineo as a neighborhood pal to Graziano. Also good was Robert Loggia as the bad- influence hood. This was Loggia's first role on screen. Speaking of first roles, did anyone catch Steve McQueen in here?? I did a double-take when they had a quick gang-fight rumble on top of a roof and there's McQueen! The camera put a closeup shot on him and there was no doubt it was him! He had no lines, unfortunately, but that apparently was his film debut.

This movie is finally going to be released on DVD sometime in November of 2006. I hope more people get the opportunity to discover this fantastic movie which, by the way, reminded me quite a bit of another fantastic film in this era: On The Waterfront.