Grandeza India

it is its basic virtue. for theme and for its inspired manner to present as biopic. for acting and for the mixture of innocence, courage, force and beautiful images. for realism and for Audie Murphy performance. a film about the image and the essence of relationship and about a form of heroism who has not ordinaries rules. a classic western. and more because it is not an idyllic picture about Far West but body for a noble message who preserves the measure at high level. touching and convincing, it has a special note of melancholy and poetic message. a film. real good. a homage. like remember source about the respect for the other, out of ordinary tolerance.

I just caught this movie recently on AMC and was shocked at how much I enjoyed it. I am a big Audie Murphy fan, but even I am willing to admit that most of his movies rarely rise above mediocre. This movie, however, has Audie in the hands of a good director, with a competent script, and some very good supporting cast members.

There were a couple of moments when Ann Bancroft was on screen when my mouth dropped open at how utterly gorgeous she was. Simply breathtaking! Charles Drake and Morris Ankrum do nice work, and Jay Silverheels can do no wrong in my book (I could watch that noble face and listen to that great voice all day long).

I confess to not knowing the real story of Clum, so I was not distracted by how factually accurate this account was (or wasn't, as the case may be). I watched it purely for its entertainment value and walked away completely entertained. Yes, the script has some rather heavy-handed messages we are beaten over the head with throughout, but I feel most of society could stand to be beaten over the head with some positive messages regarding friendship, loyalty, family, and race relations, so that didn't bother me.

I feel Audie Murphy did some of his best acting work in this film, so if you get a chance to see it, I would highly recommend giving it a shot...it's good old fashioned entertainment.

In this true story about the Indian Agent John Clum, who went from the East to the Apache Indian reservation near Tucson, Arizona in 1874 to work with the mistreated Indians, Audie Murphy performs well in his role as a reserved man who is, nonetheless, bold toward the uncooperative U.S. Army and brave toward some Apaches who are mean with a killer's temper; he has to demonstrate his bravery more than once. The authentic Old Tuscon is, naturally, appropriate, and this movie set is very Old-West looking. The story can be provocative in a sense, for it begs a question concerning what our attitude should be toward Native Americans and any other minority group. Charlie Drake shows his acting prowess both as an army sergeant and as an occasional drunk. Pat Crowley is also capable in her role as Clum's wife, a lady herself from back East who must adjust to the situation into which her husband is thrown, if she can make such an adjustment. Anne Bancroft is very convincing as the lovely and tempting Indian widow who becomes so much in love with Clum. And Jay Silverheels shows what the mean Geronimo must have been like. It is not only a good western and a good biopic, but it does, again, challenge our thinking about our attitude toward minority races. The movie is worth the while for many reasons.

The narrative of John P. Clum's broadly varied activities is one of the most dramatic in U.S. history, his tenure as Indian Agent at Arizona's San Carlos Reservation, 1874/77, being particularly noteworthy and forming the subject of this film starring war hero Audie Murphy as Clum. During his assignment to San Carlos, Clum established the first Indian tribal police and court system, using the former to capture the wily Geronimo, convincing the renegade that he was surrounded by a large group of warriors, far from the case. By accomplishing all of this and more, Clum eliminated any possible requirement for continued deployment of a United States Army cavalry regiment at San Carlos, which erased profits from provisioning for the Army and made Clum's presence less than heaven-sent for the mounted troopers. WALK THE PROUD LAND is based upon incidents to be found within Woodworth Clum's 1936 biography of his father, which is the principal source for the screenplay written by the capable pair of Gil Doud and Jack Sher. Unfortunately, Doud ("To Hell and Back") and Sher ("Shane") fail to utilize the most dramatic elements of Clum's story, replacing them with a collection of banal contrivances which serve only to dissipate the feature's impact. Filmed with the wide-screen Cinemascope process, and with sublime Technicolor, the work is delightful to the eye, and benefits as well from the stylish efforts of costumer Bill Thomas. A top-notch performance is given by Anne Bancroft as an Apache warrior's widow who is "given" by the tribe's chief to Clum and who becomes his strongest ally against the Agent's enemies from within both the cavalry and the tribe. Audie Murphy's native earnestness is very effective in his portrayal of Clum, with his palpable lack of emotive flexibility being of no consideration here, and he is well supported by Bancroft, sturdy Charles Drake as his closest comrade, winsome Pat Crowley as his wife, Tommy Rall as his Indian blood brother, and character actors Addison Richards and Morris Ankrum. Many good hands were not utilized properly during the creation of this film, and since Clum's travails were largely for nought, Geronimo being released by his successor, leading to nearly 15 years of unabated Indian wars, a bittersweet and indeed revelatory quality would have been more effective in lieu of numerous scenes depicting lamely comedic children and romantic frippery that have no basis in fact.

In the various tellings of the tale of the OK Corral, the name John Clum comes up as a peripheral character. At that point in his life he was Mayor of Tombstone, Arizona and founder and editor of the Tombstone Epitaph which was in editorial support of the Earp brothers. But before that John Clum was an Indian agent, sent to the San Carlos Reservation in Arizona to reform the corrupt practices regarding same. Audie Murphy plays an eager and honest Clum in this film.

The poor Indians were caught between a rock and a hard place. Either it was the army who was going to govern them or as was argued the civilian Interior Department.

Clum has some interesting and novel ideas about giving the Apaches a large measure of self government. But the real story of Clum is hardly touched on. He stands out simply because he was honest. Sad to say Indian agents for the most part were hack politicians from the political machines back east. Whether they were hired by the War Department or the Interior Department, a lot of them robbed the poor Indians blind. Right at this time, one of the most notorious scandals of the Grant Administration was the Whiskey Ring which involved various trading posts and reached right up to the Secretary of War, a gentleman named William Belknap who resigned before he was impeached.

Murphy gets able support from two leading ladies, pretty and perky Pat Crowley who plays his eastern fiancé and Anne Bancroft who is the spectacularly beautiful Indian widow who's crushing out on him. Jay Silverheels who played Geronimo in Broken Arrow, plays him again in Walk the Proud Land. Charles Drake plays the former army sergeant who hires on as a blacksmith at the San Carlos Reservation and becomes Murphy's best pal and confidante.

Walk the Proud Land is one of the few western films to have a choreographer in the person of Tommy Rall. Rall, a well known Broadway dancer, plays a young Indian warrior who becomes Murphy's friend. There is a lengthy sequence involving the Apaches entertaining some white VIPs at Murphy's wedding to Crowley with some tribal dances. A nice mix between the real deal and what you might see in Rose Marie's Totem Tom Tom number.

Walk the Proud Land is definitely one of Audie Murphy's better westerns for Universal and a nice tribute to a real western figure.