Sucedió en Berlín

Montgomery Clift had made his screen debut in 1947 in The Search and in the short period of four years made some films considered now as classics. He was also in Red River. The Heiress, and A Place in the Sun. The Big Lift doesn't belong in that category.

Still it's an intriguing idea that George Seaton. With only five actors in the plot, have the rest of the film be actual army personnel and German civilians. And the amateur cast does fine playing themselves. I guess it saved a whole lot salary. It gives the movie a documentary feel to it.

Monty and Paul Douglas are two American GIs participating in The Berlin Airlift. This was America and it's allies Great Britain and France in a joint effort to airlift supplies into Berlin after Stalin closed off ground access to Berlin in an effort to force the other three occupying powers out of Berlin.

It was a great propaganda victory for the west at the beginning of the Cold War. Fed a hungry city at the same time calling Joe Stalin's bluff. One Harry Truman's best decisions as President, a win/win for sure.

The story involves Clift and Douglas and their interaction with some German civilians they hooked up with. Clift is a sensitive soul as he always is and Douglas is the rough hewn, but kindly type he usually is. They have differing views about the Germans from fighting them in the late War which was only five years old at the time The Big Lift was made.

Let us say that both of them learn something from their experiences by the time the film ends and the Berlin Airlift is officially over.

Not in the pantheon of great films for Clift and Douglas, but an interesting and in this case historical piece of cinema.

To say that a film is dated because it was shot on location in 1950 (which, I suppose, is history for most of us now) is pretty inadequate. If anything makes this film still interesting it is BECAUSE it was shot on location in 1950. As a young German who only knows a wealthy comfortable democratic Germany I find the very setting the most intriguing, as is the case with the more serious "Germania anno Zero" by Rosselini. The film has its values, however, but is, admittedly, more on the entertaining side. Nice to spot later Haimatfilm and TV favourites in a Hollywood production. If you like Berlin and don't mind an "old" look, watch Billy Wilder's "One, Two, Three", shot 10 years later. To me as funny as "Some Like it Hot", and that means VERY funny.

This movie surprised me a little bit. From the title and the description of the movie on the DVD jacket, I was expecting to find almost a quasi-documentary about the Berlin airlift. There is some interesting stuff about the airlift. The challenges of flying in and out of Berlin in the era seem to be well documented, and there was what seemed to me to be a wholly authentic picture of American military life in that era, heightened by the fact that aside from Montgomery Clift and Paul Douglas, all the military personnel portrayed played themselves. Having said that, the movie really turned out to be more of a slice of life depiction of what it was like to live in Berlin during these post-war years, and especially during the airlift.

The movie focuses really on the budding relationship between Sgt. MacCullough (Clift) and a German woman he meets and falls in love with (played very well by an actress named Cornell Borchers.) As we watch their relationship develop we are introduced to the situation in Berlin - a city still largely in ruins 5 years after the end of World War II, food and electricity in short supply, hopelessly divided into the different zones of occupation, some Germans struggling with a Nazi legacy, others co-operating with the Russians just to survive, and (in the greatest irony of all) a people totally dependent on the Western allies (who had so recently been their enemies) for their survival. Douglas offered a pretty good portrayal of an American soldier (Kowalski) who had been held in a German POW camp during the War and who struggled with his anti-German feelings all the way through. After being a bit taken aback to discover that this movie wasn't what I had expected it to be, I ended up getting quite caught up in the story. As a very early piece of Cold War movie-making propaganda, it obviously glorifies the American ideal, but it's pretty well put together and enjoyable all the way through. 7/10

Spooky airlift film in which the bad seem good and visa versa. This movie was made in 1950. As such, Berlin is accurately portrayed as a destroyed city. Portrayed is perhaps the wrong word. The reason is because the city was still a giant rubble pile. Great dialogue and excellent story make this the premiere film concerning the American and British airlift to save Berlin from the Soviets. The malevolent opportunism demonstrated by the German locals, lend a tragic, yet realistic touch to this movie. Lovelorn American servicemen eat up female German desperation, and thus the stage is set for tragedy.

The shooting of the film on location in Germany is what makes the whole film work and memorable. The story in itself is not really that great, but probably it grasps our attention because of the surroundings: the ruins, the gloomy statues and the simple and down-to-earth life of the common people. Had it been a Hollywood stage production, there wouldn't have been much to it, but once the movie enters Berlin it gets to another level. The same goes for the acting. Acting among the local population with only two brought-in American actors in the cast ( the main characters ) must have been an inspiration.