Una viuda de 19 años, dulce, ingenua y embarazada, es lenta e inexorablemente machacada por los duros criminales, los sádicos guardias y la matrona de una cárcel de mujeres. ¿Será la misma p... Leer todoUna viuda de 19 años, dulce, ingenua y embarazada, es lenta e inexorablemente machacada por los duros criminales, los sádicos guardias y la matrona de una cárcel de mujeres. ¿Será la misma persona cuando termine su condena?Una viuda de 19 años, dulce, ingenua y embarazada, es lenta e inexorablemente machacada por los duros criminales, los sádicos guardias y la matrona de una cárcel de mujeres. ¿Será la misma persona cuando termine su condena?
- Dirección
- Guionistas
- Elenco
- Nominado a 3 premios Óscar
- 2 premios ganados y 5 nominaciones en total
- Helen
- (as Sheila Stevens)
- Inmate
- (sin créditos)
- Jeffries
- (sin créditos)
- Mr. Cooper
- (sin créditos)
- Commissioner Sam Walker
- (sin créditos)
- Inmate
- (sin créditos)
- Inmate
- (sin créditos)
- Man in Car
- (sin créditos)
Opiniones destacadas
It's a manipulative film but you won't mind. Eleanor Parker projects all the innocence and vulnerability of a wounded fawn in the starring role. As one rotten break after another befalls her in the joint, she loses that innocence and becomes transformed into a classic hardened con, a transformation greatly aided by the seemingly simple device of a head-shaving she receives from a cruel matron. The film has a plainly understood message: if no effort is made to rehabilitate inmates, all a prison is good for is to educate criminals in their chosen vocation, crime. That's another big difference between this film and the junky sexploitation pictures of more recent years--the latter don't have a message.
This film dared to tell the whole hideous truth about brutal cruelty by a villain jailer . This is a new kind of picture , it's a scenario writer's idea (Virginia Kellog screenwriter's "Women without Men") of a women's prison , authentic experiences of convicts in a gaol that is a hell on earth . Screen's most gripping drama of violence and gals on rampage in prison riot . It's a story about it what happens to women without men , the shocking tale of one warden against sixty inmates . The movie arises a questions : Will she come out woman or wildcat? , is the coming out good or is the coming out to avenge the torments and terrors that make a jail for women a college for the crime? . Hope Emerson as a cruel , sensation-hungry nasty warden is magnificent , she organizes a crack newspaper campaign announcing against prison chief , the great Agnes Morehead . Former L.A. Times reporter and screenwriter Virginia Kellogg's exciting plot surpasses even ¨I am a fugitive from a chain gang¨ film . Virginia Kellogg pulled some strings to incarcerate herself in a woman's prison . She then wrote a book about it , which was a kind of almanac of everything she witnessed while in prison , then had her write the script , which was nominated for an Academy Award . Warner Bros has filmed with all of the power and realism at its command . The thrilling musical score by the classic Max Steiner . And John Cromwell, under contract at Warner Bros directed with genius . The picture obtained three nominations for Academy Award : the best principal actress (Eleanor Parker) , support cast (Hope Emerson) and the best original screenplay (Virginia Kellogg).
The film is remade as ¨House of Women¨(1962) with Shirley Knight and originated a real sub-genre and spreading several sequels , imitations and copies as ¨Women's prison¨(1955) with Ida Lupino and ¨Girls in Prison¨ with Joan Taylor. Besides , exploitation flicks as ¨Naked cage¨ (1982) directed by Paul Nicholas and ¨Chained Heat¨ with Linda Blair .
¿Sabías que…?
- TriviaAfter I Am a Fugitive from a Chain Gang (1932) led to prison reform in six states, Warners producer Jerry Wald wanted to do the same for women's prisons and sent former newspaper reporter Virginia Kellogg out. She had written a novel that became a Kay Francis film, Mary Stevens, M.D. (1933), about a doctor who bears a child out of wedlock. She had also written well-researched original stories that were the basis for Mala moneda (1947), about treasury agents, and Alma negra (1949), starring James Cagney as a psychotic gangster. She spent months doing research for Sin remisión (1950) at prisons around the country, and was even briefly incarcerated in one of them. Her research is evident in the script with authentic prison slang of the era, and details of prison life, such as the caste system, and the tedium of daily life. Virginia Kellogg and Bernard C. Schoenfeld received an Oscar® nomination for Sin remisión (1950)'s story and screenplay.
- ErroresAn inmate, Georgia Harrison, gets hysterical and breaks the window in her corridor. In this case, the window was inside the bars, which is why the glass would be in a protected and unreachable position. Instead, the bars would have been placed first inside, then the glass further away. The glass would probably be re-enforced glass with wire or even safety glass. Otherwise, an inmate could do just what Georgia did, break it. Then pieces of the glass could be used against other inmates or even prison employees. But then if the glass was safety glass, the scene with Georgia breaking the window would not have been quite so dramatic.
- Citas
Helen: [referring to a newly paroled Marie Allen] What shall I do with her file?
Ruth Benton: Keep it active. She'll be back.
- ConexionesEdited into Motín de mujeres (1962)
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Detalles
- Tiempo de ejecución1 hora 37 minutos
- Color
- Relación de aspecto
- 1.37 : 1