Professori Masa

Matti Kassila's early works are much less well-known than his most famous films but based on what I have seen, they are very watchable as well. After his feature debut Isäntä soittaa hanuria (1949), Kassila's next project was a societal comedy Professori Masa that was released in 1950 and remains an entertaining little rom-com with a light political touch.

Like so many films and works of fiction, Professori Masa draws humour out of class differences and secret identities. The protagonist is a mild-mannered professor of social sciences named Matias Kaarivaara (Tauno Palo) who doesn't approve the impending dock workers' strike in the city. After a student (Lasse Pöysti) accuses him of being alienated from real life, Professor Kaarivaara takes up a job at the docks under the name Masa Vaara in order to get in touch with physical labour, befriends a jovial worker called Väiski (Leo Riuttu) and starts understanding the workers' arguments better. However, working two jobs while keeping the two identities hidden from each other proves out to be more difficult than he anticipated, especially when newspapers notice the unusually well-versed opinions of the dock worker Masa.

The white lies and romantic advancements are pretty easy to guess early on and the plot doesn't even attempt to be realistic, but good actors and the light atmosphere keep the tale interesting throughout. Palo delivers a charismatic performance as both the professor and the dock worker and Ansa Ikonen's Esteri Tervola resembles a light version of the tough journalists in classic screwball comedies. Many supporting actors are amusing too, such as Tarmo Manni as the eager strike agitator Eemeli and Unto Salminen as the jaded veteran reporter Nordgren. Cinematically the best-looking scene is probably the search montage chronicling the hectic attempts to locate the missing political candidates.

The political message is kept very general as opposed to taking sides with either the conservatives or the working class: understanding and co-operation between the two opponents turns out to be the final answer, as exemplified by the suspicious similarity of both parties' chosen candidate for the upcoming minister election. Perhaps this kind of unambitious approach to the premise reduces the movie's value in critical examination but as a simple rom-com it works alright even without many laugh-out-loud moments. All in all I would say that Professori Masa is a decent example of Matti Kassila's early filmography and a fun watch for those interested in his work.

Professor Mathias Kaarivaara is not a big supporter of the dock workers' strike.Then he becomes a dock worker himself, and he gets a new name, Masa Vaara.His new job makes him change his views, and he makes some great speeches.A pretty journalist, Esteri Tervola, wants to write a story about him, and they both show interest in each other.Professori Masa (1950) is directed by the great Finnish director, Matti Kassila.Tauno Palo does terrific job in a double role.Ansa Ikonen is wonderful in the female lead.Leo Riuttu is superb as Väiski.Eija Inkeri is amazing as Masa's daughter Kyllikki.Lasse Pöysti is brilliant as Maisteri Pentti Simola.Siiri Angerkoski is great as always as Elisabeth the maid.Unto Salminen is very funny as the drunken former journalist Nordgren.Tarmo Manni is very good as Eemeli.Aarne Laine plays Alvar.Veikko Linna is Conservative.Leo Jokela is seen as University Student.This is a nice comedy from 60 years back that also draws a social message.It's quite amusing to watch Masa not wanting to wake up in the morning and then aching after the hard work during the night.And when Nordgren goes on and on of the topic Kaarivaara has given to him, showing his knowledge.And it's always great to see Tauno and Ansa together.

A shallow "social" comedy about a conservative professor of social science whose conscience makes him want to know the working class a bit closer, so he becomes a dock worker by night and keeps on lecturing at the university by day. The workers take him as one of their own, and while the conservatives nominate him as their candidate for the minister of one-or-the-other, the dock workers (i.e. the working class) does the same. A bit implausible situation, not helped by the fact that the enthusiastic lady journalist who lodges at the professor's apartment and is overly smitten about the hero of the working class while giving her newspaper an exclusive about him, never even suspects the two are one and the same - because one has a bit of smut on his face, and the other never does.

A very old fashioned comedy of mix up, not terribly interesting or witty. The golden voices of the Finnish cinema, Ansa Ikonen and Tauno Palo don't get to sing a note.

Released as a double feature with their 1948 film "The song of the outskirts" on DVD in Finland.