Feliz engaño

I was only familiar with Doris Day from her later romantic comedies of the late 50's and 60's, many with Rock Hudson. I also was a fan of her T.V. Show and her great Hitchcock movie with Jimmy Stewart, "The Man Who Knew Too Much." This was the first of her early movies that I have seen, and she is simply sunshine in a bottle. She seems to be enjoying every minute of every scene. Her joy is infectious. It is hard to watch the film and not respond to her by cheering up, no matter how your day may be going. Her supporting cast are also delightful and seem to be enjoying themselves. It was great to see Gladys George repeating her "Shantytown" song which she sang to James Cagney in "Twentieth Century" 13 years before. Billy De Wolfe is total gay delight as butler. He explains that he is really an actor, but took the butler job because of a "crazy, mad desire to keep from starving." Anne Triola compliments him perfectly as his maid/fiancé and they do an hilarious duet together. S.Z. Sakill steals the show as the flirtatious Broadway angel who is using his wife's money behind her back to invest in shows so he can oogle the actresses. Finally, there's Gene Nelson as Doris Day's song and dance partner. I have never seen him before, but he is quite a good dancer. At the beginning a fan tells him that he's the best dancer in the world. "It's you and me against Fred Astaire," he says. He does dance in Fred Astaire's style and is about as close to Astaire as anybody is likely to get. Typically, the male leads in musicals are the biggest problems, unless,they're Fred Astaire, Gene Kelley, or James Cagney, they're usually good dancers who can't act or good actors who can't really dance. Here, we seem to have somebody who can do both. The double plot has a) Doris Day coming back to New York to see her mother who she thinks is a big star, but is only an alcoholic cabaret singer, and b)some Broadway entertainers trying to entice S.Z. Sakill to invest his wife's money in a Broadway show. Not too original, but great one liners keep it moving cheerfully along between about a dozen small scale musical numbers. The director wisely understood that with Doris Day singing, you don't need Busby Berkeley super-sets or super choruses. This is a must for Doris Day fans and a wide toothy smile for everybody else.

Another of my most enjoyable movie musicals with my favorite star, Doris Day, singing and dancing with Gene Nelson. I'll never forget the tap dance they did together going up a staircase-fantastic! An excellent cast includes Gladys George, and two of the funniest men around in the 50s: cute S.Z. Sakall and that buggy-eyed looney Billy DeWolfe who will tickle your funnybone. Sakall played in most of Doris' musicals and he is a character to remember! Whatever happened to Gene Nelson? He was surely a fine dancer!

I saw this when I was a small boy, when it was revived in a neighborhood theatre, and then many years later on TV. Finally, with the advent of the VCR, I purchased this entertaining musical.

This is probably the picture that caused me fall in love with Doris Day. That personality! That smile! That Voice! From the opening number, "Just One of Those Things," to the last spectacular song and dance of "Lullaby of Broadway," this is a delight.

I especially enjoyed Doris' scenes with Gladys George (not "Cooper") as someone else reported. "It's tough being a mother. I need a couple more rehearsals." She was wonderful as Jessica Howard, has-been star of Broadway, now singing in a Greenwich Village dive.

Gene Nelson was mischievous as the lecherous dancer who chases Miss Day and Billy DeWolfe was inappropriately prissy as the "boyfriend" of Ann Triola. Of course, I always enjoy watching S. Z. "Cuddles" Sakall. This was his third time appearing with Miss Day.

Doris looked fantastic in Technicolor and the many closeups they gave her underscored her natural beauty, even though her freckles were covered up. She sang very nicely and danced up a storm with Gene Nelson, something that if done today, would get Oscar nominations. I especially enjoyed "You're Getting to Be a Habit with Me" and "I Love The Way You Say Goodnight." I was disappointed that Miss Day didn't have a ballad in this picture. What an oversight!

Day and her ilk made it look too easy, even though a LOT of work went into making these films.

If you can leave reality at the door, you're going to enjoy LULLABY OF Broadway. Doris returns from Europe hoping to surprise her mother who she thinks is a big Broadway star. She actually has fallen on bad times and is singing in a dive the the Village. When Doris arrives to her mothers supposedly grand home, the staff covers and says her mother is on tour. Instead of fretting, why doesn't she just ask what show and what city she is in? Then, of course, there would be no plot which is almost plot less anyway. Another "leave reality at the door" is when Gene Nelson at a gala says to Doris, "Hey, let's do that number we've been rehearsing" Then is seconds the full chorus and costumes and scenery appear!!! What?? Aside from that I really enjoyed this movie. Great numbers and wonderful acting by all. Too bad the story wasn't as good as the other aspects. This is part of the Doris Day collection and is certainly worth a look, implausible as it is. But then aren't all musicals?

Light entertainment at its best, a great guilty pleasure for your pc.

This film boasts surprisingly strong performances by a solid cast: let's say it, a cast humble enough to throw themselves into an odd sort of film: part melodrama, part musical, part fashion show for its star.

Radiating joie-de-vivre, out-singing anyone of her time, serious one moment then tongue-in-cheek the next, Day is a star, an under-rated one these days.

Gene Nelson's dancing is important to see if only to better understand Fred Astaire's. The Astaire difference was this: talent, yes, Nelson had it as well, but not the ability to bring us to the brink of something endless through his motions: to make you know he was on the edge of something vast and mysterious; to suggest a whole unseen world by dancing in this one. Bravo, Fred!