El diablo en la carne

In the wake of the success of Elmer Gantry in the previous year, Angel Baby with a considerably smaller budget came out in 1961. This story is a good deal trashier and it introduces Salome Jens in the title role of a faith healing evangelist who is sincere, but surrounded by sharks.

Young evangelist George Hamilton after healing her dumbness at a meeting falls big time for her. It was a hysterical dumbness after a traumatic experience. Jens decides that evangelism is for her.

Hamilton falls for her, but he's already married to much older woman Mercedes McCambridge. Jens has this good ole boy young Burt Reynolds panting after her. When she strikes out on her own in the evangelical profession Jens has her two leeching parents, Henry Jones and Joan Blondell. She also has a real snake for a manager in Roger Clark.

Angel Baby is pretty trashy stuff. But a good cast makes it interesting.

Judging by this movie, you never would have guessed what lay ahead for Hollywood legend George Hamilton and future number one movie star in the world Burt Reynolds.

Plot In A Paragraph: A woman who believes she has been chosen by God to heal people is taken in by a greedy promoter and his wife to make the rounds of the rural South - she to save souls and heal the sick, he to make as much money as he possibly can.

I was not very entertained watching this, and I only made it all the way through because of George Hamilton and a young Burt Reynolds.

This was Burt Reynolds first role and I found the movie less interesting when he was not on the screen. Even if his character Hook Adams was the local thug in the picture.

That said Reynolds fight with Hamilton is awfully staged, and you can see their youthful inexperience.

Evangelist faith-healer Paul Strand (George Hamilton) travels the American south with his wife Sarah (Mercedes McCambridge), Mollie Hays (Joan Blondell), and Ben Hays (Henry Jones) to preach to the masses in a tent. Angel Baby (Salome Jens) has been mute since childhood. She is drawn to the meeting where Paul somehow heals her. The group takes her under their wings and turns her into an orator. Her boyfriend Hoke Adams (Burt Reynolds) gets jealous.

It is interesting that the film starts with text saying this may not be suitable for impressable children. I can imagine some blowback from the religious community. Many characters are drawn too broadly. Burt Reynolds is in his first movie and he is probably one of those broad characters. I would like less of the romantic melodrama. There are some interesting elements, but the film does struggle in the mix.

My fondest memory or George Hamilton is Love At First Bite. I saw it in the theater upon its release, and he's been forever cemented in my memory for that role. It's only been the last ten years that I've been exposed to his cinematic body of work thanks almost totally to the TCM channel.

He does a surprisingly and satisfyingly good job in this film. Unfortunately, the only way to describe this movie is odd. Initially, I wanted to title my review as bizarre, but that's too good of an adjective.

I'm left wondering why in the heck did this film ever get greenlighted. The IMDB reviews seem to focus on Elmer Gantry and Burt Reynolds. Who cares? It feels in totality like a throw-away regardless.

I'm a huge Blondell fan, but she seems to blunder her way through this one.

This one's great for those who ponder the preposterousness of Hollywood as a whole. Released in the early 1960s, I can't imagine its box office draw. If I'd seen it in the theater, I'd have wondered why I didn't stay home to begin with.

This may have been actress Salome Jens first movie roll, and although when it was released in 1961 she did not receive star billing over more recognized names such as George Hamilton (Reverend Paul Strand), Mercedes McCambridge (the cold fish wife Sarah Strand), and the two hucksters Joan Blondell (Mollie Hays) and her husband Henry Jones (Ben Hays), Salome Jens was not only more deserving of star billing, her role as Angel Baby, the mute beautiful young women who once again finds her voice, and through this miracle she finds God the healer.

I sometimes wonder why some films receive praise (mainly because of a singular performance by a great actor/actress) and other great films with a unique story line and stellar performances by the entire cast such as in the 1961 film Angel Baby are totally ignored. Maybe because stories regarding Evangelist and/or religion are perceived as "subliminal messaging".

The message I received from this film was simply it was a superb film with an interesting story line, and with the leading actress Salome Jens stealing every scene she appeared in.

I rate this classic film an excellent 8 out of 10 IMDb rating.