El barón del terror

For once, the outrageous image displayed on the DVD-cover isn't an exaggeration, as the titular Terror-Baron for some reason really does occasionally mutate into a hideous creature with the long split tongue of a lizard, the big pointy ears of a bat and tiny trunks for hands! I don't know why the Mexican film crew opted for this peculiar monster-design, but it sure is original and a very welcome change from all the usual vampires, witches, werewolves and masked serial killers. The movie atmospherically opens in the year 1661, with the extended and relentless trial against Baron Vitelius d'Estera, who's condemned for sorcery, necromancy and a whole shopping list of other vile crimes against humanity. As a comet passes on the night of his execution, the Baron swears he'll reincarnate within 300 years and extract his bloody vengeance against the descendants of the Inquisitors who burned him alive at the stake. Punctually three centuries later, a comet falls onto earth and the Baron lives again. Introducing himself as a charming and eloquent man, he seeks contact with the kin of his executioners and ingeniously sucks the brains out of their skull whilst they're hypnotized. "Brainiac" doesn't play in the same quality league as some other contemporary Mexican horror films (like "Curse of the Crying Woman" and "The Black Pit of Dr. M"), but it's a tremendously entertaining and competently made black & white chiller. The film is fast-paced and obviously borrowing a lot of style-elements from fellow Gothic classics. The film is also stuffed with ludicrous twists and tacky special effects, yet for some reason the tone remains serious. Even when the screenplay reverts to dreadful clichés and stereotypes, the actors speak their lines straight faced and without blinking. The idea of vengeance against descendants isn't exactly groundbreaking either, but at least the film never gets dull or repetitive! Probably thanks to the incredibly cool-looking Baron, whose appearance is indescribably far-out! "Brainiac" is one bizarre horror film - albeit not THE most bizarre ever, like the tagline proudly announces – and the hardcore cult fanatics among us definitely should purchase it.

A lot of films have taken on the "cult film" mantle in the past couple of decades. Many of them (i.e. BATTLEFIELD EARTH) are not the joyous exercise in pure "so bad it's good" glee that its followers claim. But, let us stake a claim that THE BRAINIAC deserves a place in that hall of fame.

Torture, the Inquisition, Comets, Astronomers, Barons, falling meteorites, serial stalking, a head-pulsing 300 year-old demon, and brains! Yup, that's a brief overview of the topics covered in the deliriously entertaining THE BRAINIAC! I had a chance to actually witness the indescribable movie on the big screen yesterday, and the audicence went wild. And hey, we get to see an evil serial killer munching on a plate of fresh brains 4 DECADES before Anthony Hopkins had his hors d'oevres in HANNIBAL!

In 1661, in Mexico, the Inquisition sentences the Baron Vitelius d'Estera (Abel Salazar) to be burned at the stake for witchcraft, necromancy and seduction of wives and damsels of the lords. He is unsuccessfully defended by the noble Marcos Miranda (Rubén Rojo). The Baron curses the descendants of the four Inquisitors - Indalecio Pantoja (Germán Robles), Baltasar de Meneses (René Cardona), Reinaldo Miranda (Rubén Rojo) and Contreras (Miguel Brillas) - promising that he will return in three hundred years to eliminate them while a comet passes in the sky.

In 1961, the astronomer Prof. Saturnino Millán (Luis Aragón) sees the passage of a comet with his assistants Reinaldo Miranda and Victoria Contreras (Rosa Maria Gallardo) in the sky of Mexico. The comet brings Baron Vitelius d'Estera in the form of a brain eater monster. When the baron finds Sebastián de Pantoja, Luis Meneses, Marcos Miranda and Victoria Contreras, who are descendants of the Inquisitors, his vengeance begins.

"El barón del terror", a.k.a. "The Brainiac", is a trash Mexican horror movie directed by the unknown Chano Urueta. The story is non-sense, with a man returning to Mexico in a comet in the form of a cheesy monster and inviting prominent people that do not know him to a party. There are also two police inspectors that are investigating the death of the monster's victims and are also invited to the same party. Therefore the Baron intends to kill the descendants of the Inquisitors and brings the police to his house that he has apparently rented with a butler. Anyway, if you enjoy trash movie, forget the logic, shutdown your brain and enjoy this flick. My vote is five.

Title (Brazil): Not Available

The Brainiac was one of the many monster and horror films to appear on Chiller Theater in New York in the early 60's. I also remember the photo of the "Brainiac" with that elongated tongue on Famous Monster trading cards of the same era. Poor special effects and cheesy dubbed dialog, but what the heck, this is one of those flicks you stayed up to watch for scares as a little kid and laughs as you got older. The Mexican horror/monster movie of this era is truly a lost film genre. Fun stuff!

Following «Santo vs. the Vampire Women», another cult oddity came to Mexican cinemas in November 1962, surpassing the tale of wrestlers and female vampires in weirdness and kitsch value. Director Chano Urueta had previously released the classic «El espejo de la bruja» and then came «El barón del terror», probably the title for which he is most remembered among the horror genre fans for its bizarre concept. The story has a similar beginning as Mario Bava's «La maschera del demonio», in which Baron Vitelius d'Estera is sentenced to be burned alive by the Inquisition, accused of being a warlock and seducer. He curses his judges and 300 years later he returns to take revenge, as a hideous monster who eats people's brains. He kills the inquisitors' descendants, has enough cerebrum delicatessen at home to eat, but for no discernible reason Baron Vitelius also viciously kills innocent persons, among them pretty Ariadne Welter. Produced with a very low budget by Abel Salazar, who also took the title role, the money must have been spent in the top cast. The curious thing about «El barón del terror» is that everybody agrees that it is a trashy movie but none can deny the strange fascination it exerts.