Fragata infernal

Nothing can touch the book (quality-wise), but this Ustinov-directed epic of '62 is clearly under-rated for it's time with some fine performances with beautiful B/W cinematography. Ustinov also plays Captain Vere in a subdued and strange performance. Robert Ryan (superb actor is right on the money as Claggart. Terence Stamp (in his film debut, I believe) is the perfect Billy Budd and well deserving of his supporting Oscar nomination.

An 8 out of 10. Best performance = Terence Stamp. Melvyn Douglas is crusty as usual and David McCallum is well-cast and officious. This was adapted from one of the classic American novels so the film could only be criticized rightfully, but a stunning achievement in retrospect!

This film which was made at the now legendary, Allied Artists Studios (cough cough) is nothing short of a Masterpiece. Filmed totally on board a reconstructed Man O'War, it features Oscar level performances by Peter Ustinov, Terrance Stamp, Melvin Douglas and the performance of a lifetime by Robert Ryan (as Klaggart, the very human manifestation of evil). If one accepts this movie as a biblical allegory, then it could not end any other way. This is not your typical Hollywood fare, it is filled with intelligent performances, and good direction under difficult conditions. And it's in glorious black and white.

I saw this when it first came out and loved it! The makers of this film (from the UK) are to be praised for addressing a subject historically so controversial that their countrymen could object it has anti-British content based on familiar stereotypes. Yet it is undeniably true. The British Empire thrived on a system of enforced labor, which included plantation slavery, pressgangs in the Navy and crimping of soldiers into the Army. The practice of stealing American sailors off of American ships and forcing them into the British service remained a vexed question between the two countries even after the revolution. Americans who had won their freedom in the revolution had to surrender it to the same tyrants on the high seas. "Billy Budd" shows the tragic injustice of being forced to serve an enemy, suffer his contempt and be punished for the natural act of defending oneself.

Technically, the film couldn't be better. The drama is excellently drawn in well lit black and white and cuts from scene to scene in a manner that never sacrifices clarity to suspense, telling the story as well as it can be told on screen. The close ups reveal all the nuances of character implied in Melville's great novel, making very accessible the emotion of righteous indignation, which is the film's final message. Today, a production crew like the one that made "Billy Budd" could make itself very busy faithfully translating literary classics onto the screen.

One of the best dramas of the sixties. The acting in this movie is superb. With an all star cast of Robert Ryan, Peter Ustinov, Melvyn Douglas and Terrance Stamp you can't go wrong. Filmed in glorious black and white. Ustinov at his best as the perplexed Captain and my favorite Robert Ryan as the sadistic Master of Arms. Billy Budd is a high seas adventure which won't disappoint.

Billy Budd, a merchant sailor dragooned into service aboard a British warship, loves everyone around him and is loved by everyone around him. Everyone, that is, except the ship's master-at-arms, John Claggart, who sees human affection as a threat to him and his ability to do his duty as a maker of war. Billy seems to have only one flaw; he cannot speak coherently when in the grip of strong emotion, and Claggart mercilessly exploits this weakness with tragic results.

I've not read Melville's original story "Billy Budd, Foretopman" and cannot say how it compares with the great novelist's work. But this movie stands in its own right as one of the hardest-hitting dramas of its time. The conflict between law and justice, created and demanded by the circumstances of naval service in the age of sail, was never so well explored. Instead of taking the easy path of caricaturing all the ship's officers as brutal tyrants, director Peter Ustinov portrays them as men trapped into acting against their own desires. This helps lift BILLY BUDD head and shoulders above such solid but pedestrian shipboard historical dramas as DAMN THE DEFIANT! Lastly, BILLY BUDD shows that forgiveness can sometimes be harder to bear than scorn or hatred.

Outstanding performances are the order of the day. Terence Stamp's acting as Billy Budd seems natural, unforced, and human despite the nearly incredible innocence and naivete of his character. Robert Ryan is coldly malicious and calculating as the master-at-arms. Ustinov gives another great performance in a career of great performances as the conscience-tortured Captain Vere, sparking great chemistry with his fellow officers played by David McCallum and John Neville.

Many a movie since my childhood has brought a tear to my eye, but I have not *sobbed* at a movie in the past fifteen years, except once: at the end of BILLY BUDD. It is moving, passionate and poignant. Don't miss it.

Rating: **** out of ****.