Blood Feast

Blood Feast by H. G. Lewis was the first splatter film ever made, and it changed the path of the horror film forever. Its importance, whether good or bad, is undeniable. The film is in many ways the very essence of amateurishness. I do not believe I have ever seen a film where no one...and I mean no one...had ANY acting ability. For me, the only one that comes closest is Mal Arnold as the Egyptian caterer Fuad Ramses. These people cannot laugh, cry, scream, or even speak with any degree of credibility at all. I mean you would have to train people to get results like this if you had wanted them to be like this in the first place. I can only think that maybe with the leads being so poor...the other actors had no inspiration. The direction is not a great deal better...but then the film was made in 9 days. The script is silly and filled with lamentable dialogue where every facet of the plot must be explained and re-explained. What then does this "classic" have going for it? Well, it is fun to watch. It will make you laugh at its unreal gore and its poor acting and direction. The gore is a given and it is abundant....bright red dapples and drapes the bodices of many victimized girls...all of which I might point out are very easy on the eyes...another plus for male viewers. The music, created by Lewis, is surprisingly very good and stylish, helping create the mood and pacing of the film. All in all, I recommend seeing Blood Feast for its ineptitude and the laughs it will derive. If you are a fan of horror, it is a must see to satisfy your curiosity of what caused the change from good horror stories to graphic horror films. The answer lies with Blood Feast.

In the context of film school, film theory, film conventions and anything about film-making that makes it a poignant and artful form of expression, this is a big "DON'T". Anything that can be done poorly, has already been done. Yet what we are left with is a prototypical piece of celluloid. The director, Herschell Gordon Lewis, can easily be seen as love child of Russ Meyer and Ed Wood. Those two names both evoke dread and hilarity. One can only imagine what a movie that has both would be like. Well thankfully for Herschell Gordon Lewis, the world soon found out.

As with most of his movies, forget the story. It is usually a patchwork of closeups, zoom outs, shaky cam, fake gore, nonsensical dialog driven vignettes (with sadomasochistic and other sexual undertones), coming together in the framework of 60 minutes.

There's a serial killer around killing young women and removing certain organs or appendages. At the same time there is a deli owner who caters a special ancient Egyptian feast. The rest is just nonsensical, droll dialog delivered with monotony and the ending. The ending is just painful. I recommend running around blindfolded at full speed in a city, as a way to simulate the end of the movie. If I am making this seem bad, I can digress by listing more evidence of this :

Exhibit 1 : Multiple minute scene of a character making a phone call and then conversing with that person. We never hear or see the person on the other end.

Exhibit 2 : Profile close ups of two people talking. Multiple instances too numerous to count.

Exhibit 3 : Echo, echo, echo .....

Exhibit 4 : Try to hire someone who's last job wasn't as a silent movie pianist, in 1919. It sounded like old heroin-hooked Bela Lugosi having fun with a church organ.

Exhibit 5 : Police that store their firearms in their back pockets (along with their wallets, most likely) and continue to mispronounce homicide (pronounced home_e-side).

Exhibit 6 : Horrible acting in vivid, bright Cinemascope.

Exhibit 7 : An intermission half way through the movie, where a Richard Nixon look alike is giving a lecture on ancient Egypt.

Exhibit 8 : The longest and slowest getaway and chase scene by a man from the Ministry of Funny Walks.

Exhibit 9 : Dialog such as :

"Well the killer must have thought she was dead. It was a miracle she wasn't."

"Well she is now."

".... yeah."

Based on all my evidence so far, you either :

a) think I hate this movie. b) know I hate this movie. c) stopped reading 15 minutes ago. d) are confused. e) none of the above.

To answer all but e, I do like this movie. This movie is closer to Russ Meyer's than Ed Wood. Ed lounged in his mediocre low-budget fetish. Russ mostly portrayed sex as a good, fun thing (his movies do have an unusual depth to them). Herschell took Ed's knack for making SOMETHING with limited funds and added the sexually explicit and completely gratuitous scenes. Just in case we weren't gorged enough on our own endorphins, he adds the gore/horror element. The funny thing is that none of it works. The ridiculousness of the movie is in itself. An advantage is the short running time. By the time you realize you are still watching, is the same point you realize it will just end.

I can easily see a starving early 30 year old William Shatner finding an artistic mentor after watching this on a lazy Saturday afternoon double feature. So join in. Drop into the couch and pour yourself a fresh one. We're gonna be here for a little while. Kanpai !!

This is the splatter anticlassic all us sickos know and love. The non-plot is, well, pretty simple and it's only an excuse to cut loose with loads of very extreme gore and sadism. Fuad Ramses (Mal Arnold), an Egyptian maniac of pagan bloodlust, must serve up a "blood feast" to Ishtar, his horrible goddess of gory days gone by. Y'know, back when chicks used to get their hearts yanked out on altars IN BLOOD COLOR! How does he get the morsels for his feast? It's an easy guess! Tongues pulled out. Limbs cut off. Brains hacked out in a blood-splattered mess. It's the grand-daddy of all the sickest stuff you've ever seen, and even though it's pretty stupid and bad, it sure is fun! It's even funny on purpose (as well as the other way around). For those of you who dig this unsavory and depraved type of junk the way I do, find this bad mother as soon as possible and surrender to the forbidden pleasures of the first splatter-comedy ever! (I think...)

From a technical standpoint, this movie is awful. But, you still have to give credit to Lewis and Friedman for creating a new genre of film; the splatter flick. For this reason, and probably this reason alone, I rate it at 6. Well, you have to give Lewis credit for the musical score that he did himself. The electric organ and opening shot of the Sphinx is hilarious. The writing and acting, though, are deplorable.

This is an exploitation movie in the mold of the circus sideshow. The ad campaign for the movie made it appear to be more than it really was. In fact, a "nurse" was on hand at showings to assist those who might become overwhelmed by the horror presented on the screen. Many of the scenes, like the one with the woman's tongue being ripped out of her mouth (from what I understand, it was a sheep's tongue purchased from a local butcher)are quite revolting and unsettling. Actually, this is a part of what is known as the Blood Trilogy along with Lewis' better made, Two Thousand Maniacs. The third film is Color Me Blood Red.

This is where it all started. And it's also the first of what's known as Herschell Gordon Lewis' "blood trilogy" of gorefests.

Yeah the acting's terrible. Yes, the special effects are awful and yeah, it looks like it was filmed on a shoestring budget, but that's what makes this thing so great! (laughs)

A series of young women are slaughtered in Miami by a local crackpot named Faud Ramses (Mal Arnold). He only takes one part of the woman's body each time by cutting off a leg or a heart or using a machete and cutting out a woman's brains on a dark Miami beach and leaves the local police (led by Bill Kerwin) baffled and clueless.

Ramses is also the local, exotic caterer who uses these woman's body parts to serve his customers without them knowing about it. And that includes a party thrown by Kerwin's girlfriend's (played by 1963 Playboy Playmate, Connie Mason) mother. Connie looks better here than she later did in TWO THOUSAND MANIACS.

The Something Weird DVD uses a crisp master print taken from the original negative. It's real clean without any scratches or damage. The sound is as good as can be expected from the original mono source. It also has 45 minutes of rare outtakes that that are almost as interesting as the film itself with topless scenes that weren't shown in the film.

It also includes a short industrial film starring Kerwin and Harvey Korman (yes, that Harvey Korman) called "Carving Magic" that was done around the same time as this film. We learn the fine art of 'meat' carving so I guess it's supposed to tie into the irony of this film, right?

This is camp as it's best, folks. (laughs)

7 out of 10