Cry of Battle

I was the producer of "Cry of Battle". The production name, Petramonte,is Stein(stone)berg(mountain) in Spanish. The rape scene was with Van Heflin trying to rape Pinang, played by the Phillipina actress, Marilou Munoz, not Rita Morena. For Trivia: I shot around Rita Morena so that she could fly back to LA for the Acedemy Award. She got an Oscar that year, returned and continued shooting. The working title was "To be a man". The book called for an young adult. Making the David McVey character younger with James MacArthur, it was better contrast as a much younger man. We shot a number of days using jitneys (old cars used as buses) horse drawn carts in crowded streets. This was that start of the Japanese attack. All of that work and footage went into the trash can and we ended up with a simple line about the date.

This movie will not be a favorite of those who thrill to color and glitter. It is a Black/White film but this goes well with the story as it was set in an era when B/W films were common and expected.

The actors were not in a very glamorous or beautiful setting until near the end. Depicting the typically poor Filipino lifestyles and modes of living of those times, it is historically true-to-life in costume, food and customs.

There is the contrast of a good man, innocent in his lack of worldly experience, and a bad man who was shown as a typical, although a bit stereotyped, sailor who did not care for anyone but himself. A girl is raped (Rita Moreno) by the bad man near the end of the movie although this is shown in the best of taste, no details are shown. It also leads up to the dramatic ending and leaves the viewer with a keener sense of satisfaction that justice was done. However, even though this and the earlier rape of Pinang were shown with a great degree of good taste, quite unbelievably so for rapes, but to an adult mind they are clearly understood. This permits the movie to be shown to all ages and it could be somewhat useful in juvenile development.

Viewers with adult understanding do not come away lacking and young minds are not affected by it because they only see a girl being carried away or crying afterwards and nothing more than this. Actual violence to the girl is not shown nor is language given that is offensive to young ears. These scenes are done in a way that no one is disappointed by a story lacking in important details.

The times for the setting were rough times. The actual language was no doubt rough and vulgar, to some degree, but this was not made part of the story because the story stood on its own merit and did not require such sensationalism. A study in appropriateness is thus shown to the viewer and nothing is lost.

The actors were marvelous. As a linguist and traveler to the Philippines, I know that the language used is authentic; Rita Moreno is admirable in her use of the language because her native Spanish is a large part of the language heard a few times in the movie.

The Filipino actors are among the best the Philippines had to offer at that time and still are 100% believable in their roles. One comes away feeling that the viewer is sharing part of real life where nothing is artificial or ill-construed to gain viewer interest or merely to fill space in the allotted time for the movie. In fact, there is nothing extraneous in the story and viewers benefit best by making sure to not miss a single word so that get full impact. A satisfying and complete understanding of the story is the result.

This movie is highly recommended for younger viewers as well as older ones because it comes off well in teaching children and young adults that the world is composed of both good and bad people and that good does indeed overshadow evil, especially in the end.

I found that the movie was thoroughly enjoyed by both Asians and non-Asians. No one who enjoys a good story, well put together and well-done, is left lacking. In fact, some don't mind seeing it again not long afterwards. It is somewhat historical but mostly it is believable and this is pulled off by the story itself combined with the superb work of the actors.

Actress Rita moreno says it was an Awful film..in a recent interview (on youtube), and had to fly herself in between filming to attend the 1960/61 Academy Awards from Manilla, to Los Angeles, CA, for her previous film 'West Side Story'. She thought she had a 'slim chance' to win eventhough the industry Favorite Judy Garland was also nominated for 'Judgement at Nuremburg',,, but at the time was in the hospital. .

For some unknown reason, Joe, 3rd mate on a merchant ship, is given a spot promotion to 2nd Lt, and given a squad of Philippinos with orders to attack a Japanese sugar processing plant. This is the last we hear of the plant.

Tagging along, again for unspecified reasons, is the snot-nosed scion of an unseen mogul who falls in love with the heroine. The heroine, alas, is something of an opportunist, and ends up in bed with Joe just because. Naturally, the green-eyed monster makes an appearance.

The only thing this film has to do with war are the 17 or so Japanese soldiers who occasionally make their appearance. Most of this movie deals with the angst felt by the snot-nosed kid in his never-ending attempts to pry the heroine away from Joe.

I found this film to be a grand waste of time.

Disney movie veteran James MacArthur does a real about-face in this impossibly tough war-drama about a young American man in the Philippines during World War II who is forced to grow up quickly after being unceremoniously placed into battle against the Japanese. Silvery black-and-white cinematography, some intriguing ideas, but mostly a grating, ungainly picture which MacArthur's youthful finesse can't quite elevate. Van Heflin, as a hard-drinking soldier who's also a rapist and murderer, gets stuck with the worst scenes, though Irving Lerner's direction is good and there are gripping sequences for fans of this genre. ** from ****