El cuervo

The magician Dr. Erasmus Craven (Vincent Price), who does not belong to the brotherhood of magicians, grieves the loss of his beloved wife Lenore (Hazel Court) and lives in a castle with his daughter Estelle (Olive Sturgess). One day, a raven knocks on his window and Dr. Craven learns that the bird is actually the magician Dr. Adolphus Bedlo (Peter Lorre) that was turned into a raven after challenging the powerful magician Dr. Scarabus (Boris Karloff) that was an enemy of his father. Dr. Craven makes a potion to turn Dr. Bedlo back to the human form and Dr. Bedlo tells that he has seen Lenore in the castle of Dr. Scarabus. Dr. Craven decides to go in his coach with Dr. Bedlo to visit Dr. Scarabus but Estella and Dr. Bedlo's son Rexford (Jack Nicholson) decide to go with them. They find an amicable Dr. Scarabus that invite them to stay for the night. Was Dr. Craven's father wrong about Dr. Scarabus?

"The Raven" is a delightful movie about ambition, treachery and magic, with a wonderful duel of magicians and lots of humor. The raven is hilarious and it is impressive his training with participation in many scenes. The special effects are simple but impressive for a 1963 movie. The cast is excellent with Vincent Price, Peter Lorre and Boris Karloff and it is curious to see Jack Nicholson in the beginning of his career. My vote is seven.

Title (Brazil): "O Corvo" ("the Raven")

There was period of time in the late 50s to mid 60s where the horror/comedy movie became quite popular. These Karloff/Price/Lorre productions were excellent examples of this tongue-in-cheek genre and The Raven may been the best of them.

As others have noted, the only commonality with Poe's work is that there is a raven in the movie (I guess it could be a crow, who can tell the difference). There are enough shock scenes to keep a 10 year old on the edge of his seat and enough cheesy comic relief to keep him from getting creeped out.

By far the best part of the film comes with the lead actors who manage to blend the sinister with the silly in just the right balance to make the whole thing enjoyable.

Very dated by today's standards, most kids wouldn't be impressed by the scares or the laughs. But for old folks who once spent a lot of Saturday afternoons at the local theater it's a wonderful visit to the past.

Greetings again from the darkness. It's been more than 50 years since this one was released, so it seems a good time to offer up some thoughts and observations. Let's start with the fact that you probably read Edgar Allen Poe's poem "The Raven" in high school. Director Roger Corman and writer Richard Matheson take Poe's work as a starting point in a most unique story of their own.

If you aren't familiar with Roger Corman, he is one of the most prolific and entertaining "B" movie makers of all time. His writer here, Mr. Matheson, is best known for his work on numerous episodes of "The Twilight Zone". Poe - Matheson - Corman would be enough, but we also get Vincent Price, Peter Lorre, Boris Karloff, Hazel Court and Jack Nicholson. Price is always a treat to watch (especially in horror films), Lorre appeared in 3 of the greatest movies of all-time (M, The Maltese Falcon, Casablanca), Karloff is the master of monster, Ms Court was one of the first stars of Hammer Films, and of course, Nicholson (fresh-faced here) went on to become one of the most successful actors in movie history.

Price, Karloff, Lorre and Nicholson offer up four of the most unique voices ever heard in movies, and they each partake in the fun provided by Corman here. Yes, I said fun. This is almost slapstick comedy, and at a minimum, it's a parody of the much darker series of Poe films. If you consider it as an influence of the 1960's "Batman" TV series, you wouldn't be wrong. Even the music (heavy on the tuba) has an air of comedy.

Watching Peter Lorre as a matador is pretty funny, and some of the back-and-forth with he and Nicholson as father and son is clearly ad-libbed, but the classic comedic sequence occurs when Price and Karloff take their wizardry duel to the death and turn it into a special effects highlight reel.

This may be the only time you hear the phrase "precious viper" used to describe a woman, and if that, combined with all of the above reasons, isn't enough to motivate you to seek this one out, then maybe you will never discover why so many adore the films of Roger Corman. Compared with films of today, this style is nevermore.

This is true magic. You will be shaking but not through horror. The Raven was made to amuse and it does.

The magician's duel may lack 'modern effects' but for their day they were pretty impressive. And the warmth and humour shines out in all the characters.

And yes, Peter Lorre dressed up as a Raven IS hilarious.

Any time you get to see a film with Boris Karloff, Peter Lorre, and Vincent Price in it, don't ever pass it up. You may nevermore get a chance to see this.

Suggested by the classic poem by Edgar Allan Poe, The Raven is set in Medieval Times and in the tongue in cheek spirit of the film, that could mean the theme park. Magician Vincent Price lives in his castle with his daughter and memories of his second wife Lenore who departed a few years back.

As the poem says a rapping came at his chamber door and The Raven enters and it talks like Peter Lorre. When Price restores it to human form it is Peter Lorre. Lorre wants Price to go challenge the chief magician of the society who is Boris Karloff. And as an inducement he tells him that the late Lenore is not so late and that she's alive and living in sin with Karloff.

Who could resist that, but also their children seem to be bonding and that would be Lorre's son Jack Nicholson and Karloff's daughter Olive Sturgess. The four of them go calling on Karloff and indeed find Hazel Court as Lenore very much alive. She's a magician groupie and Karloff's got the biggest wand.

This film is positively infectious, three great players indulging in a contest as to see who can chow down fastest on a living room set. That final magic duel lasting fifteen minutes with no dialog between Price and Karloff is alone worth seeing this for. And remember those two have some of the greatest speaking voices ever in film.

Roger Corman produced and directed a real classic here, don't miss this one when it's broadcast.