FX-18 contra la mafia

By dumping the original opening song and replacing it with a more up beat number and changing the title to FX-18, SECRET AGENT, USA for the North American release in 1964, this movie was an instant hit with Spy fans everywhere. Ken Clark, who is American, and stands 6 foot 4 inches, was perfect as secret agent Coplan. There is lots of action and exotic locales (the warm beaches of Corsica were well used), this movie shows a true glimps into the exiting life of a secret agent. (That is the fictional view in the mid 1960s). Margit Koscis is absolutely beautiful and is a true sweetheart of that era, who unfortunately died at the young age of 43. (I can't find a cause of death on the internet). Watch the entire movie on YouTube and you won't be disappointed. Also look for the "missing scenes" version on YouTube as well. Larry Anderson.

Did these guys know editing had been invented when they shot this? Some euro spy bond knockoffs can be quite fun, but this is one of the worst. Worse than bond not just at the things bond is good at but even at the things bond is bad at. It manages to make explosions of all things feel dull. I've also never seen a movie so fond of finding excuses to slap women, and I've watched plenty of the more misogynist films of this era. FX-18 finds a way to tick just about every box of being weird about women- portraying as childlike, enjoying touching them without consent, mocking the idea of any sort of agency or role beyond the man's love interest.

The French producers ,noticing (it did not take'em long to notice),that James Bond was becoming a huge blockbuster ,began to look for a French counterpart:in the sixties,lots of movies were made :OSS 117,Coplan,Le Vicomte and more ,each one lousier than the one before (with the eventual exception of "Coplan Sauve Sa Peau" which was directed by Yves Boisset) Enter Maurice Cloche: needless to say,his previous career had nothing (and I mean nothing) to do with the spy thriller.He began his career in 1937 and there are only two good movies in his career :"Monsieur Vincent" and" Le Petit Chose" an acceptable adaptation of the Daudet novel.The rest of his movies are either Saint-Sulpician edifying works ("Un Missionnaire" ) or melodramas dealing with the prostitutes' plight,which put him in the same league as his colleague Leo Joannon for that matter.

What can be said for this first effort in the cloak and dagger field?(two more "works" were to follow ,in the same "vein" so to speak)There's a horrible song during the cast and credits (which is heard again at the end) performed by yeah yeah boy Frank Alamo called "Copain Coplan" ;a Z-movie actor who obviously does not speak French at all (anyone can't be Jodie Foster ,can they?),and who is dubbed in French Mediocre starlets ,who are not even that beautiful ,compared to Bond's girl's canon;an earnest FRench thespian,Daniel Ceccaldi,as the villain,who wish he weren't here;and a story the average viewer has seen one hundred times or more.

Other reviewers didn't like the SONG or the women in this movie. There was originally a different opening song used for this movie, which I agree was horrible. I posted it on Y/T. As for the women...Margit Koscis, Janny Clair, Christina Gajoni and Sabine Sun (Written as Babine), are stunning in the movie. This is a very lively Euro-Spy movie and deserves better reviews...Or reviewers.

This was Ken Clark's first foray in the spy genre and it's easily the weakest of his half-dozen adventures. FX-18 is a juvenile take on one of Paul Kenny's Coplan novels although I suspect it's been `dumbed' down beyond recognition. Ken's name in the English-dubbed print is Francis Cabtry or something like that and he's given the voice usually reserved for thugs.

Second-billed Jany Clair is a pouty beauty who graced Mission to Caracas and FX-18 Superspy but here she's given little to do but get slapped around and tortured. Yes, this is a world where the men are brutes and the women like it.

Director Maurice Cloche also made Baraka X-77 and The Viscount but this time around it seems all the departments of film making are second rate; acting, editing, even the score by Eddie Barclay and Michel Colombier, which has its jazzy moments, is largely forgettable. There's some nice scenery off the coast of Spain to look at but that isn't enough to salvage this wreck.