CALIFICACIÓN DE IMDb
7.2/10
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TU CALIFICACIÓN
En una convención en un hotel de NYC, la solitaria administradora postal Evie Jackson se enamora del encantador vendedor de tarjetas Harry Mork.En una convención en un hotel de NYC, la solitaria administradora postal Evie Jackson se enamora del encantador vendedor de tarjetas Harry Mork.En una convención en un hotel de NYC, la solitaria administradora postal Evie Jackson se enamora del encantador vendedor de tarjetas Harry Mork.
- Nominado a 1 premio Óscar
- 5 nominaciones en total
Opiniones destacadas
A lonely and single woman look for love and companionship in New York City at a postmasters' convention. This sweet film brought tears to my eyes watching it. Dear Heart was wonderfully acted by Geraldine Page, Glenn Ford, and Angela Lansbury. It was a delight to watch.
I note that a DVD version of this charming film is available in Great Britain, but not here . (Our VHS version is not in stock from one major source and one wonders if the British DVD is also out-of-stock.) This title boasts two truly fine actresses, Geraldine Page and Angela Lansbury (although the latter has little more than a cameo, of which she makes the most, as always), plus a wonderful supporting cast as well. Ordinarily I've found Glenn Ford to be rather dull in several of his big screen performances but in this one I recall finding him well-suited to his role and giving an entirely sympathetic and amusing account of himself opposite Ms. Page in a role she obviously relished.
With a well-remembered theme song and a nice music score by the prolific Henry Mancini, there's probably no danger of this one being remade, I suspect, and, since it's close to perfect in this original telling, let's just hope that a DVD release will eventually allow us to revisit the qualities that made it genuinely appealing for mature audiences forty years ago and, I feel sure, still would today.
With a well-remembered theme song and a nice music score by the prolific Henry Mancini, there's probably no danger of this one being remade, I suspect, and, since it's close to perfect in this original telling, let's just hope that a DVD release will eventually allow us to revisit the qualities that made it genuinely appealing for mature audiences forty years ago and, I feel sure, still would today.
88/100. An exceptional, and I feel a very underrated film with Geraldine Page giving an outstanding and unforgettable performance. She gives the character of Evie so many personal nuances and touches. She really is amazing. Angela Lansbury is also incredible in a supporting role, and nails the character with confidence and style. A lot of the smaller characters are television staples, Richard Deacon, Hal Smith, Ruth McDevitt and Alice Pearce. Barbara Nichols gives a very memorable and funny performance as the woman at the concessions counter.
It is a wonderfully simple and uncomplicated story. Delbert Mann does a superb job with his subtle direction. Very well written with deeply developed characters you care about. Glenn Ford is quite good in a warm and subtle performance. A very special gem of a film.
It is a wonderfully simple and uncomplicated story. Delbert Mann does a superb job with his subtle direction. Very well written with deeply developed characters you care about. Glenn Ford is quite good in a warm and subtle performance. A very special gem of a film.
The lives of a woman and man intersect at a New York hotel in this sentimental story from 1964. Glenn Ford plays Harry Mork, a traveling salesman who has decided to slow down and settle down after years of schmoozing, boozing and extracurricular intrigues. Geraldine Page plays Evie Jackson, a small-town postal worker who annually visits the big cities for the industry convention and a chance to let loose a little and take in the sights.
Evie is the person who has never met a stranger. Outwardly she is an eternal optimist and delights in knowing everyone's names, as if that knowledge makes them friends. Under the surface, though, she might be "Miss Lonelyhearts" from Hitchcock's "Rear Window" in a few years, if her life situation doesn't resolve into a satisfactory conclusion. Ms. Page's portrayal of Evie is so fascinating that she dominates the film. Frankly, my attention is always riveted to the screen when this film plays, even though I know how it turns out. As others have pointed out, this is a performance worthy of an Oscar.
The screenplay is very well written, allowing the viewer to observe every aspect of the characters, learning their way of life, their fears, and even their hidden dreams. The acting is good across the board. The end result is very satisfying, especially for viewers who can identify with the emotional vulnerability of the two main characters.
Evie is the person who has never met a stranger. Outwardly she is an eternal optimist and delights in knowing everyone's names, as if that knowledge makes them friends. Under the surface, though, she might be "Miss Lonelyhearts" from Hitchcock's "Rear Window" in a few years, if her life situation doesn't resolve into a satisfactory conclusion. Ms. Page's portrayal of Evie is so fascinating that she dominates the film. Frankly, my attention is always riveted to the screen when this film plays, even though I know how it turns out. As others have pointed out, this is a performance worthy of an Oscar.
The screenplay is very well written, allowing the viewer to observe every aspect of the characters, learning their way of life, their fears, and even their hidden dreams. The acting is good across the board. The end result is very satisfying, especially for viewers who can identify with the emotional vulnerability of the two main characters.
This is a film about two middle aged people in search of their soul mates. It is a very adult film. Children under 35 usually don't find it very rewarding unless they possess an unusual emotional maturity. I loved it the first time I saw it when I was about 22, but I didn't understand its depths until I was about 38. It shows the despair of lonely singles. It shows the "innocence" of the never attached. A spinster (what an ageist and sexist term) and a not too old jaded and bored bachelor try to make relationships which don't really fit work for them. The efforts they go through and the situations they find themselves in make for a lovely and sweet ride. The resolution is extremely gratifying and not so unrealistic. Its tone, mood and pacing as the two meet and learn about each other build beautifully. I don't want a remake, but I miss movies of this maturity, thought and charm. No glamour, no glitz, no silly gags, no pretty young things, this film shows ordinary people with ordinary problems trying to find someone to love in a world that isn't always kind to people past their "prime". Geraldine Page is revelatory as the slightly ridiculous woman who grows more lovely as the story progresses. Glenn Ford's charms are used to their maximum effect and Angela Landsbury adds the right shrewish tone. This is a must see for people who love a good complicated normal romance.
¿Sabías que…?
- TriviaDuring the opening credits, the scene in Pennsylvania Station behind Director Delbert Mann's credit, is the same shot as the last scene of the movie. If you look closely, you can even see Glenn Ford standing near the Information desk.
- ErroresNear the end, in the train station, the lady in the leopard-skin style hat is behind Evie. In the next shot, the same lady is standing at the information booth as Evie arrives to answer the passenger page.
- Citas
Miss Tait: We missed you at the awards banquet, Miss Jackson.
Evie Jackson: We ate Japanese.
Miss Tait: We had creamed chicken.
[walks away]
Harry Mork: You sorry you missed the banquet?
Evie Jackson: Oh, I've forgotten every banquet I ever went to. But I'll always remember the one I missed!
- ConexionesVersion of Studio One: The Out-of-Towners (1957)
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- How long is Dear Heart?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 54 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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By what name was Corazón querido (1964) officially released in India in English?
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