CALIFICACIÓN DE IMDb
4.9/10
1.1 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaA secret vampire cult, which has its headquarters beneath the town cemetery, searches for victims for its human sacrifice rituals.A secret vampire cult, which has its headquarters beneath the town cemetery, searches for victims for its human sacrifice rituals.A secret vampire cult, which has its headquarters beneath the town cemetery, searches for victims for its human sacrifice rituals.
- Dirección
- Guionista
- Elenco
Hubert Noël
- Count Sinistre aka Armond du Molier
- (as Hubert Noel)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Devils of Darkness has a promising sounding title, it's British and it has the typical 60's gothic theme. Yet, it quickly got ignored over the years and it's rarely ever mentioned. Probably because it wasn't made by either of the 3 biggest production companies in that time. The Brit horror industry was ruled by Hammer, Amicus or Tigon and (almost) all their production received cult followings and critics attention. Of course, that can't be the only reason because a good film would be remembered no matter who produced it. Devils of Darkness is anonymous in all fields
Not one aspect in the entire film is worth remembering. It mixes vampirism with other occult elements. A satanic cult, led by Count Sinistre, kidnaps innocent people in order to sacrifice them. An author tries to reveal the secrets and comes into contact with the leader. Devils of Darkness has an extremely promising opening sequence (even before the credits are presented) and the hope you'll see a intriguing occult horror film is falsely raised. After the atmospheric opening, the film quickly falls into boredom with endless speeches and tedious characters. The tension is pretty much non-existent and the few promising horror sequences are too succinct. The beautifully shot cult rites seem to be inspired by Roger Corman's the Masque of the Red Death, but still they're the only sequences worth mentioning. The cast isn't very spectacular, neither. Carol Gray is worth a mention since her beauty reminded me about the typical Hammer sirens. Hubert Noël, the bad guy with a dreadful French accent, is too untalented to make the film memorable and so is director Lance Comfort.
Armond du Moliere is really a 400 year old vampire called Count Sinistre and he heads a coven of Satanists in Brittany, France, with the story then moving to England. British horror movie from Planet Film Productions, I can remember being very excited by the prospect of vampires and Satanists (I love Hammer's The Satanic Rites of Dracula - 1973) but I also recall being rather disappointed with the film. I have just watched it for the second time (on a 41 year old VHS tape) and again it failed to impress. French actor Huber Noel plays the Count, he is very suave but also quite lame compared to Christopher Lee's menacing Dracula. I do not remember seeing one set of fangs and there is barely a drop of blood to be seen. The night scenes were obviously filmed in daylight (though Hammer did this too), the film is quite slow, the ending looks rushed and cheap but Tracy Reed does give some sex appeal and the Swinging Sixties party is quite entertaining. This movie was never going to Hammer a run for their money, it simply lacks bite, however it is still a reasonable watch.
In this 1965 British horror film from Planet Films directed by Lance Comfort ( a prolific B movie maker, this was his final feature), a writer and some friends encounter a satanic cult while on holiday in Brittany and are pursued by the leader, a suave count who turns out to be a 400 year old vampire. It's a hum drum Hammer by numbers kind of movie despite not being made by that company. Featuring non of the tropes that made Hammers horror movies so iconic, this along with movies like The Blood Beast Terror probably helped to damage the reputation of the company, their films getting tarred with the same brush. It does however appropriate Hammers lush use of colour, director Comfort making great use of it as the cultists wander through the woods in single file in their brilliant scarlet red robes holding torches. This and a few other moments of visual flair ensure that the movie isn't entirely devoid of any charm, but unless you are a fan of obscure British horror movies you're time is still better spent elsewhere.
This film is not grand but it's not down right horrible either - it's an in-between film - one of those movies you don't mind watching if there is not a lot on TV or you are just in the mood for something different to watch.
You can easily pass this one by without missing anything but if you do decide to watch it don't expect a lot from it. It's mildly entertaining. Watch it if you really want to see another film on the occult / witchcraft - otherwise you can pass it by.
I'm not downing this film - I found it a a bit enjoyable but there are much better films to watch and re-watch on the market.
5/10
You can easily pass this one by without missing anything but if you do decide to watch it don't expect a lot from it. It's mildly entertaining. Watch it if you really want to see another film on the occult / witchcraft - otherwise you can pass it by.
I'm not downing this film - I found it a a bit enjoyable but there are much better films to watch and re-watch on the market.
5/10
I enjoyed the movie immensely. I had wanted to see it since I was a kid having read about it in SHRIEK! a short lived British horror movie mag.
so, 35 years later I finally get to see it and I was not disappointed. It's not a great film, but it certainly shines above many of the horror films that were churned out during the same era (a la Blood of the Vampire 1958). The atmosphere and mood of the film is just right.
The only truly annoying thing about the film to me was the beatnik-style music.
Yes, it is a Hammer knockoff, but it was one of the better ones. (Even the later Hammer films were "Hammer knockoffs.")
I say give it a chance! If you don't you will not know what you are missing.
so, 35 years later I finally get to see it and I was not disappointed. It's not a great film, but it certainly shines above many of the horror films that were churned out during the same era (a la Blood of the Vampire 1958). The atmosphere and mood of the film is just right.
The only truly annoying thing about the film to me was the beatnik-style music.
Yes, it is a Hammer knockoff, but it was one of the better ones. (Even the later Hammer films were "Hammer knockoffs.")
I say give it a chance! If you don't you will not know what you are missing.
¿Sabías que…?
- TriviaBritain's very first vampire feature set in modern day, instead of the Gothic style popularized by Hammer Films.
- ErroresAs two of the characters emerge from the ruins towards the end, one of the allegedly deceased flickers their eyes.
- Citas
Karen Steele: Hey, the man's smiling. See the effect I have. Or is it Johnny Walker?
Paul Baxter: No, no, no. You were right the first time, wrong the second. Canadian Club.
- Versiones alternativasThe original UK cinema version was cut by the BBFC to heavily reduce a scene of a woman dancing with a snake. later releases were restored and believed to be uncut however, DVDcompare.net suggests there are missing scenes.
- ConexionesFeatured in Trailer Trauma 2: Drive-In Monsterama (2016)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Devils of Darkness?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- GBP 110,000 (estimado)
- Tiempo de ejecución
- 1h 28min(88 min)
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta