Trono de sangre

Throne of Blood is an epic historical drama by renowned director Kurosawa Akira and with charismatic lead actor Mifune Toshiro. The plot revolves around betrayal, conspiracy, greed, honour and megalomania. It is inspired by William Shakespeare's Macbeth intertwined with stylistic elements from Japanese Noh which is a visually appealing but physically static type of traditional musical drama.

The movie tells the story of friends and generals Washizu and Miki who are foretold a bright future by a mysterious spirit in a misty forest. Initially skeptical, the prophecies of the spirit happen to be true when Washizu is named Lord of the Northern Garrison and Miki Commander of the First Fortress. However, Washizu's cold-blooded wife Asaji manipulates her husband into forcing his luck instead of waiting for it to fall into his hands. They plot to assassinate Lord Tsuzuki and then kill Miki but their gloomy plans soon backfire and spiral out of control.

The movie convinces with gorgeous settings such as gigantic Spider's Web Castle. The acting performances are really intense and especially Yamada Isuzu convinces as sinister femme fatale. The plot is filled with interesting conspiracies, intrigues and twists. The film's pace is relatively steady after a slow but necessary introduction. The final quarter of the movie is particularly intense and ends in a brutal tragedy. The movie has aged rather well thanks to its timeless plot.

This movie isn't among Kurosawa Akira's greatest films like Seven Samurai and The Hidden Fortress but is still in the upper middle section of his impressive works. This dynamic historical drama is a clever take on William Shakespeare's timeless Macbeth and convinces thanks to stunning settings, gloomy atmosphere and intense acting performances. If you like elegant action films, intense dramas or epic war movies, you will certainly appreciate Throne of Blood. This entertaining movie has aged quite well and would serve as an appropriate introduction to the works of both Kurosawa Akira and Mifune Toshiro.

The Scottish Play gets a very Oriental makeover in this combination of samurai film and Noh theater from master filmmaker Akira Kurosawa. As a fan of both AK and Shakespeare I owed it to myself to give this a go, particularly as this play has drawn many gifted filmmakers over the years, always to interesting results.

If you know Kurosawa's Seven Samurai or Yojombo, your expectations going into Throne of Blood will probably let you down at first. The energy and visual flair are there, but expressed very differently: a suffocating formality and simmering rage replaces the vitality and dynamism of those other films. Lost in a thick, perpetual fog, Kurosawa's characters stumble around like broken puppets, heavily made up in Noh theater makeup that is at first hard to adjust to. it creates a useful distance, and underlines the power of the cruel hand of Fate, moving its victims across an apocalyptic landscape to a shockingly violent conclusion, one you would do well not to preview online before viewing the film.

Of his three adaptations - Ran being a masterful retelling of King Lear and The Bad Sleep Well using elements of Hamlet - this is the least accessible, but also the most visionary and unique. Oddly enough, it has similarities to Orson Welles' earlier adaptation made half a world away. Both films focus on tribal symbolism, are doused in fog and could never conceivably have had the same impact in color.

If you're interested in either Japanese cinema or Shakespeare, this should definitely be near the top of your list. As an entry-point to Kurosawa's catalog, you'd probably be better off with some less weighty fare.

As most people know, this is Shakespeare's Macbeth rendered by Kurosawa into Noh format for cinema. Not for nothing is Akira Kurosawa regarded as Japan's greatest director, for this is the best cinematic version of any Shakespeare play (and also one of Kurosawa's best films). Kurosawa had the advantage of working in a different language (Japanese), so he didn't have to agonize over the usual dilemma - whether to use Shakespeare's rotund oratory and blank verse (which is glorious, but goes badly on screen). Kurosawa essentially translates Shakespeare's poetry into visual images, while keeping dialogue to a minimum. He also had the good fortune of accessing two great cultures - European literature and Japanese visual art (he was originally a painter before entering cinema as a set-designer). There are many painterly images reminiscent of Ukiyo-e (e.g. Washizu full of arrows).

The Noh style of acting (like Kabuki, but more refined) seems stilted and exaggerated for the first few minutes; then you realize that is ideally suited to a story like this - more natural acting would seem out of place, as other Macbeth-movies go to prove.

The Japanese title of this film translates as "Cobweb Castle" (or Spider City) and this really should have been the title in English. The film is full of the notion of spiders spinning webs (and plots) in secret. It is worth noting that the witch (or "monster") is first seen with a ghostly spinning-wheel. This symbolizes the thread of fate, but also reflects the cobweb theme.

The story is sometimes slow-moving, but you have to realize that this is a story of insidious slow rot (hence the references to spiders and cobwebs). The decay is punctured by occasional bursts of violent action, as befits the story. The black-and-white picture adds to the creepiness, and the atmosphere is so thick that the movie works more effectively than "Ran" (Kurosawa's more polished Shakespeare-adaptation).

Macbeth is the great-granddaddy of the entire horror genre, and Kurosawa is a worthy descendant.

A great deal has been made of the fact that THRONE OF BLOOD (also known as SPIDER'S WEB CASTLE) is drawn from one of Shakespeare's most celebrated plays. This is both a blessing and a curse, for while it gives western audiences a point of reference, it also invites all sorts of comparisons that viewers familiar with the Shakespeare play feel honor-bound to make--and that can get in the way of seeing the film as it is rather than what we expect it to be. And that would be a great pity, because what it is in and of itself is quite fine indeed.

The cast is a very strong ensemble, with frequent Kurosawa star Torshiro Mifune leading the film with a remarkably fine performance as the ambitious warrior Taketori Washizu. To my mind, however, the most memorable performance is offered by Isuzu Yamada as Lady Washizu--who plays the role with a demonic stillness that cracks into physical action only when she is completely sure of herself or in utter desperation. It is one of the most disturbing characterizations I have ever encountered.

As usual in any Kurosawa film, the imagery involved is extremely powerful, and the moody tone of the film quickly draws viewers in--and once ensnared there is no escape; the film holds your attention with considerable ease throughout. Even so, I would not recommend THRONE OF BLOOD to western audiences who have never seen a Kurosawa film, for it is so completely Japanese in aesthetic that some may find it hard to grasp. It is best seen after you are already familiar with both Kurosawa's work and Japanese cinema in general.

The film is available via Criterion DVD, which is quite good, with a nicely restored transfer and bonus features that include the original trailer, a choice of subtitle translations (I prefer the Hoagland translation), and a somewhat awkward but ultimately rewarding commentary track by Michael Jeck. If you're a Kurosawa fan and you've never seen THRONE OF BLOOD, this is your opportunity; if you're looking to replace an existing video with a DVD, this one is likely as good as it gets. Strongly recommended.

Gary F. Taylor aka GFT, Amazon Reviewer

Directors don't come much better than Kurosawa, writers don't come much better than Shakespeare, and movies don't come much better than this excellent combination of the two. Add Mifune's acting, plus a good supporting cast (including a really good performance by Isuzu Yamada), and you have a top-quality, classic film. In retelling the story of "Macbeth" with characters from medieval Japan, Kurosawa does honor to the original and creates a fine achievement in its own right.

Much of the time, when Shakespeare plots are transferred to different settings, what results is only a shadow of the original, because too many directors have only a limited grasp of what Shakespeare's deep masterpieces are all about. That is not at all the case here - Kurosawa shows a great appreciation for the themes and potential of the Macbeth story, and adds plenty of masterful touches of his own, creating a distinctive, memorable atmosphere and characters that come to life in their own right in addition to serving as worthy parallels to the Macbeth characters. There are many fine details that enhance both the medieval Japanese setting and also the important themes of the story itself.

Whether you like Shakespeare, Kurosawa, or both, "Throne of Blood" is an excellent movie that should not disappoint.