Testigo de cargo

I love it when a movie captivates me, carries me along, then surprises me at the end. This is a masterpiece of human maneuvering. It has outstanding acting and a plot to die for. This is a fairly pedestrian Agatha Christie short story. I'm not saying it's not a wonderful story, just that it doesn't come to life like it does on the screen. Charles Laughton is the wonder barrister who is taking the case, even though he is in poor health. The murder case seems a relatively simple one until we begin to trip over the many layers left lying on the path. Marlene Dietrich does a masterful job in all her roles (I won't say anymore than that so I don't spoil the ending). Tyrone Power is able to balance his pathos and his potential guilt. The beauty of the movie is that it never takes itself too seriously. There are some modestly funny subplots and a great deal of careful investigation. I guarantee you that once you start watching, you won't be able to turn it off.

This is one of the best "trial movies" ever made. It's an outstanding film that is just as good today as it was almost 50 years ago when it was released in the theaters. The shocking ending caused quite a stir back then, too.

The only part of the movie I thought looked dated and unrealistic was Tyrone Power's character being able to interrupt the trial with outbursts and not be reprimanded for it. There is no way that would be tolerated, at least today.

Otherwise, it's a pretty solid film with a good cast that includes two fascinating characters played by actors who know how to entertain: Charles Laughton and Marlene Dietrich.

Laughton, who plays Power's defense attorney, grabs the spotlight in the story but Dietrich almost steals the movie in her role as Power's wife. Laughton's dialog is terrific throughout, bringing a number of laughs to this serious film. He's just a joy to watch. Dietrich is even more riveting but just doesn't have anywhere near the same amount of screen time as Laughton.

Not to be overlooked is Elsa Lanchester, playing Laughton's nurse. She, too, demonstrates her comedic talent and significantly adds to the fun of watching this film.

If you like some fine drama, storyline twists, a little humor thrown in and great acting and dialog, this is a classic film to check out.

WARNING: SPOILERS AHEAD!

I'm not sure I have the ability to adequately praise this film. The original short story(rather unremarkable, actually)has been expanded into a magnificent example of Hollywood entertainment at its best. In addition to perhaps the finest line-up of character actors ever assembled(next to Cukor's David Copperfield, that is), we get Laughton and Dietrich at the top of their form. The person who criticised Lanchester's performance as "annoying" missed the point entirely. Miss Plimsoll is meant to be annoying! Also, what's with all the bad-mouthing of Tyrone Power? "Hammy"; "terrible"; "worst performance ever". These are the perceptive IMDb reviews? Only one of you got it right: it's hammy because Leonard Vole is the one acting, not Power! For 95% of the film, the character is dissembling, only showing his true colors at the end. Of course it looks hammy: Vole isn't a born actor like his wife. And to all those know-it-alls who called this film mediocre and predictable, I look forward to your upcoming film projects which I'm sure will be paragons of excellence and worthy to be set alongside classics of the golden age.

Another brilliant work in the legendary career of Billy Wilder. The director signs a cinematic adaptation of this Agatha Christie story: actually it is really as if the camera went on stage for filming the play. But the film is passionating and exciting, there's no time to get bored.

Another thing we shall not forget is that Billy Wilder is European. He manages to keep the spirit of the film very British, with lots of humour and sarcasm. Compared to films like this one, "legal" movies from John Grisham's novels are empty and meaningless, without soul.

Mr.Wilder is the director, we know; we have Charles Laughton, Tyrone Power and Marlene Dietrich: what a cast! Add a superb black and white cinematography... The result is amazing, with a film where dialogues are flawless and carry everything.

Times are different now, but the atmosphere and the taste of movies like this one are impossible to find in contemporary films.

At the end of the day the films you give top marks are those films that become constant companions. You can see them again at the drop of a hat, you show them to people who have never see them and it's always a triumph. "Witness For The Prosecution" is one of those wonders. Suspend your disbelief for a couple of hours and enjoy this banquet of a romp. Charles Laughton showed here what he was made of better, more clearly and more loudly than in any other film and all of his films, at least the moments with him in it, are unforgettable - Captain Blight or Henry VIII, Quasimodo or that malefic Senator from South Carolina. Here the severity of his lawyer by vocation takes your senses away with his masterful judicial way to see logic and it's such an incredible fun to watch him do it. Tyrone Power is a toy in his hands but not Marlene Dietrich who stands her ground, not merely as a character but as a presence on the screen. Billy Wilder visits early Hitchcock territory with wit and fun. Elsa Lanchester's nurse is the cherry on top of this delightful film.