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El destino de un hombre

Título original: Sudba cheloveka
  • 1959
  • 1h 43min
CALIFICACIÓN DE IMDb
7.9/10
4 k
TU CALIFICACIÓN
El destino de un hombre (1959)
DramaGuerra

Un soldado soviético separado de su familia sueña con el reencuentro en el cautiverio.Un soldado soviético separado de su familia sueña con el reencuentro en el cautiverio.Un soldado soviético separado de su familia sueña con el reencuentro en el cautiverio.

  • Dirección
    • Sergey Bondarchuk
  • Guionistas
    • Yuriy Lukin
    • Fyodor Shakhmagonov
    • Mikhail Sholokhov
  • Elenco
    • Sergey Bondarchuk
    • Pavel Boriskin
    • Zinaida Kirienko
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.9/10
    4 k
    TU CALIFICACIÓN
    • Dirección
      • Sergey Bondarchuk
    • Guionistas
      • Yuriy Lukin
      • Fyodor Shakhmagonov
      • Mikhail Sholokhov
    • Elenco
      • Sergey Bondarchuk
      • Pavel Boriskin
      • Zinaida Kirienko
    • 16Opiniones de los usuarios
    • 13Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado en total

    Fotos90

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    Elenco principal42

    Editar
    Sergey Bondarchuk
    Sergey Bondarchuk
    • Andrey Sokolov
    Pavel Boriskin
    Pavel Boriskin
    • Vanyushka
    • (as Pavlik Boriskin)
    Zinaida Kirienko
    Zinaida Kirienko
    • Irina Sokolova
    • (as Z. Kirienko)
    Pavel Volkov
    Pavel Volkov
    • Ivan Timofeevich
    • (as P. Volkov)
    Yuri Averin
    Yuri Averin
    • Müller
    • (as Yu. Averin)
    Konstantin Alekseev
    Konstantin Alekseev
    • German Major Engineer
    • (as K. Alekseev)
    Pavel Vinnikov
    Pavel Vinnikov
    • Soviet Colonel
    • (as P. Vinnikov)
    Evgeniy Teterin
    Evgeniy Teterin
    • Writer
    • (as E. Teterin)
    Anatoli Chemodurov
    Anatoli Chemodurov
    • Soviet Artillery Lieutenant Colonel
    • (as A. Chemodurov)
    Aleksandr Novikov
    Aleksandr Novikov
    • Soviet Devout Soldier
    • (as A. Novikov)
    Lev Borisov
    Lev Borisov
    • Platoon Commander
    • (as L. Borisov)
    Viktor Markin
    Viktor Markin
    • Military Doctor
    • (as V. Markin)
    Yevgeni Kudryashov
    Yevgeni Kudryashov
    • Kryzhnev
    • (as E. Kudryashov)
    Aleksandr Kuznetsov
      Vladimir Ivanov
      Vladimir Ivanov
      • Lead Singer
      • (as V. Ivanov)
      Pyotr Savin
      Pyotr Savin
      • Pyotr
      • (as P. Savin)
      Yevgeniya Melnikova
      Yevgeniya Melnikova
      • Landlady
      • (as E. Melnikova)
      Vyacheslav Beryozko
        • Dirección
          • Sergey Bondarchuk
        • Guionistas
          • Yuriy Lukin
          • Fyodor Shakhmagonov
          • Mikhail Sholokhov
        • Todo el elenco y el equipo
        • Producción, taquilla y más en IMDbPro

        Opiniones de usuarios16

        7.93.9K
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        Opiniones destacadas

        7CinemaSerf

        The Fate of a Man

        "Sokolov" (Sergey Bondarchuk) hopes that his warrior days are behind him after the civil war as he settles down with sweetheart "Irina" (Zinaida Kirienko) and starts a family. Sadly for him, the Nazis don't share his desires for a peaceable life and so he is duly conscripted into the Soviet army. Like so many of his counterparts, he waves goodbye to his family promising to return but having no real idea when or if he shall. Things definitely don't get off to a good start when he is captured by the invaders and imprisoned amidst a perilous environment of arbitrary killings regardless of whether you are a prisoner of war, a Russian citizen or a Jew. With the impetus of the war shifting, though, he manages to escape and we follow his attempts to make it back home to his family. Now this is told in retrospective so we do know what the outcome of his searching is going to be and as we near the denouement we find a character that's utterly devoid of hope - until the young lad "Vanya" (a joyous effort from Pavel Boriskin) makes an unpredictably profound impact on the older man now largely bereft of purpose. The wartime photography delivers strongly here illustrating the mayhem and chaos brought by the indiscriminate activities of their enemy and, latterly, their own forces whilst clearly demonstrating the horrors randomly inflicted on the population. Bondarchuk is also expert at portraying a character that is simple, decent and ultimately one who wants merely to be left to the joys of his family and his hard work. That's especially poignant when he is facing death at the hands of the prison camp commandant who sees the killing of his inmates as little different from sport. There's a tiny bit of religiosity in here too, which I thought added an extra human dimension to a story that could just as easily be applied to any of a million foot soldiers fighting in WWII without knowing what was going on at home. If the last scene doesn't bring a lump to your throat...
        8MogwaiMovieReviews

        I Never Feel Like Eating After Only One Glass

        A WWII Soviet soldier is captured by the Nazis but strives to escape and return home to his family.

        Another of those great Russian war films from the late 50s/early 60s, which, as with Japan, seems to have been the nation's best era for cinema. The quicksilverlike photography is predictably superlative, and there are solid performances all round, especially from the lead, Sergey Bondarchuk, who also directed the film.

        There's a number of clumsy transitions between scenes in the last half hour of the film that don't really work, and it perhaps runs a little out of steam once he has escaped, but that's about the most I can come up with in terms of criticism, and the final impression one takes away is less of battlefields than the healing, rebuilding and moving on from them that has to take place afterwards.

        Well worth watching if you're in the mood for a 90-minute war epic, alongside The Cranes are Flying and Ballad of A Soldier.
        9clanciai

        Russian heavyweight with all the miseries of the second world war

        Sergei Bondarchuk directs the film and plays the lead himself. Thus he dominates the entire film from beginning to the end, and although he is a most qualified actor and director, you lack the smallest shade of polyphony. The story is by Mikhail Sholokhov, the main Soviet nationalist, and his tendencies to glorify Soviet Russia shines through especially in his treatment of the Germans, who are all abominable stereotypes - with the exception of one drunkard and the final general. There is not a shred of the slightest sense of humour in the film and almost no smiles even, except in the last moment when the boy comes in and and lets in some well needed and most comforting sunshine. Thus the dreadful story ends with the victory of humanity. It's a masterpiece, of course, but the whole film is a slow and depressing ordeal.
        8jhrclbpmar

        Soviet POW's Belatedly Rehabilitated

        The work is absolutely stunning visually, at times radical in its framing. It is perfectly understandable that since the film was made only 5 years after Stalin's death the political strictures under which it was made forced the director to be careful to avoid depicting the persecution suffered by returning Soviet POW's under his rule, but by focusing on the suffering they, and most particularly the protagonist, experienced as prisoners in German work camps and the steadfast and heroic endurance they maintained in the face of cruelty and hardship he is completely successful in politically rehabilitating them as patriots, both for their contemporaries and for Soviet posterity. A beautiful and at times quite moving film. Highly recommended.
        7tom neal

        suffering?

        This first directorial effort from actor Bondarchuk (mainly known for his monumental War and Peace) shouldn't have starred the director. His ruddy countenance didn't convince me one bit he suffered through all the mishaps in his life during the Great War. Furthermore I found it very hard to believe the Germans went to so much effort to save the lives of these Untermenschen. There were good performances though and it is shot beautifully.

        Watch instead Come and See (Idi i Smotri) for a shattering experience of the Great War.

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        Cuando pasan las cigüeñas
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        Argumento

        Editar

        ¿Sabías que…?

        Editar
        • Trivia
          The Best Film in the poll of the magazine "Soviet Screen" in 1960.
        • Errores
          When the lead character steals the Nazi car, in broad daylight, a owl echo sounds.
        • Citas

          Sokolov: [Snaps to attention] Prisoner Sokolov reporting as ordered.

          Muller: So four cubic meters is too much to quarry, eh?

          Sokolov: It is, Commandant, far too much.

          Muller: And you need only one cubic meter for your grave, right?

          Sokolov: Yes, that's quite enough for a grave. Even there'd be room to spare.

          Muller: I'm going to do you a great honor. I'll shoot you with my own pistol.

          [Gesturing with his gun]

          Muller: Let's go into the yard.

          Sokolov: Whatever you say.

          [Turns sharply about face]

          Muller: Have a drink before you die, Russian Ivan. To the triumphant armies of the fatherland.

          [Officers around the table stand for the toast]

          Sokolov: [Places his drink down on the table] I appreciate it, but I'm not much of a drinker.

          Muller: You refuse to drink to our victory?

          [Goes to the table, returns with a piece of bread]

          Muller: Very well, then. I propose you drink to your death.

          Sokolov: To my death and my release from this torment, I will drink.

          [Drinks entire glass of vodka in one draught, places the glass on the table and the bread on the top of the glass]

          Sokolov: I'm ready now, Herr Commandant, come on.

          Muller: Have a bite to eat before you die.

          Sokolov: I never feel like eating after only one glass.

          Muller: [Pours another glass full, offers him the bread and glass] Don't be shy, go ahead.

          Sokolov: [Drinks second glass dry, replaces the glass and bread] . Sorry, Herr Commandant, but I don't eat after two glasses, either.

          Muller: [Officers at table, laughing and applauding: Bravo! It's incredible. He's had a whole bottle without eating anything!. Commandant returns to table, slowly pours a third drink, filling the glass to the brim]

          Sokolov: [Takes third glass and bread from the Commandant. Pauses, then drinks entire glass while staring at Commandant. Takes a tiny bit of bread, leaves the rest with the glass on the table]

          Muller: [Ordering his officers to be silent] Listen here, Sokolov. You're a good Russian soldier. A brave soldier. I'm a soldier also. And I respect a worthy enemy. I'm not going to shoot you. This morning our invincible armies reached the Volga and have taken complete possession of Stalingrad. And to this marvelous news you owe your life which I generously give back to you. Return to your barracks.

          [Picks up a loaf of bread and butter from the table]

          Muller: Take this with you, for your courage.

        • Conexiones
          Featured in Sergey Bondarchuk (1982)

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        Preguntas Frecuentes

        • How long is The Destiny of a Man?
          Con tecnología de Alexa

        Detalles

        Editar
        • Fecha de lanzamiento
          • 12 de abril de 1959 (Unión Soviética)
        • País de origen
          • Unión Soviética
        • Idiomas
          • Ruso
          • Alemán
        • También se conoce como
          • The Destiny of a Man
        • Locaciones de filmación
          • Tambov, Rusia
        • Productora
          • Mosfilm
        • Ver más créditos de la compañía en IMDbPro

        Especificaciones técnicas

        Editar
        • Tiempo de ejecución
          1 hora 43 minutos
        • Color
          • Black and White
        • Mezcla de sonido
          • Mono
        • Relación de aspecto
          • 1.37 : 1

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