Buon funerale amigos!... paga Sartana

Here, I would like to refer to some artistic categories that are paid less attention to. First of all, I would like to praise the artistic contribution of the decorator, especially the clothing designer (Daphne Ciarrocchi, Luciano Sagoni) for the protagonists in the film, the set designer on the interior look (Giacomo Calo, Carducci), the director of photography (Stelvio Massi).

The music is at the level of Bruno Nicolai.

Director Giuliano Carnimeo, screenwriter and coauthor of the story Giovanni Simonelli with Robert Gianviti did a good job of introducing the character of Li Tse Tung / Peng. An unusual character. Otherwise the owner of the casino, of Chinese origin. The role of Li Tse Tung / Peng was convincingly played by George Wang.

On the whole, with the character of the murderous Sartana (Gianni Garko) and his deadly handling of cards, it seemed a very impressive innovation. From an aesthetic point of view, it is a successful, acceptably stylized spaghetti western, which makes it above-averagely watchable.

Gianna Garko returns as Sartana in the fourth film in the series and its standard stuff; there's some good shootouts, a suspenseful scene in the mine and the cute Miss Giordono, however I didn't find this as engaging as the others and I felt the scenes were tacked on together. The story elements were more baffling than usual. Garko isn't as engaging as he was in the 2nd Sartana film. But it passes the time well enough, but it doesn't stand out too much.

Gianni Garko is back as Sartana, and this time he's sporting a thick blonde Swedish- style moustache! I'm also beginning to think he's some sort of jinx, as yet again he witnesses the massacre of a bunch of miners by some bad guys and gets mixed up in some sort of land grab treachery involving crooked bank managers we've all seen a million times by now.

But who cares? It's Sartana, and it seems the longer the series goes on, the more ridiculous (and therefore enjoyable) the films get! He's still dressing in goth fashion and he still has his four chambered Derringer, but this time round he's also got a pack of cards with sharpened edges! You tell me if a film is meant to be taken seriously when Sartana flicks a card across a room into a bible, at the exact page he wants the bad guy to read!

The crooked bank manager (and his many crooked employees) is pretty good too, sending wave after wave of hired killers after Sartana, only for Sartana to waste them, then pay for their funeral, only for the bad guys to use that funeral to try and kill Sartana. Sartana also acts like some sort of ghost in this one, seemingly teleporting anywhere he wants to, which just adds to the strangeness. Plus he can light fireworks by firing a gun at them, at night.

No Mexicans in the one strangely, but we do have George Wang as some mystic casino owner who spends the entire film in a chair only to reveal he's not crippled, he's 'just very lazy'.

I might have to track down Sartana The Gravedigger, Light the Fuse...Sartana is Coming and any other I've missed.

(1970) Have a Good Funeral. My Friend/ Buon funerale amigos!... paga Sartana DUBBED SPAGHETTI WESTERN

According to Wikipedia "Have A Good Funeral, My Friend" is the 4th of 5 original Sartana movies. It stars Gianni Garko playing the iconic role as he at the time of his arrival to an old friend who happens to own a mine after the gist was discovered to be shot and murdered. And comes across two rivals, a greedy banker and a Chinese casino owner who intend to own the mine after the niece. As the niece automatically becomes the heir since it was her uncle who owned the mine but that he was murdered in cold blood.

One of the better Spaghetti Westerns as it consists of nifty sequences such as a playing card used as a book mark.

The first Sartana (1968), by Gianfranco Parolini, is such a dark and brooding spaghetti western gem, that I can't help but wonder what could have happened to the rest of the Sartana entries in his, admittedly, more skillful hands.

Gianni Garko returns for the fourth time to play the titular black-clad anti-hero, after being replaced by the suave George Hilton for A Fistful of Lead. Garko is typically good as the amoral Sartana, in a plot that combines in typical Carnimeo fashion, mystery and action. After old prospector Benson is killed, several people try to get their hands on his land. Nuggets of gold, discovered in his burnt down shackle, suggest that the old prospector hit a motherlode. A corrupt banker and a Chinese saloon owner each will try to convince Benson's niece, now the sole heir of the property, that the land is nothing but acres of sand and therefore worth nothing. Sartana, as usual, is out for himself and will try to play everyone. Of course, things are not always what they seem. There are enough twists and turns to keep things adequately interesting plot-wise.

But plot is barely the reason I love spags. It's the pure style that I look forward, those little moments of pure cinematic gold scattered in the form of stylish shootouts, off-beat characters, weird angles and close-ups, and style-wise, there isn't enough to go around here. The production seems kind of rushed, which probably was, given the low production values. With this being the 4th Sartana entry, everyone seems to be on autopilot by now, and Carnimeo just gets things over in a workmanlinke way. Which is why I wish Parolini would have worked on the sequels. Carnimeo, never an A-list name even by spaghetti standards, seems to be more of an employee instead of an artist, just getting things on budget and on schedule for the producers.

Anyhow, suffice to say there are lots of better spaghettis out there. If you're a seasoned veteran, and need a quick spaghetti fix for a Sunday afternoon, Have a Good Funeral Amigo will do just fine. Just don't expect anything mind-blowing.