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6.5/10
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Una antología de cuatro historias de terror que giran en torno a una misteriosa casa de alquiler en el Reino Unido.Una antología de cuatro historias de terror que giran en torno a una misteriosa casa de alquiler en el Reino Unido.Una antología de cuatro historias de terror que giran en torno a una misteriosa casa de alquiler en el Reino Unido.
Ann Barrass
- Horror Film Actress (Segment) "The Cloak"
- (sin créditos)
Roy Beck
- Camera Crew
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The script of this ghoulish horror anthology is Robert Bloch at his diabolical best. I only saw this recently; I've wanted to see it for quite some time, but circumstances conspired, and I had to wait for the DVD release. But it was worth it!
This film is cartoonish throughout and constantly winks at the audience, but it also has an unwavering serious side. It's very sparing on special effects (and saves most of what little there is for the last segment), and is much more dependent on its actors. From the beginning, there is an outrageous over-the-top quality that is very reassuring--it's confident that it will deliver the horror its audience wants to see. Even the funniest segment (starring John Pertwee) manages to be rather disturbing. The box says "Rated PG - For Scary Images," and I must say, the sight of a vampiric Ingrid Pitt floating magically through the air towards one of her victims is a very scary image.
One of the things I like most about this movie is the way the humor and horror COEXIST in the film. The humor doesn't "negate" the horror or turn it into a joke. The horror doesn't "spoil" the humor or make it unfunny. Both elements are able to be taken seriously. Many horror comedies, especially modern ones, can't demonstrate such deft handling of their own elements. But this one moves in a sure-footed way, and that's all Robert Bloch. It's clear to me at least that he enjoyed his work, because such clear thinking is a sign the writer is having fun.
A surprisingly effective horror film from the early 70's that still packs a punch today. I have seen the other Amicus anthology films, and they're good, but this, for some reason, is the instant favorite.
This film is cartoonish throughout and constantly winks at the audience, but it also has an unwavering serious side. It's very sparing on special effects (and saves most of what little there is for the last segment), and is much more dependent on its actors. From the beginning, there is an outrageous over-the-top quality that is very reassuring--it's confident that it will deliver the horror its audience wants to see. Even the funniest segment (starring John Pertwee) manages to be rather disturbing. The box says "Rated PG - For Scary Images," and I must say, the sight of a vampiric Ingrid Pitt floating magically through the air towards one of her victims is a very scary image.
One of the things I like most about this movie is the way the humor and horror COEXIST in the film. The humor doesn't "negate" the horror or turn it into a joke. The horror doesn't "spoil" the humor or make it unfunny. Both elements are able to be taken seriously. Many horror comedies, especially modern ones, can't demonstrate such deft handling of their own elements. But this one moves in a sure-footed way, and that's all Robert Bloch. It's clear to me at least that he enjoyed his work, because such clear thinking is a sign the writer is having fun.
A surprisingly effective horror film from the early 70's that still packs a punch today. I have seen the other Amicus anthology films, and they're good, but this, for some reason, is the instant favorite.
Don't let the title fool you, there is no blood in this film. THE HOUSE THAT DRIPPED BLOOD is a rather tame, four part anthology film about an old manor, and the untimely deaths of its occupants.
First, Denholm Elliot is a horror writer who moves into the house seeking inspiration for his next book. He no sooner dreams up a creepy character, than it appears to have come alive!
Next, Peter Cushing visits a wax museum, only to find something quite unexpected concerning one of the figures.
In the third segment, Christopher Lee is either a heartless father to his young daughter, or she is far more than she appears to be.
Finally, John Pertwee is a jaded horror actor, who stumbles upon a certain, very familiar cape in an occult shop. Lighthearted terror and mirth ensue. Co-stars Ingrid Pitt!
The wraparound story has a Scotland Yard detective trying to solve these cases. Entertaining, though not very frightening, it's still good to see Cushing and Lee in anything!...
First, Denholm Elliot is a horror writer who moves into the house seeking inspiration for his next book. He no sooner dreams up a creepy character, than it appears to have come alive!
Next, Peter Cushing visits a wax museum, only to find something quite unexpected concerning one of the figures.
In the third segment, Christopher Lee is either a heartless father to his young daughter, or she is far more than she appears to be.
Finally, John Pertwee is a jaded horror actor, who stumbles upon a certain, very familiar cape in an occult shop. Lighthearted terror and mirth ensue. Co-stars Ingrid Pitt!
The wraparound story has a Scotland Yard detective trying to solve these cases. Entertaining, though not very frightening, it's still good to see Cushing and Lee in anything!...
The British production company Amicus is generally known as the specialist for horror anthologies, and this great omnibus called "The House That Dripped Blood" is doubtlessly the finest Amicus production I've seen so far (admittedly, there are quite a few that I have yet to see, though). "The House That Dripped Blood" consists of four delightfully macabre tales, all set in the same eerie mansion. These four stories are brought to you in a wonderfully Gothic atmosphere, and with one of the finest ensemble casts imaginable. Peter Cushing, Christopher Lee (Cushing and Lee are two of my favorite actors ever), as well as Denholm Elliott and the ravishing Ingrid Pitt star in this film - so which true Horror fan could possibly afford to miss it? No one, of course, and the film has much more to offer than just a great cast. "The House That Dripped Blood" revolves around an eerie rural mansion, in which strange things are happening. In four parts, the film tells the tales of four different heirs.
The first tale, "Method For Murder", tells the story of Horror novelist Charles Hyller (Denholm Elliott), who moves into the House with his wife. After moving in, the writer suddenly feels haunted by a maniac of his own creation... The first segment is a great kickoff to the film. The story is creepy and macabre throughout and the performances are entirelly very good.
In the second story, "Waxworks", retired businessman Phillip Grayson (Peter Cushing) moves into the house, and suddenly feels drawn to a mysterious Wax Museum in the nearby town... The great Peter Cushing once again delivers a sublime performance in this, and the rest of the performances are also very good. The tale is delightfully weird, and the second-best of the film, after the third.
The third tale, "Sweets To The Sweet" is by far the creepiest and most brilliant of the four. John Reed (Christopher Lee) moves in with his little daughter. The private teacher and nanny Mrs. Norton, whom Mr. Reed has employed to instruct his daughter, is appalled about her employer's strictness towards his daughter, and is eager to find out what reason the overprotective father's views on upbringing may have... This best segment maintains a very creepy atmosphere and a genuinely scary plot. Christopher Lee is, as always, superb in his role. Nyree Dawn Porter is also very good as the nanny, and my special praise goes to then 11-year-old Chloe Franks. This ingenious segment alone makes the film a must-see for every true Horror-fan.
In the fourth segment, Horror-actor Paul Henderson (Jon Pertwee) moves into the house with his sexy mistress/co-star Carla (Ingrid Pitt). This fourth story is satire, more than it is actually Horror. It is a highly amusing satire, however, and there are many allusions to other Horror films. At one point Henderson indirectly refers to Christopher Lee, who stars in the previous, third segment...
All four segments have a delightfully macabre sense of humor and a great atmosphere. As stated above, the third segment is by far the creepiest and greatest, but the other three are also atmospheric and often macabrely humorous Horror tales that every Horror lover should appreciate. An igenious atmosphere, a macabre sense of humor, genuine eerieness and a brilliant cast make this one a must-see. In Short: "The House That Dripped Blood" is an excellent Horror-omnibus that no lover of British Horror could possibly afford to miss. Highly Recommended!
The first tale, "Method For Murder", tells the story of Horror novelist Charles Hyller (Denholm Elliott), who moves into the House with his wife. After moving in, the writer suddenly feels haunted by a maniac of his own creation... The first segment is a great kickoff to the film. The story is creepy and macabre throughout and the performances are entirelly very good.
In the second story, "Waxworks", retired businessman Phillip Grayson (Peter Cushing) moves into the house, and suddenly feels drawn to a mysterious Wax Museum in the nearby town... The great Peter Cushing once again delivers a sublime performance in this, and the rest of the performances are also very good. The tale is delightfully weird, and the second-best of the film, after the third.
The third tale, "Sweets To The Sweet" is by far the creepiest and most brilliant of the four. John Reed (Christopher Lee) moves in with his little daughter. The private teacher and nanny Mrs. Norton, whom Mr. Reed has employed to instruct his daughter, is appalled about her employer's strictness towards his daughter, and is eager to find out what reason the overprotective father's views on upbringing may have... This best segment maintains a very creepy atmosphere and a genuinely scary plot. Christopher Lee is, as always, superb in his role. Nyree Dawn Porter is also very good as the nanny, and my special praise goes to then 11-year-old Chloe Franks. This ingenious segment alone makes the film a must-see for every true Horror-fan.
In the fourth segment, Horror-actor Paul Henderson (Jon Pertwee) moves into the house with his sexy mistress/co-star Carla (Ingrid Pitt). This fourth story is satire, more than it is actually Horror. It is a highly amusing satire, however, and there are many allusions to other Horror films. At one point Henderson indirectly refers to Christopher Lee, who stars in the previous, third segment...
All four segments have a delightfully macabre sense of humor and a great atmosphere. As stated above, the third segment is by far the creepiest and greatest, but the other three are also atmospheric and often macabrely humorous Horror tales that every Horror lover should appreciate. An igenious atmosphere, a macabre sense of humor, genuine eerieness and a brilliant cast make this one a must-see. In Short: "The House That Dripped Blood" is an excellent Horror-omnibus that no lover of British Horror could possibly afford to miss. Highly Recommended!
Peter Duffel directed this anthology film that stars John Bennett as a Scotland Yard Investigator looking into the disappearance of two films stars(played by "Doctor Who" star Jon Pertwee, and Ingrid Pitt) who were last seen in an old house they had let while filming a new movie. The real estate agent tells him four tales about the mysterious house: 'Method For Murder' - A writer comes to believe his character(a mad strangler) has come to life. 'Waxworks' - Peter Cushing plays a retired man who becomes fascinated with a waxwork version of Salome, much to his regret; 'Sweets For The Sweet' - A man(played by Christopher Lee) treats his young daughter harshly out of fear, bringing an ironic fate upon himself. 'The Cloak' - The film star buys a cloak that turns him into a vampire. Good set of tales here, with fine direction and music score; Last tale is best, a real treat.
Another Amicus Production anthology starring Christopher Lee and the late Peter Cushing. It seems like you can never go wrong with those two - or Amicus for that matter; classic performances by both men indeed. I don't consider these tales terrifying but they offer substance and quality that becomes enjoyable to the viewer. I won't go into any detail concerning each tale, but like usual, they all represent a unified theme. The conclusion is satisfying and I would love the opportunity to own this film. A fun way to spend your afternoon if you cherish the usual setup from Amicus - and, if you're not familiar, why not get acquainted?
¿Sabías que…?
- TriviaPeter Cushing (Philip Grayson) tried to get out of his contract so that he was not away from his sick wife Helen, but he had to carry on. Helen Cushing died in January of 1971, a month or so before this film was released.
- ErroresPaul Henderson's coffin opens on the right side to attack Inspector Holloway. Later, the coffin opens on its left.
- Citas
Paul Henderson: That's what's wrong with the present day horror films. There's no realism. Not like the old ones, the great ones. Frankenstein, Phantom of the Opera, Dracula - the one with Bela Lugosi of course, not this new fellow.
- ConexionesFeatured in The Amazing World of Kreskin: Peter Cushing (1973)
- Bandas sonorasString Quartet No. 14 in D minor, D 810 (Death and the Maiden) - First movement: Allegro
(uncredited)
Composed by Franz Schubert
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The House That Dripped Blood
- Locaciones de filmación
- Weybridge Hall, Weybridge, Surrey, Inglaterra, Reino Unido(Jacquelin's Museum of Horror)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 500,000 (estimado)
- Tiempo de ejecución
- 1h 42min(102 min)
- Relación de aspecto
- 1.85 : 1
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