Pasión de juventud

Hoo boy -- the only thing worse than a bad comedy is a bad comedy from the Vietnam era, especially one that was clearly made by old people who distrusted and feared the youth movement.

So on the shelf with "Skidoo" and "Smashing Time," try and stock a copy of "The Phynx," a ridiculous spy spoof featuring some very forgettable Leiber/Stoller songs (the band-in-the-movie's big hit is "What Is Your Sign?") and a whole lot of over-the-hill Hollywood notables (and Colonel Sanders!).

This movie is pretty hard to find, and it's probably just as well -- the only thing interesting about it is how obscure it is.

Odds are you have never seen The Phynx and for good reason. This is the deformed beast of a child that Hollywood wants to keep locked up in the attic. Its the hell-spawn of the youth movement and the old embalmed generation coming together to make ... something.

The basic plot concerns the SSA (Super Secret Agency) attempting to rescue the icons of American culture that have been kidnapped and brought to Albania. Who are the great icons? George Jessel, Rudy Vallee, Edgar Bergan, Huntz Hall, Leo Gorcey, Joe Louis, Col. Sanders, Xavier Cugat and probably a dozen others (all I can say is I hope they were paid a lot). SSA decides that the best way to get them out is top form a rock band (think Monkees and Beatles singing songs by Lieber and Stoller) and have them invited into the country. They then kidnap Two white guys an Indian and a black guy and force them to be spies and a rock group thus allowing for some surreal bits as other stars show up to train the band (Richard Pryor, Dick Clark, James Brown among others).

My jaw dropped and stayed down for a good portion of the films running time.

I'm not sure how to rate this film. Its occasionally funny, has some good songs and proves that not everyone needs drugs to have their brain smashed like an egg.

This is a clear warning about who and who should not be mating. Clearly its a movie that wants to appeal to the youth market while at the same time doing everything it can to attack and make fun of the same market. Its as if your stuffed shirt of an uncle made your choices in current popular culture, clearly you wouldn't want to see his choices. At the same time the film is clearly about youth and what was then current culture so it wouldn't appeal to the old folks. Its a movie that will appeal to no one.

Actually not no one, bad movie lovers, fans of surrealism, those who must see every movie made by their favorite star, masochists, mental patients and those who want a unique (but not necessarily good) viewing experience will want to check the film out.

I've given it a 5 out of 10 because there is some good and some bad mixed in with the "I don't believe this" material so its the fairest rating I could come up with. Your reaction will be your own and with a movie like this I don't even want to guess what that is going to be. Take this review as either and invitation or a warning, its your choice.

Nice to see the old TV Stars from the 50s and 60s but the movie overall is not worth watching for any other reason. It was nice to see actors like Clint Walker and Johnny Weismuller on the screen once again. The movie, however, has no character to it what so ever.

Hollywood tried so hard to assimilate the new hippie movement in their TV shows and movies and usually got it way wrong. so many films failed to do the "mix", SKIDOO, I LOVE YOU ALICE B. TOKLAS, etc.

The Phynx boasts a huge cast of Hollywood idols and can actually stand alone on that basis! Old stars, solo, or with their partners, are "relocated" to a huge estate, held hostage by the supposed "new" generation of entertainer...and indeed, when James Brown and 1969-70 entourage arrive, as ambassadors of the new music industry, we are impressed.

Songwriters Leiber and Stoller wrote the songs for this bizarre experiment and none are any good. That's why James Brown should have done a song or two from his own catalogue. OK, OK...................

Getting' back to those "old" stars: there are many here which justify the proverbial price of admission. I bought the DVD for the 1970 version of Gorcey and Hall. No laffs. But a gas to behold, so many years later!

Somebody's stealing the celebrities of Hollywood's Golden Age, and that somebody is in Communist Albania. Our Super Secret Agency spies get the idea that the way to bring the celebrities back is to create some new celebrities, in the form of a pop band who will get invited to Albania themselves. Thus the band "The Phynx" is created. (The less said about the music of Lieber and Stoller, the better. Although, there was one song that kept reminding me of the Fifth Dimension's "Up, Up and Away".) The movie is normally considered a bomb, although I found it not quite as bad as that. The build-up is exceedingly slow, and most of the celebrities are underused. Thankfully, most of the celebrities - at least, the ones in Albania - are introduced red-carpet style so nobody will have trouble putting names to faces. The people playing the band members, of course, have no acting talent, although they could probably dance as well as Ruby Keeler.

There are a lot of celebrities in this one. Maureen O'Sullivan and Johnny Weismuller; Rudy Vallee; Huntz Hall and Leo Gorcey, the latter looking like death warmed over (he died before the movie was released); George Jessel; and even Col. Sanders are among those in captivity in Albania. Joan Blondell plays the First Lady of Albania. Martha Raye is one of the few who gets a chance to shine as the Agency's contact in London. James Brown comes next closest to shining. Richard Pryor is woefully underused.

One other good thing is the sequence in Rome. The band members are looking for a piece of a map tattooed on a woman's abdomen; they're given x-ray glasses to look through people's clothes. This sets up several opportunities for sight gags, some of which actually work. There's one of a man chatting up a woman in a club, where it turns out that both of them are actually men, and another of two young women talking to two nuns.

If you like "so bad it's good" movies, this one is actually worth watching since you'll find a whole bunch of "What were they thinking?" moments. I give it a 7/10 on that scale, not on the same scale I would rate Casablanca.