I lunghi giorni dell'odio

Released in 1968 and directed by Gianfranco Baldanello, "This Man Can't Die" (aka "The Long Days of Hate") stars Guy Madison as a government-hired agent looking for the ringleader of a group of gunrunner/bootleggers. Meanwhile his parents are murdered and youngest sister raped (Anna Liotti). Will he and his younger brother & other sister (Steve Merrick & Susy Benson) find the killers and their ringleader? Rik Battaglia and Rosalba Neri are also on hand.

This is a serious spaghetti Western more akin to Sergio Leone's "Once Upon a Time in the West" (1968) than his comic booky (and sometimes goofy) Man with No Name trilogy. But it's half as long as "Once Upon a Time" and therefore leaner, which is better in my book (although "Once Upon a Time" is technically the better movie). While not great, it's a solid Western with a lousy English-speaking title. Too bad Anna Liotti's role wasn't bigger because she's an ultra-cutie.

The film runs 90 minutes and shot in Spain.

GRADE: B

In This Man Can't Die (English title) Guy Madison plays an undercover agent of the United States government who recently finished up work on a group of gunrunner/bootleggers but failed to find out the identity of the ringleader. Meanwhile, a family is viciously attacked, the parents murdered and the youngest daughter raped.

The link between the two apparently unrelated plots isn't apparent at first, leading to some confusion on the part of the audience.

Overall, it's a decent little Italian western with a decent performance by Madison, good production values, and excellent use of locations, though the afore mentioned confusion and some slow spots lead it to be less than spectacular.

At first I was going to congratulate the filmmakers on an excellent imitation Ennio Moriconne score but then I recognized a few music cues as being directly lifted from A Fistful Of Dollars, which leads me to seriously question the other songs on the soundtrack! Were they from other movies too?

Very well made Eurowestern with Guy Madison (almost unrecognizable) as Martin Benson. The plot may be a familiar one to Eurowest fans, but the director gives a standard plotline a fresh new look. No overacting in this film, which sometimes is the case, just straightforward acting from the entire cast. I would give the film at least five stars (maybe more)!

Guy Madison was another former big name star who went to Italy in hopes of work and got to star in this pasta oater, Long Days Of Hate. The former star of Wild Bill Hickok on television must have waited for the pay check to clear before embarking on this one.

When the film opens we find out that Madison has been undercover with a gang of gunrunners, selling army rifles to the Indians, but his cover was blown before he found out who the real leader was. So what do the outlaws do? Invade his home and kill his parents and rape one of his sisters. Of course Madison and the siblings are out for blood.

There is an older sister, but she's untouched because the leader of the gang has a thing for her. If you care to see the film, you'll find out who it is.

When he was in the states Madison in addition to Wild Bill Hickok on television did a few nice B westerns and seeing him in this is really quite a come down.

Madison must have envied what happened to Wild Bill in Deadwood after working on this.

Things are getting complicated in the Benson family. Older brother Martin is out tracking down and destroying gun runners, while back at home a bunch of jerks have just turned up at the ranch, killed Ma and Pa, and raped sister Jenny! Revenge is on hand, but only the wounded guy the Benson family find on the ranch can tell them who set the attack up. That man can't die!

At first you've got a split film, as you have Guy Madison as the more violent Benson brother wasting his way through the bad guys before he even knows what has happened back home. In fact, his girl Rosalba Neri can't get a word in to tell him what's happening while he's all over her like a rash, Elsewhere, you have the rest of the Benson clan keeping it together and trying not to let the world know that one of the attackers is still alive. Plenty of twists happen and thankfully although the film drags here and there things pick up with the gunfights at the end.

There's a pretty good gunfight in a burning house and an even better one in a bar. For the most part this plays out like an average Western but has enough in there to stand out at least slightly from the pack. Rosalba Neri helps. Of Course.