El blanco móvil

This movie is so great. It is very funny and intriguing at the same time. It liked it so much that I made my boss at the video store sell it to me. Harper is a down on his luck P.I. who is going through a divorce and lives in his office. The story has a lot of plot twists and is an excellent who-done-it. Also, what can I say about Mr. Newman but simply...yum.

While perhaps not as taut as "The Maltese Falcon", but just as intricate as "Chinatown" or "L.A. Confidential", "Harper" is an under-acknowledged gem of a film that's as cool as it's leading man. It's with this film that I began to get a better appreciation of Paul Newman, easily one of the most versatile leading men Hollywood has ever produced. Here, he plays Harper as something of a SOB, always looking at the paycheck as his top priority. Not that the pond he has to swim in is any better; a frigid woman client, a hot-to-trot teen daughter, a duplicitous servant, an attorney who's the closest thing to a friend Harper has, a washed-up nightclub singer, her sinister, Texan husband, and a cult leader aren't exactly what one would call charming dinner company. It also doesn't help that the guy Harper's trying to find isn't even liked by the wife who hired him (thanks to the under-appreciated fire and spirit of Lauren "Betty" Bacall, one of the true originals) or anybody else. The only thing they like is his money.

Like a good boxer, the plot bobs and weaves, never letting the audience know when the next surprise is coming until it's too late. While Chandler is cited when talking about this film, it also makes me think of Hammett's many, many tales of the Continental Op. Not everybody always tells the truth, not everything is what it seems, and the best laid plans of mice and men (to paraphrase Bobby Burns) wind up falling through. Some people may not have the patience for this film in our razzle-dazzle, in-your-face age of entertainment, but for those who prefer their movies with a soft, subtle touch, this is one for you.

Paul Newman is "Harper," a detective called upon to find a missing husband in this 1966 film based on the book "The Moving Target" by Ross MacDonald. It also stars Lauren Bacall, Arthur Hill, Pamela Tiffin, Robert Wagner, Shelley Winters, Robert Webber, Janet Leigh and Julie Harris.

Bacall, on the suggestion of the family attorney (Hill) hires Harper to locate her husband. Along the way, Harper meets some bizarre characters, including Strother Martin as an alleged religious guru, Harris as a junkie singer and others. There are enough twists and turns to keep the audience interested throughout.

As Harper, Newman turns in another excellent portrayal as he beards Steve McQueen in his den - and wins. His characterization has wit and style throughout - he's the perfect '60s detective with a wife he needs but can't stay with, a home in his office, and a determination to get at the truth despite a great deal of danger.

Though one usually doesn't associate Newman with warmth, he is perhaps more likable in this role than the ubercool McQueen would have been. Newman is, in fact, just plain great as he whips off those one-liners. Though down and out, his Harper plays it as it lays.

The supporting cast is wonderful, top-notch all the way, and the film is accompanied by a terrific musical score. Paul Newman has given us some great portrayals. I put Harper near the top of the list.

It's a "good" thing. From the go-go music and dancing, to the fearless overacting, to the multiple cameos (that Shelley Winters as an over-eating amorous drunk - wow!) by a who's who of famous actors, this film has everything but snappy editing. Enjoyable mainly for its unpredictability and seeing actors given free reign with their characters (Robert Wagner doing a bad James Cagney out of the blue!).

Enjoyable. If I had reviewed this in the 60's I'd have given it a "5". In 2002, I give it an "8".

This is very much like a late 1940s film noir, except it's filmed in the mid 1960s. It has that same edgy dialog and feel to it as private eye "Lew Harper" goes looking for a missing man. His character is based on Ross McDonald's best-selling P.I. "Lew Archer."

In "Harper," all the characters are suspicious and they vary from suave "Allan Taggart" (Robert Wagner) to the coquettish late teen "Miranda Sampson" (Pamela Tiffin) to a lawyer "Albert Graves" (Arthur Hill) who's infatuated with the hot teen and also carries a gun. Then there's the overweight has-been entertainer "Fay Esterbrook" (Shelly Winters), the druggie jazz singer "Betty Fraley" (Julie Harris), the New Age scam artist "Claude" (Strother Martin) and a bunch of gangsters and thugs who are the obvious targets. Of them all, I though Winters was the biggest hoot.

Along the way, Newman wins all the verbal bouts but loses the physical contests. He zings everyone with some great put-downs, but takes a physical beating a few times, too. He sports a nice shiner in the last half of the film.

This film will put you smack into the time period, when people danced "The Frug" and referred to cops as "the fuzz." People were starting to wear Beatle-type haircuts, although you'd never find Newman giving in to that counterculture fad. In here, at least, he's old school, tough, relentless and suspicious of everyone......which, at it turns out, is as it should be.

The DVD is now part of the Paul Newman Collection and it's shown with a very sharp 2.35:1 ratio transfer, very much showing off Conrad Hall's cinematography. Johnny Mandel's music score adds to the "coolness" of this film, too.