El cañonero del Yangtzé

STEVE McQUEEN makes a completely believable machinist's mate aboard a U.S. Navy gunboat who finds himself enmeshed in the politics of unrest that existed in 1926 China during the period of the Boxer Rebellion. It's probably one of the finest roles of his career--honest, vexating, and completely true to the emotions of his character whose only real concern is taking care of his engines.

There are plenty of other good performances. RICHARD CRENNA is the Captain, uncertain of just how the U.S./Chinese friction should be solved, and CANDACE BERGEN is lovely as a missionary who has a tender romance with McQueen.

The exotic locales (it was filmed mostly in Taiwan), the lush background score by Jerry Goldsmith, and the confrontation between the U.S. Navy and the Chinese authorities which supplies the necessary suspense before an action-filled climax, all serve to make THE SAND PEBBLES a fascinating look at a period in history that is seldom explored. And, of course, it raises questions as to our role in imperialism and our interaction with the culture of foreign countries that make the film relevant today.

It's a long film, rather uneven in places, but directed with rare sensitivity by Robert Wise and richly detailed period atmosphere.

This film begins in 1926 with a navy sailor by the name of "Jake Holman" (Steve McQueen) reporting for duty to the U.S.S. San Pueblo which is stationed near Shanghai, China. Since his last assignment was with the Asiatic Fleet he now looks forward to being on a smaller ship as he will now have complete control over the engine room without anybody interfering with his duties. At least, that is what he initially thinks. However, he soon learns that everything on board the ship is run by Chinese workers and this causes an immediate problem between him and the main engine room coolie named "Chien" (Tommy Lee). It also doesn't help his situation that the captain of the ship "Lieutenant Collins" (Richard Crenna) has taken an immediate dislike for him either. And these two issues become even more serious as the political situation in China begins to really explode. Now rather than reveal any more I will just say that this was a very well-made film which captures the political climate in China before World War II in a very fine manner. It also has some very good performances by both Steve McQueen and Richard Crenna as well. That being said, I thought that this was a pretty good movie for the most part and I have rated it accordingly. Above average.

"The Sand Pebbles" is an epic war movie set during the 1920s in China.

Steve McQueen delivers one of his strongest performances as Jake Holman, the sailor responsible for the engine room of the U.S.S. San Pablo gunboat.

There are uncomfortable scenes in the film. The 1920s were not a time of political correctness and the treatment of the Chinese "coolies" on board the ship, and the bargirls on shore, is shocking.

Richard Attenborough plays the romantic Frenchy Burgoyne, who falls in love with the local bar's new hostess, Maily (Marayat Andriane).

The beautiful soundtrack by Jerry Goldsmith is memorable.

8 out of 10.

I first saw this (the 182 mins version) in the early 90s.

Revisited it few days back but again the 182 mins version.

Tried very hard to get the 196 roadshow version but to no avail but was lucky to come across all the deleted/roadshow version scenes on YouTube uploaded by BossHossGT500.

McQueen deserved an Oscar for this movie and his anti hero/rebel character is an epitome of a cool rebel.

The movie has some amazing picturesque images.

For a war film, The Sand Pebbles features very little war/action scenes but that shouldn't deter u from watching this classic movie.

The last scene with the dialogue: I was home. What happened? What the hell happened?

The last scene is very poignant, surrealistic n far ahead of its time in terms of the horrors of war.

A long, spectacular, long, good-looking, long, and well-written and long and well-acted production that puts Steve McQueen's usual insubordinate malcontent in the unusual setting of Shanghai in 1926 (and more than twenty years after 'The Purple Heart' provides a nostalgic return to the big screen by Richard Loo as a vengeful oriental).

Based on Richard McKenna's 1962 novel and reminiscent of '55 Days at Peking'. At least director Robert Wise didn't have to leave the production in a wheelchair as Nicholas Ray had on the earlier film. But after such an arduous shoot he was reluctant to be ruthless in the editing room and at over three hours the end result is almost as exhausting to watch as it was to make.

Wise later said the subplot involving Richard Attenborough and Maryat Andriane (recalling that with Red Buttons & Myoshi Umeki in 'Sayonara') was the most expendable component in the film. But it also gives the film it's heart, so fortunately it stayed.