Tres en un sofá

Artist Christopher Pride has won a contest to paint a mural in Paris. He shows up to collect his award from the diplomats in an office, with the nervous energy one would expect from Jerry Lewis. Just one problem: he's about to get married to Elizabeth, a psychiatrist in a Los Angeles office building which must be about the size of the Empire State Building, judging from the number of psychiatrists in the building directory. If they get married, Elizabeth will have to accompany Christopher to Paris.

Elizabeth can take time off from some of her patients, but three of them will be devastated if she has to leave them. Mary Lou has a Southern accent and likes insects. Anna sounds European and sells perfume in a department store, but she likes cowboys. Susan is an exercise nut (she can't just lie on the couch; she must always be working out). All three have problems with men and need to talk to Elizabeth constantly about them.

Christopher's best friend Ben, an obstetrician, comes up with an interesting idea. What if Christopher goes out with each girl, portraying their ideal man? It might work. I know it'll work for the audience.

Ringo Raintree shows up at Anna's workplace with a cigar in his mouth. The poor man struggles with that cigar but somehow always manages to keep it in his mouth while talking up a storm about being the greatest rancher west of Chicago. Let's just hope he never has to prove his ability in, say, a rodeo.

Warren tries to keep up with Susan on the jogging trail. I wasn't aware people jogged in 1965, but Susan is kind of unusual.

And one of the movie's funniest scenes, and certainly one of Lewis' most hilarious moments, comes when Heather persuades Mary Lou to visit her very shy zoologist brother Rutherford. Heather is actually Christopher in drag, but she uses the key to her brother's apartment, goes in and discovers him hiding out in the bedroom, terrified of meeting this woman. As they argue, Mary Lou listens from the living room, but Christopher is actually taking off his dress and female underwear (lots of it in those days--and grapefruits in his bra) to get dressed as Rutherford. Heather is quietly washing her hair when her extremely nerdy brother finally meets Mary Lou, and he's not nearly as shy as she expected. He's about as goofy as Julius Kelp, though.

So will the plan work? Well, there are many funny moments. One of the best that I haven't mentioned is Warren's attempt to hit a board in Susan's karate class. But there's much more that you can probably guess will happen.

There was one scene that didn't make a lot of sense to me. After all ... well, I won't give that away. Let's just say there's a lot of excitement at the end. Particularly funny are the elevators.

I was surprised at first, because this didn't seem to be the wacky, zany comedy typical of Jerry Lewis. I've only seen a handful of his films only because I waited for them to show up on broadcast TV, which this one did. But it took time to set up the situation, and I worried this would actually be a comedy-drama. No, once the scheme began, it was everything one would expect from Jerry Lewis. Maybe not his best work, but he certainly shows his talent here.

James Best even sounded a little like Sheriff Rosco at times. Those noises he made when Ben was nervous must have originated with Best and not Rosco.

Kathleen Freeman was very good as Elizabeth's secretary. The poor woman, but she handles herself very professionally.

The other actresses did a pretty good job too. And there's a drunk who is entertaining.

I enjoyed the music a lot. Jerry Lewis must enjoy big band jazz as much as I do. And there's quiet jazz in restaurants as well as straight elevator music. No, not in the elevator. The elevator scenes are too wacky for that.

A great job.

I'm not normally a Jerry Lewis fan ... but this is one of his very few movies I can watch more than once. Lewis held back on his normal goofy, over-the-top performance to play a more normal type of romantic comedy lead.

In this one, his paramour is Janet Leigh: mature, gorgeous, and worth the watch all by herself. Lewis has given up a career as a commercial artist to take on art for art's sake, and won a contest to spend a month in Paris painting a wall-sized mural ... all expenses paid plus a $10,000 commission. He wants Janet to spend the month in Paris with him. Who wouldn't?! :-)

The problem is she's a psychiatrist with three patients she can't abandon until she'd given them more confidence after bad breakups. So Lewis set out to date the three patients, as three different impostors, and give them confidence. What could go wrong?

Plenty!

Jerry's portrayal of Rutherford and sister Heather is one of his best. I'm giggling now as I remember the scenes. The movie is truly a delight to watch; I discovered it during the late 70's. Despite bad press from some and in my opinion, Jerry Lewis is one of the kings of comedy. In fact, Jerry is my second favorite comedian next to Richard Pryor.

I just finished watching this movie, it was the first Jerry Lewis film I've seen, and I'm already a fan of this comic genius. Three On A Couch is full of gags from start to finish, constantly keeping the audience laughing with Jerry Lewis' character's attempts to make three women think he's three separate people. Jerry Lewis shows his talent as a comedic actor as he plays all those characters perfectly, but also awkwardly as though he's nervous that he might get found out. And yet the awkwardness is so subtle that it's believable that the ladies don't think something's up. He's also very deadpan in this movie, and at the same time high energy in his gags, much like Charlie Chaplin. So, bravo Jerry Lewis, you put on one heck of a performance.

Although I will admit that some of the jokes didn't work. Some of them went on just a tad too long. Although they don't hurt the movie much. Also one thing I thought the movie should've done was make the three women more developed characters instead of just one-dimensional straight-men. Only one of them showed a personality (the athletic one), the others just seemed to have personalities described but not shown.

Judging by the low score and the fact that it was featured in a book called Fifty Worst Movies (or something like that), I'm guessing this is one of Jerry Lewis' lesser movies. I haven't seen any of his other films so I can't say if Jerry Lewis fans will enjoy this, but I'd definitely recommend it to people who want to watch a really funny movie.

Jerry Lewis (as Christopher Pride) wants to marry Janet Leigh (as Elizabeth "Liz" Acord) and move to Paris, where he has been commissioned to design a mural. But, Psychiatrist Leigh doesn't want to leave her patients; especially three strikingly beautiful women, who can't seem to develop romantic relationships with men. Mr. Lewis decides to assume three different alternate identities, in order to warm up the three frigid women, and free up fiancée Leigh. Will things get too hot?

Leigh and the three women (Mary Ann Mobley, Leslie Parrish, and Gila Golan) are lovely looking; but, don't watch for them to run around in bikinis and towels a lot -- there isn't much skin on display. James Best (as Ben Mizer) handles the role of Lewis' straight man well. The supporting cast performs ably; Kathleen Freeman and Buddy Lester are always fun to watch, drunk or sober. Lewis plays his "main" personality and four others -- "Warren", "Ringo" (not Beatle-influenced), "Rutherford", and "Heather". They are not complicated characterizations and, so, are not among is best.

"Three on a Couch" is interesting in its overindulgence. It's the Lewis brand, with a drink in one hand, and a cigarette in the other. Note, the script and situations are drenched in alcohol. This gives the film a "drunk", enochlophobic feel. The film's closing "party" has a surreal quality, with guests pouring into spaces they shouldn't fit. Lewis directs this "party" scene very effectively, by the way; his directorial skill is sometimes overshadowed by his on screen persona -- he might have been wise to peruse a parallel career directing movies in which he does not appear.