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Watching a show like "The Flying Nun" is like experiencing part of a 60's time capsule (in the best sense) because it's light years away from today's television fare. Starring the young Sally Field as a novice at the Convent San Tanco in Puerto Rico (who, incidentally, can fly) and co-starring such worthies as Madeleine Sherwood (as Mother Superior), Alejandro Rey (as playboy Carlos Ramirez) and Marge Redmond (as Sister Jacqueline), the makers of the show actually triumphed over its admittedly outrageous premise and crafted a series full of humor and heart. Field was ideally cast as Sister Bertrille (the former Elsie Etherington) who eventually wins over even the staid Mother Superior with her undeniable charm, high spirits and always good intentions. The gradual way in which she endears herself to The Reverand Mother (beautifully played by the gifted Sherwood) and the often exasperated Carlos, is unexpectedly moving. The show is beautifully photographed as well, and sports a truly lovely musical score. Marge Redmond (who served her convent apprenticeship as a Nun in "The Trouble With Angels" the year before), is a warm and wise sidekick for Sister Bertrille. There are several up-and-coming future stars as well. The first two seasons are now out on DVD and they have stood the test of time. It's easy to call the series just a throwback to a more innocent era, but there's more to it than that. Just watch the wonderfully touching episodes in the first season--the truly touching "Tonio's Mother", "The Dig-in" and "The Sister and the Old Salt". They tug at the heartstrings without being the least bit cloying. And for those who demand variety, there's "With Love From Irving" in which Sister Bertrille is stalked by a lovesick pelican! As a bonus, several episodes feature Field singing, something she did very well, and the songs are charming as a result. Vividly restored on DVD, "The Flying Nun" remains as enjoyable as ever--can't wait for season three!

Some of these reviews are as silly as this show! Really, we're going to argue about the aerodynamics of her flying? Complaining about the accuracy of accents of Spanish? It's a show called "The Flying Nun".... This is NOT a realistic show, the title should be a tip-off. I am a logical person, so when I watch something meant to suspend disbelief, I DO, or don't watch it. No, this isn't a great show, but it is entertaining, fun, and cute. It isn't boring, even if it is pretty insipid.

Sally Field is a fantastic actress and is very likeable, in fact there is not chance this show would have lasted more than a season without her. Even if she doesn't like the show, she made the character(not the plot devices) believable, she made the show what it was.

I watched this as a kid on reruns, I thought the idea was stupid, but you know what? I still watched it and liked it anyway! it is really a truly absurd show, but it is clean and fun and safe to let your children watch. How many shows can you say about these days? Even "children's shows" are filled with violence and sexual innuendo. I see this as more of a children's show than anything, and funny enough, if it were a cartoon people would not be nearly as hard on it because, I suppose, adults assume it is meant to be silly and not take it seriously.... Any adult should be able to use enough logic to do the same with a live action film, it isn't meant to be realistic, not one bit.

I have watched scattered episodes, so I can't tell you how good the whole series is, but if you expect something wholesome with an absurd plot that is still entertaining, you at list can find some enjoyment in it.

The primary reason this series was as immensely popular with young girls as it was, was the relationship between Carlos Ramirez and Sister Bertrille (the secret is out -- most of the little girls of my era desperately wanted Sister Bertrille to run off with Carlos ... and no matter how TPTB tried to dissuade them, that fact never wavered). The two actors had amazing chemistry, a fact which no doubt reflected their friendship which lasted through the years. Forget the ludicrous premise and the almost cut-and-paste plot lines, the show has a gentle, genuine sweetness about it that just doesn't show up on TV these days. It's not treacly at all, despite the cynicism thrown at it. It's far from the worst TV show in the history of the medium. And it's a joy to see the work of Alejandro Rey, who had far too short a life.

"The Flying Nun" was developed by Screen Gems writer Bernard Slade ("Bewitched", "The Partridge Family") from a book by Tere Ríos titled "The Fifteenth Pelican". Following the cancellation of "Gidget", ABC rushed to get Sally Field into her second starring sitcom- a role she was reluctant to accept and grew to hate. Field later stated that she was not treated with respect by some of her directors, and at times more like a prop. The hour-long pilot was filmed on location in San Juan, Puerto Rico with shots used as the series' opening and closing. The series hit the ground running as an instant hit but ratings dropped throughout the first season. The producers tried to compensate by changing the comedic format to broad slapstick in the second season before returning in the third and final season to its sweet, heart over laughs, light nature. During its run, co-star Marge Redmond, who also narrates each episode, was nominated for an Emmy Award for Outstanding Supporting Actress in a Comedy Series.

Reflecting upon the series after recently watching each episode, "The Flying Nun" was a ludicrous sitcom in an era of ludicrous sitcoms. Unfortunately, it was nowhere as sophisticated as "Bewitched", as endearing as "I Dream of Jeannie", as affable as "Mister Ed", or even matching the entertaining level of "Gilligan's Island". "The Flying Nun" was a series continually searching for its identity, reformatted each season. It struggled to find the balance between heart and laughs, but the rare times it did was very enjoyable. Plot lines were often dry and predictable, and at times completely misguided and lacking execution. Episodes excelled when it combined an engaging plot, clever dialogue, the warmness of the convent's heartfelt work, and well-placed comedy. Some of the best were feel-good offerings and those focused on being touchingly dramatic, especially "Antonio's Mother".

I felt it was easy to see that Sally Field was struggling to get into her role as Sister Bertrille early in Season One. But when she did embrace it audiences were rewarded with the warm, good-natured personality they came to admire in her similar character of "Gidget". Sister Bertrille serves as a great role model for everyone, hopefully inspiring them to be a better, more caring person. She had nice chemistry with Alejandro Rey, helping make Carlos' exasperated character relatable. Madeleine Sherwood played her sage, straight-laced superior very well as a figure who adhered to policies but made every effort to do the right thing. Emmy-nominated Marge Redmond sets up situations nicely through narration and as a sounding board for Sister Bertrille. Shelley Morrison's Sister Sixto was the most dependable source of comedy with her mispronoucation of the English language giving whole new meaning to situations. Vito Scotti's Police Captain Fomento was the focus of Season Two's new slapstick approach, but it was often too forceful and strained.

"The Flying Nun" would have perhaps been better served as an uplifting dramatic series in the vein of "Touched by an Angel".

I am a 1960's TV trivia buff and do appreciate shows like The Flying Nun. I sat up and watched it late at night on TV Land and enjoyed what most today would consider ludicrous; or was it? I'd like to think that inspite of its premise: a 90 lb nun, whose cornet on a windy day enabled her to fly, inspired the notion of today's hanggliding. Someone must have felt that flying on aerodynamics was in someway, somehow possible. Sister Bertrille makes it look real and appealing. An ancient songwriter once said,"Oh that I had the wings of a dove so that I could fly away and be at rest". This longing is literally portrayed in the acting of Sally Field. It gives me a sense of mental relaxation in an era when television has lost its innocency and decency. Alejandro Rey was par excellence in his portrayal of Carlos Romeros. He stands on an equal level with the stupendous acting of Desi Arnaz, Sr.. Both Hispanics were equally irritated at the sometimes crazy antics of American-born female co-stars. Both displayed this annoyance in such a realistic and believable manner it was easy for the audience to accept their ethnicity. It would be nice if shows like this were immortalized in Hollywood.